Bovie Movie

At the end of Highlander, Juan Ramirez (Sean Connery) died and Connor MacLeod (Christopher Lambert) was rendered mortal. “Highlander 2: The Quickening begins in 1999 when Connor solves the problem of an ever-depleting ozone layer on the earth by devising a giant shield around the entire planet. The earth is saved, except for the fact that it is now a continual 99 degrees, and the earth is plunged into 24 hours of darkness. 40 years later, Connor is an elderly man with liver spots, heading out for the opera. Then there is a flashback of Connor recalling his halcyon days on the planet Zeist hundreds of years earlier. Back on Zeist, Connor and Ramirez led a futile coup against the ruling dictator, Katana (Michael Ironside), that caused them to be banished to Earth. Back in the future, Katana sends a pair of wacky goons to kill Connor. When Connor lops off their heads, he is now young again…and immortal. Just the right time to meet the attractive scientist Louise Marcus (Virginia Madsen), who has discovered that the shield around the earth is no longer needed since the ozone layer has repaired itself. But, unfortunately, the shield is in the clutches of an evil cartel who wants to control the earth’s resources. Connor and Louise team up to battle the cartel while Katana sends out more emissaries to get Connor. Ramirez, although supposedly dead, also makes an appearance in the 21st century — garbed in full Scottish regalia.

Director Mark L. Lester modeled this police action drama on the Hong Kong style, guaranteeing plenty of over-the-top action sequences. Dolph Lundgren stars as police detective Chris Kenner, an American raised in Japan. He is given a new partner, Johnny Murata (Brandon Lee, making his Hollywood debut), a Japanese raised in America. The two are made for each other — Chris doesn’t appreciate American culture, while Johnny doesn’t much like Japanese culture. One thing they both enjoy are the martial arts, of which they are experts. The two are assigned to L.A.’s Little Tokyo, trying to nab the notorious Yoshida (Carey-Hiroyuki Tagawa), a drug manufacturer using a local brewery as his distribution center. Yoshida, a member of the Yakuza, has brought the residents of Little Tokyo to their knees. But Chris has personal reasons for wanting to get Yoshida — as a child he witnessed Yoshida murdering his parents. When Yoshida rapes and kidnaps Minako (Tia Carrere), a beautiful lounge singer, it’s the last straw and Chris and Johnny set out for Yoshida’s heavily guarded home for a big showdown.

Not to be confused with the 1939 cinematic classic The Wizard of Oz starring Judy Garland, this 1991 adaptation of L. Frank Baum’s beloved story is an animated short directed by Jim Simon, one of the people behind the Care Bears and Smurfs animated series. The film follows the adventures of Dorothy, Toto, Scarecrow, Tin Man, and the Cowardly Lion as they journey through the magical land of Oz.

Michael Lehmann directed this post-modernist hash of To Catch a Thief and The Naked Gun starring Bruce Willis as Hudson Hawk, a cat burglar who wants to go straight, but the circumstances won’t allow it. The story begins in a pre-credit sequence that takes place in the renaissance. Leonardo Da Vinci (Stefano Molinari) is rushing through his Mona Lisa painting to work on his latest invention — a machine to turn lead into bronze. But Da Vinci makes a mistake and, instead of bronze, the machine turns the lead into gold. Realizing the danger of his invention if the contraption gets into the wrong hands, he hides three parts of the apparatus inside three of his other works. Four hundred years later, Hudson Hawk, the world’s greatest cat burglar, is being released from jail after pulling a ten-year stretch. He wants to retire from the profession of cat burglary and drink some cappuccino, but two screwball billionaires — Darwin and Minerva Mayflower (Richard E. Grant and Sandra Bernhard) — won’t let him. Their nefarious plot is to steal the three Da Vinci works, restore Da Vinci’s gold-making machine, and destroy the world’s monetary system. They blackmail Hawks into working with them to steal the Da Vincis by threatening the life of Hawks’s pal Tommy Five-Tone (Danny Aiello). Along with the power-mad billionaires, Hawks has to deal with the CIA, in the person of George Kaplan (James Coburn), breathing down his neck. He also has Vatican art restorer Anna Baragli (Andie MacDowell) falling for his smirk.

