Bovie Movie

The Jewel of the Nile takes up where Romancing the Stone left off, with romance novelist Joan Wilder (Kathleen Turner) traveling around the world with her boyfriend, Jack Colton (Michael Douglas). But Joan is becoming bored with Jack and all the romantic attention; as she asks, “How much romance can one woman take?” Invited by Omar (Spiros Focas), a wealthy Arabian potentate, to travel with him to his homeland, Joan readily accepts. Jack decides to pass on the trip, preferring instead to sail through the Mediterranean. It turns out that Omar wants to usurp the role of an Arab holy man known as “The Jewel of the Nile” (Avner Eisenberg), and Joan finds herself thrown in prison with the hapless spiritual leader. Jack comes to the rescue, teaming up with the slapstick bad guy from Romancing the Stone, Ralph (Danny DeVito). Together, the foursome have to cross North Africa in order to escape Omar’s minions.

Director John Landis helmed this Cold War farce starring Dan Aykroyd and Chevy Chase as Austin Millbarge and Emmett Fitz-Hume — two loser misfits who dwell in the lower ranks of the Central Intelligence Agency. Convinced despite much evidence to the contrary that they’re prime secret agent material, both men keep taking service exams in an effort to win promotion. Caught cheating on their latest round of tests, Austin and Emmett expect to be fired but are instead made full field agents and ushered into intense training. Little do they know that it’s all a ruse and that they’re about to be dumped in Pakistan to throw Russian spies off the scent of two real agents with an important clandestine assignment. A spoof of the “road” pictures popularized by Bing Crosby and Bob Hope, the film features a cameo by the latter as his golf-playing self.

This beautifully staged and costumed fantasy is about young Jack (Tom Cruise) and his lady love Princess Lili (Mia Sara), and how Jack battles Darkness (Tim Curry) to save both the Princess and the world. When the peasant Jack takes Princess Lili to see the unicorns, the strongest animals around, he does not know that Darkness, with his cloven hooves, yellow eyes, and red skin plans on using Lili as bait to weaken the unicorns which he does — and plunge the world into an ice age. Soon after that disaster, Darkness captures Lili and, Jack has to rally his elves and elvettes to rescue her and subdue Darkness at the same time. As one might guess, this fantasy is strong on visual elements but a little shaky on plot.

Adapted from the novel by Pete Hamill, Flesh and Blood stars Tom Berenger as Bobby Fallon, a street punk who develops into a topnotch boxer while in prison. Upon his release, Bobby is taken under the wing of manager John Cassavetes. Outwardly tough and unmovable, Bobby is tortured with memories of his miserable childhood, which included an incestuous episode with his mother (Suzanne Pleshette). This two-part TV movie concludes with a heavyweight championship bout, bankrolled by Bobby’s long-estranged father (Mitchell Ryan). Photographed with Rocky-like intensity by Vilmos Zsigismond, Flesh and Blood first aired on October 14 and 16, 1979.

Secret Agent 007 must stop a megalomaniacal technology mogul from destroying Silicon Valley in this unexceptional entry in the James Bond series. Computer baron Max Zorin (Christopher Walken) is planning to trigger a major California earthquake in order to wipe out his competitors. Bond is assigned to stop him, but first he must do battle with Zorin’s statuesque partner in crime, May Day (Grace Jones). The expected high-wire confrontations ensue, as Bond battles the villains at international landmarks like the Eiffel Tower and takes the occasional break to romance an attractive geologist. Unfortunately, nothing fresh is brought to the familiar formula, and even the well-staged action sequences prove less than exciting. Indeed, this otherwise by-the-numbers production is most notable for the fact that it marked the final appearance of Roger Moore as the dashing Bond.

This third installment in the popular “Lucky Stars” series — directed by Sammo Hung — finds Muscles (Jackie Chan), Kidstuff (Hung), Fung (Yuen Biao), and the gang taking a well-needed vacation in Thailand courtesy of the Hong Kong police department. Also on the trip is police inspector Woo (Sibelle Hu Hui-chang) on orders to track down a list of drug dealers from informant Ma (Melvin Wong Kam-sun). Unfortunately, Ma gets whacked by a Thai crime lord, but he tells Woo as he draws his last breath that he mailed the list to his friend in Hong Kong. Meanwhile, Muscles and the gang are shaking down Lau (James Tien Chun), a drug dealer who, it turns out, is being targeted by the same baddies that killed Ma.

Asterix and Obelix, the French comic book heroes created by René Goscinny and Albert Underzo (their adventures have sold 280 million copies to date in Europe), are brought to the big screen in their first live-action adventure. Set in 50 B.C., Asterix (Christian Clavier) and Obelix (Gérard Depardieu) are a pair of comedic heroes living in a small but well-protected village in Gaul, where a magic potion concocted by Druids turns the townsfolk into mighty soldiers. When Roman troops carve a path through Gaul to reach the English Channel, Caesar (Gottfried John) and his aide de camp Detritus (Roberto Benigni) discover the secret elixir and capture the Druid leader who knows its formula, and Asterix and Obelix are sent off to rescue them. Shot in Brittany, Bavaria, and Arpajon, Asterix et Obelix Contre Cesar brings these cartoon characters to life on a grand scale; it was reportedly the most expensive French-language film ever, at a cost of 274 million francs ($48 million).

Contemporary high schooler Marty McFly (Michael J. Fox) doesn’t have the most pleasant of lives. Browbeaten by his principal at school, Marty must also endure the acrimonious relationship between his nerdy father (Crispin Glover) and his lovely mother (Lea Thompson), who in turn suffer the bullying of middle-aged jerk Biff (Thomas F. Wilson), Marty’s dad’s supervisor. The one balm in Marty’s life is his friendship with eccentric scientist Doc (Christopher Lloyd), who at present is working on a time machine. Accidentally zapped back into the 1950s, Marty inadvertently interferes with the budding romance of his now-teenaged parents. Our hero must now reunite his parents-to-be, lest he cease to exist in the 1980s. It won’t be easy, especially with the loutish Biff, now also a teenager, complicating matters. Beyond its dazzling special effects, the best element of Back to the Future is the performance of Michael J. Fox, who finds himself in the quagmire of surviving the white-bread 1950s with a hip 1980s mindset. Back to the Future cemented the box-office bankability of both Fox and the film’s director, Robert Zemeckis, who went on to helm two equally exhilarating sequels.

The seventh cinema adaptation of the venerable stage farce Brewster’s Millions stars Richard Pryor as Montgomery Brewster, a third-rate baseball player. Much to his amazement, Brewster discovers that he is related to deceased millionaire Rupert Horn (Hume Cronyn, who appears only in a videotaped “living will”). Even more amazing is the fact that Horn has left Brewster his entire $300 million fortune. The catch? Brewster must spend $30 million within 30 days, or he’ll be left with nothing (in the earlier incarnations of Brewster’s Millions, the hero was required to spend only a million, but this was, after all, the inflationary ’80s). Aiding and abetting Brewster in his efforts to divest himself of his money are his catcher pal (John Candy) and an erstwhile lady friend (Lonette McKee), while his principal antagonist is a snotty attorney (Stephen Collins).