Bovie Movie

An old and forgotten game develops magical powers in this fantasy for the whole family. Twelve-year-old Walter Budwing (Josh Hutcherson) and his younger brother, Danny (Jonah Bobo), figure they’re going to be in for a boring time when their father (Tim Robbins), who was supposed to spend the day with them, is suddenly called away on business, and gives them strict orders not to leave the house. Walter, who doesn’t have much use for Danny, is motivated by boredom more than anything else when he agrees to play a board game Danny has found in the basement during a round of hide-and-seek. However, the boys quickly discover the space-themed game Zathura has some unusual qualities — a roll of the dice unexpectedly launches the Budwing home into outer space, and Walter and Danny are suddenly fending off menacing robots, angry aliens, and showers of interstellar debris outside the Earth’s atmosphere. As the boys try to figure out a way back home, they get some unexpected help from an earthling astronaut (Dax Shepard) who has also lost his way. Based on the book by children’s author Chris Van Allsburg — who also wrote The Polar Express and Jumanji — Zathura was directed by Jon Favreau, the actor-turned-filmmaker who enjoyed a breakthrough success with Elf.

George Lucas’ mythological popcorn movie is a two-hour roller-coaster ride that has passed into movie legend. The story, for the tiny number of people not familiar with it, concerns a farm boy named Luke Skywalker (Mark Hamill) who discovers that the used robot recently purchased by his family plays back a message from one Princess Leia (Carrie Fisher), begging for help from Obi-Wan Kenobi. Luke asks his father’s friend Ben Kenobi (Alec Guinness) about this, and he discovers that Ben and Obi-Wan are one and the same. Kenobi tells Luke of the battle of the rebels against the ruling Empire and the spiritual energy called “The Force.” Soon Luke, Kenobi, and a mercenary named Han Solo (Harrison Ford) join forces to rescue Princess Leia from the Empire’s mammoth warship, the Death Star, controlled by evil genius Darth Vader (David Prowse, with the voice of James Earl Jones). George Lucas has frequently cited the influence of several films on Star Wars, particularly Akira Kurosawa’s The Hidden Fortress and Yojimbo and John Ford’s The Searchers, as well as the original Flash Gordon serials. After Star Wars became a success, Lucas announced his intention to turn the film into a series, originally totalling nine films (later pared back to six). Consequently, most reissue prints now feature the title Star Wars: Episode IV — A New Hope, with The Empire Strikes Back (1980) and Return of the Jedi (1983) serving as Episodes Five and Six in the serial, and Star Wars: Episode I — The Phantom Menace (1999) going back to the myth’s beginnings.

Though it’s an English-language film, the fantasy action comedy The Medallion is one of the highest-budgeted movies to come out of Hong Kong. Cop Eddie Yang (Jackie Chan) and his partner, Interpol agent Arthur Watson (Lee Evans), are in pursuit of international human-smuggling crimelord Snakehead (Julian Sands). The partners get seriously wounded and a mysterious ancient medallion transforms them into superpowered warriors called Highbinders. The two halves of the medallion are supposed to grant eternal life when joined together by a powerful young boy who was born during a specific time in the Year of the Snake. The villainous Snakehead wants to gets his hands on both the child and the medallion, and the heros try to stop him. Aided by special effects and action choreography by Sammo Hung, Chan fights his way toward a violent conclusion with Snakehead that takes place in mid-air.. Claire Forlani plays Jackie Chan’s love interest, the Interpol agent Nicole. Also starring John Rhys-Davies as Commander Hammerstock-Smythe.

Director Terry Gilliam adroitly applies his Monty Python sensibilities upon the “career” of famed German prevaricator Baron von Munchausen. Played herein by John Neville, the baron is seen quelling a war that he himself started, flying into the stratosphere on the back of a cannonball, ballooning to the moon, exploring the innards of a volcano, being swallowed by a whale….In short, all of Munchausen’s fabulous lies are here presented as “truth,” played out in full view of nonplussed witnesses Eric Idle, Charles McKeown, Jack Purvis, and Sarah Polley. Fringe benefits include several loving medium shots of jaybird-naked Uma Thurman as Boticelli’s Venus and an extended unbilled cameo by Robin Williams — that is, by the head of Robin Williams — as the King of the Moon. Filmed under considerable duress on a budget eventually exceeding 45 million dollars, The Adventures of Baron Munchausen never quite caught on with moviegoers, though it has enjoyed a lucrative afterlife on videocassette.

For his debut feature, John Hoffman wrote and directed this effects-heavy family film based on the story Dogs from Outer Space by Zeke Richardson. Produced by Jim Henson Productions, Good Boy! presents the idea that dogs are actually an intelligent alien species sent to earth thousands of years ago to spy on humans in preparation for a full-scale invasion and takeover. But when the spies stop reporting back to the home planet, Canid 3942 (voiced by Matthew Broderick) is sent to earth to investigate. Once there, Canid 3942 encounters Owen Baker (Liam Aiken), a young boy who runs a dog-walking service. Owen befriends the space-dog, renaming him Hubble. When it becomes obvious that the dogs of earth have forgotten their mission, Hubble enlists the help of Owen to get them all into shape before The Great Dane arrives to inspect. If they fail, all of earth’s dogs will be recalled to their home planet of Sirius. With Kevin Nealon and Molly Shannon as Owen’s parents, Good Boy! also features the voice talents of Brittany Murphy, Carl Reiner, Megan Mullally, and Donald Faison.

