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A young woman fights the spirit that is slowly taking possession of her.

The story begins in 1957 in the star-filled skies above California’s Mojave Desert. It is a special night for noted astronomer Ted Lewis, who is preparing a special dinner for his beautiful, adoring wife Lana to celebrate their wedding anniversary. In another part of town, Tammy, a waitress at small local diner with big plans for the future, looks out her window and is excited to see a shooting star, which she takes as a good sign for her dreams. But, what Dr. Lewis and Tammy assume is a shooting star, is really an alien spaceship. The fiery ball hurtles toward earth and crash-lands on a butte in the desert. The only witnesses are teens Dick and Penny who are necking in a nearby lover’s lane. A tall, metallic alien named Urp emerges from the craft unharmed, alarmed to discover that the monstrous Ghota, who was also on board, has escaped. The menacing one-eyed creature’s unquenchable appetite could mean the end of civilization as we know it. Urp is the only one who knows how to stop the hideous extra-terrestrial, but to do so he has to take over the body of Dr. Lewis and enlist the aid of Tammy, the only human in town willing to believe and trust in his mission. The local police - including Chief Dawson and Officer Vern - are confirmed skeptics and offer little help. Together, Urp and Tammy must hunt down the Ghota and neutralize it before it consumes all the local inhabitants and uses the human fuel to multiply and conquer the world!

The ghosts of Kayako and Toshio return to spread terror as the Grudge saga continues in this sequel featuring Saw star Shawnee Smith. Jake (Matthew Knight) may have survived the previous supernatural onslaught, though the sheer terror of his harrowing ordeal has rendered him nearly insane. Hospitalized, Jake is haunted by visions of his ghostly attackers as his caretaker Dr. Sullivan (Smith) sets out to investigate his incredible tales. In the midst of exploring Jake’s Chicago home, Dr. Sullivan discovers that Kayako and Toshio have targeted a new family. Should Dr. Sullivan fail in convincing a mysterious Japanese woman to help in banishing the vengeful spirits, everyone involved faces a fate worse than death.

When an aspiring rock musician Tony returns to his college town to make up with his estranged girlfriend Rosemary, he finds his life taking an unexpected turn to the dark side when he encounters a mysterious rock band Neowolf led by rocker Vince and the alluring band girl Paula. When Rosemary’s best friend KEVIN turns up dead, Rosemary seeks out a Nursery owner Mrs. Belakov who knows the secrets of an ancient evil.

When the moon is full, a friendly wolf turns into a savage, bloodthirsty man and goes on a killing spree in a starlet’s Hollywood mansion.

One of the most notorious slasher films of the 1980s returns to terrorize filmgoers with this blood-soaked remake that proves just how horrifying high school dances can truly be. Donna Keppel (Brittany Snow) has survived a terrible tragedy, but now the time has come to leave the past behind and celebrate her senior prom in style. When the big night finally arrives, Donna and her best friends prepare to enjoy their last big high-school blowout by living it up and partying till dawn. But while Donna is willing to look past her nightmares and into a brighter future, the man she thought she had escaped forever has returned for one last dance. An obsessed killer is on the loose, and he’ll slay anyone who attempts to prevent him from reaching his one and only Donna. Who will survive to see graduation day, and what will Donna do when she’s forced to confront her greatest fear? Scott Porter, Jessica Stroup, and Dana Davis co-star in the slasher remake that will have tuxedo-clad teens everywhere nervously looking over their shoulders as they file out onto the dance floor.

Three young people check into the Meadow View Inn for a night’s rest, fully unaware of the inn’s sick-minded employees and their nefarious intentions.