In the final episode of the Star Wars saga, Han Solo (Harrison Ford) emerges intact from the carbonite casing in which he’d been sealed in The Empire Strikes Back. The bad news is that Solo, together with Luke Skywalker (Mark Hamill) and Princess Leia (Carrie Fisher), is prisoner to the grotesque Jabba the Hutt. But with the help of the charismatic Lando Calrissian (Billy Dee Williams), our heroes and our heroine manage to escape. The next task is to rid the galaxy of Darth Vader (body by David Prowse, voice by James Earl Jones) and the Emperor (Ian McDiarmid), now in command of a new, under-construction Death Star. On the forest moon Endor, the good guys enlist the help of a feisty bunch of bear-like creatures called the Ewoks in their battle against the Empire.

Cinderella was Walt Disney’s return to feature-length “story” cartoons after eight years of turning out episodic pastiches like Make Mine Music and Three Caballeros. A few understandable liberties are taken with the original Charles Perrault fairy tale (the wicked stepsisters, for example, do not have their eyes pecked out by crows!) Otherwise, the story remains the same: Cinderella, treated as a slavey by her selfish stepfamily, dreams of going to the Prince’s ball. She gets her wish courtesy of her Fairy Godmother, who does the pumpkin-into-coach bit, then delivers the requisite “be home by midnight” warning. Thoroughly enchanting the prince at the ball, our heroine hightails it at midnight, leaving a glass slipper behind. The Disney people do a terrific job building up suspense before the inevitable final romantic clinch. Not as momentous an animated achievement as, say, Snow White or Fantasia, Cinderella is a nonetheless delightful feature, enhanced immeasurably by the introduction of several “funny animal” characters (a Disney tradition that has held fast into the 1990s, as witness Pocahontas), and a host of a sprightly songs, including “Cinderelly,” “A Dream is a Wish Your Heart Makes,” and — best of all — “Bibbidi Bobbidi Boo.”

At this late date, it should hardly be necessary to inform viewers that The Ewok Adventure was inspired by those fuzzy little space muppets seen in the 1983 Star Wars sequel Return of the Jedi. This costly made-for-TV film was executive-produced by George Lucas, with special effects provided by Industrial Light and Magic. It was first telecast with great fanfare November 25, 1984; its soundtrack was simulcast on regional FM radio stations to provide a “full stereo” effect. The plot (frankly the least fascinating element of this project) concerns two young kids searching through space for their missing parents. The kids wind up on the forest moon of Endor, where dwell the courageous little Ewoks, commandeered by Wicket (Warwick Davis). The winner of an Emmy Award for Outstanding Children’s Program (though not necessarily aimed exclusively at kids), Ewok Adventure was released theatrically as Caravan of Courage. It was followed in 1986 by a TV-movie sequel, Ewoks: The Battle for Endor, and by a Saturday-morning cartoon series.

Chuck Jones’ animated version of the classic Dr. Seuss book How the Grinch Stole Christmas originally aired on television in 1966 and has since become a holiday family favorite. Voiced by Boris Karloff (who also narrates), the Grinch lives on top of a hill overlooking Whoville with his dog, Max. Each year at Christmas time, the Grinch’s hatred grows stronger toward those insufferably cheerful Whos down in Whoville. Content to exchange presents, eat large banquets, and sing songs in the town square, the Whos live in a blissful ignorance of the Grinch’s contempt. One year, he gets the idea to stop Christmas from coming by dressing up as Santa Claus. He cobbles together an outfit and makes his dog drag him around on a sleigh while sneaking into the Whos’ homes and stealing their presents, food, and decorations. After he has stolen every last thing, the Whos wake up on Christmas morning to sing in the town square, causing the Grinch to question the basis of his nefarious plan. Thurl Ravenscroft (the voice of kid cereal mascot Tony the Tiger) provides the vocals for the song “You’re a Mean One, Mr. Grinch.” This story was remade into a live-action movie in 2000 by director Ron Howard starring Jim Carrey as the Grinch.

David Lynch wades through dark waters in his adaptation of Frank Herbert’s cult science fiction novel. In condensing Herbert’s rambling and complex book by eliminating characters and compacting events, Lynch succeeds in rendering the story incomprehensible to those unfamiliar with the novel and making the film look like a sketchy greatest hits collection of the book for Herbert fans. The story takes place in the year 10,191. The universe is governed through a system of feudal rule, presided over by Padishah Emperor Shaddam IV (Jos? Ferrer), who appears to take his marching orders from something that resembles a talking vagina. In the kingdom are two rival houses — the House of Atreides and the House of Harkonnen. Each house is trying to gain dominion over the universe, but that dominion can only be gained by the house that controls the Spice, a special substance that permits the folding of time. The Spice is only available on the desert world of Arrakis, or Dune. Shaddam, tired of the feuding between the two houses, permits the Atreides to take over the Spice production on Dune, while secretly working with the Harkonnens to launch a sneak attack on the Atreides and destroy them. The leader of the Atreides is Duke Leto (J?rgen Prochnow), who rules with the help of his concubine Jessica (Francesca Annis) and son Paul (Kyle MacLachlan). The rival Harkonnens are headed by the pus-oozing degenerate Baron Vladimir Harkonnen (Kenneth McMillan, in a thoroughly through-the-roof performance) and his two unsavory nephews, Rabban (Paul L. Smith) and Feyd (Sting). When his father is murdered by the Harkonnens, Paul escapes to Dune, where he is greeted by the Fremen (the desert dwellers on Dune who prepare the Spice) as the messiah foretold in Fremen legend. Paul assumes the mantle of messiah and leads the Fremen in a revolt that topples the balance of power in the universe.