Jigsaw (Tobin Bell) might be dead, but his traps live on in this fifth Saw entry, which finds the series’ production designer David Hackl at the helm for his debut directing gig. Costas Mandylor reprises his role as Hoffman, the detective whose involvement in the string of grisly murders turns out to be more than meets the eye. Picking up where the fourth entry left off, Hoffman is revealed to be a hidden accomplice in Jigsaw’s grisly games of death, which look to be continued by the lawman. The plot bounces back and forth from the beginning of their relationship to the present, as Agent Strahm (Scott Patterson) delves farther into the case. Also in the cast are Dexter’s Julie Benz and One Missed Call’s Meagan Good as victims of another one of Jigsaw’s lessons in morality. Saw IV scribes Patrick Melton and Marcus Dunstan return to pen the screenplay for the Twisted Pictures/Lionsgate co-production.

Billions are dead and the few that are left start to realize they are not alone. Initially when the dead begin to rise, they are not very threatening. However, in a short period of time, the lurching bodies begin to get their most basic senses back and this makes them much more dangerous. When the dead become attracted to light and sound, the survivors have no option but to live in silent darkness.

Thrown naked into a desolate room with thirteen strangers, Tonya (Ailsa Marshall) discovers that she is the final contestant in a deadly game. Restrained by lethal electronic collars, the players must utilize hints and tools from a box marked “pieces” to find both an exit and the reason for their abduction. One by one the players are eliminated as their “curfew” begins and the lights go out. With each dead body comes another clue, which they use to discover that one of them is the killer. The question is … which one?

Daniel Stern, Ileana Douglas, Kevin Pollak, and Jere Burns headline director Tony Krantz’s black comedy detailing the meltdown of the typical nuclear family as they attempt to rescue their little princess from a notorious serial killer. Otis Broth (Bostin Christopher) needs a date for the prom, and Riley Lawson (Ashley Johnson) is just the type of girl he’s been searching for. Unfortunately for Riley, Otis has a rather sinister method of charming the fairer sex - it’s got something to do with power tools and other assorted sharp objects. When the authorities fail to deliver in their promise to bring Riley home unharmed and the young girl miraculously manages to break free of Otis’ dungeon-like cellar, the Lawson’s decide that the family that slays together stays together and sets out to seek vengeance against the hulking serial killer on their own terms.

Robert Perkins builds an army of 14 people brainwashed through cult-like methods to protect him from his parents’ killers. When Perkins is imprisoned, the police unwittingly unleash his followers on a small town and they’ve only got one thing on their mind: “Kill for Mr. Perkins.”

The stroke of midnight sets the stage for terror when four vacationing coeds turn the tables on a group of depraved backwoods miscreants. Art student Ilene (Robin Sydney) has a bizarre run-in with eccentric fellow student Caleb (Mark Senter) just before she and roommates Helen (Eryn Joslyn), Mary (Carlee Baker), and Jill (Eve Mauro) head out for a relaxing weekend at a lakeside mountain cabin. Later, as Caleb recalls the encounter to his older brothers, Palmer (Damian DeKay) and Fred (Justin Stone), and the family patriarch, Sir Jim (Frank Birney), the girls get ready to hit the road. On the way to the cabin, the girls stop by a roadside gas station and have a bit of fun with redneck proprietors Cyrus (Mike McKee), Runt (J.D. Brown), and Half Idiot (Luke Y. Thompson). A relaxing afternoon of skinny-dipping in the lake gets the weekend off to a good start, though things take a turn for the worse when Caleb, Palmer, Fred, and Sir Jim unexpectedly show up at the cabin looking for a raunchy good time. Just as things start to get ugly in the cabin, veteran detective Jake (Tim Thomerson) and his rookie partner, Ray (Michael Esparza), stumble into a ritualistic alter while investigating a bloody basement crime scene. Upon finding a newspaper clipping about a mysterious cabin, they race to the country to find another clue. But at this point the clock has just struck midnight, and things are just getting interesting out at the cabin. It seems that the girls have somehow managed to gain the upper hand against their attackers. Have Ilene and company accomplished this by simply outsmarting Sir Jim and the boys, or could it be that these outwardly timid coeds actually possess a deadly and diabolical secret?