Jim Jarmusch’s deadpan comedy-of-the-night is a collection of five vignettes taking place in the enclosed space of a cab ride, each occurring simultaneously in five different cities and five different time zones — Los Angeles, New York City, Paris, Rome, and Helsinki. The Los Angeles episode takes place at dusk, as high-powered casting agent Victoria (Gena Rowlands) gets a ride from L.A. International Airport with tomboy driver Corky (Winona Ryder), who would rather go on driving her cab than take up Victoria’s offer to make her a superstar. In New York City, novice East German cabbie Helmut Grokenberger (Armin Mueller-Stahl) has difficulty working the foot pedals to his hack, and his passenger, YoYo (Giancarlo Esposito), ends up driving himself to Brooklyn, picking up the shrill-voiced Angela (Rosie Perez) along the way. In Paris, an African cab driver (Isaach De Bankol?) ejects a collection of drunken African diplomats from his cab and picks up a beautiful but surly blind girl (B?atrice Dalle). In Rome, cab driver Gino (Roberto Benigni) engages in a heartfelt monologue confessing his past sexual exploits to his passenger, a priest who is dying of a heart attack in the back seat. The film winds down in the last melancholy vignette, taking place in Helsinki, as taxi driver Mika (Matti Pellonp??) picks up three inebriated workmen who regale him with hard-luck stories. But Mika has a much harsher story of his own to tell.

This film is a ’90s version of the classic Robin Hood story, with Kevin Costner starring as the good-guy thief. Costner is joined in his efforts against the murdering Sheriff of Nottingham (Alan Rickman) by Morgan Freeman who plays a philosophizing Moor, and by Nick Brimble, who plays Little John (anything but little). After Robin barely survives a watery skirmish with Little John, the two become allies and Robin joins forces with Little John’s band of robber thieves to overcome the evils of the dastardly Nottingham sheriff.

The sons of a Chicago fireman who gave his life in the performance of his duties, firefighting brothers Kurt Russell and William Baldwin carry their lifelong sibling rivalry into their work. Russell is convinced that Baldwin hasn’t got what it takes to remain in the fire department. Baldwin is transferred to a “safe” assignment, assisting arson investigator Robert DeNiro, who is trying to make sense of a series of fires involving an oxygen-induced ball of fire called a backdraft. The investigation reveals a link between corrupt alderman J. T. Walsh and imprisoned pyromaniac Donald Sutherland. The trail of evidence leads Baldwin to suspect that his brother Russell, a much-decorated hero, may be the “inside” man setting up the arsons.

Producer Joel Silver, director Tony Scott, and screenwriters Shane Black and Greg Hicks team up for this gridiron-set action thriller. Bruce Willis stars as Joe Hallenbeck, who was once a top-of-the-line Secret Service agent but has since become an alcoholic, flea-bag detective. While performing the chores of a two-bit shamus, he discovers his wife Sarah (Chelsea Field) is having an affair with his best friend. Joe is hired to protect Cory (Halle Berry), a stripper who has been getting death threats; Joe begins to sober up when Cory is blown to smithereens. Cory’s boyfriend, Jimmy Dix (Damon Wayans), was at one time a NFL football quarterback, but was thrown out of the game for gambling and addiction to Demerol. Smelling something fishy, Joe and Jimmy begin to investigate further and discover layers of corruption in professional football circles, leading up to Sheldon Marcone (Noble Willingham), a corrupt team owner who wants to pay off legislators to legalize gambling on pro football games.

Sometimes a family title, among the nobility of England, goes to the “collateral” heirs — people not in the direct line of decent, like cousins, great-nephews and the like. On rare occasions, these people are not even aware that they are about to be elevated to the House of Lords, and they have been living more-or-less ordinary lives. In this comedy, the family which lacks direct heirs is the Royal Family of England — as all of the likely heirs have died one after the other in swift succession. In this comedy, the “collateral heir” is an exuberant, fence-busting All-American slob (and pretty good rock n’ roll musician) by the name of Ralph (John Goodman). Unknown to him, his grandmother had an affair with a royal prince. Ralph’s a good guy, and eager to please. He recognizes the importance of the royal hoopla to England and works very hard to fit in as its new designated king. He is assisted by the ever-unctuous, very serious family factotum Willingham (Peter O’Toole). The trouble is, he doesn’t have instincts for politics English-style, and he is constantly “putting a foot wrong,” as they might say. The most difficult situation for him is when he develops a new love interest, and she’s not “acceptable” to the upper crust. In addition to being hounded by the tabloids, he finds that “the good of the state” requires that he drop his new girlfriend. Things really come to a head just before Ralph’s coronation as king. Reviewers generally loathed this feel-good comedy, but audiences seem to have enjoyed it tremendously, and it has done well in video and TV airings.

Geena Davis and Susan Sarandon play Thelma and Louise, two working-class friends who together have planned a weekend getaway from the men in their lives. Thelma’s husband, Darryl (Chris McDonald), is an overbearing oaf, and Louise’s boyfriend, Jimmy (Michael Madsen), simply will not commit. Though the road trip starts out as a good time, the pair eventually wind up at a bar. A tipsy Thelma ends up in the parking lot of the bar with a would-be rapist. Louise shoots the man dead. The two decide that they have no choice but to go on the run. They eventually meet up with a young criminal named J.D. (Brad Pitt), whose cowboy spirit rubs off on the timid Thelma. The pair is pursued by a police officer (Harvey Keitel) sympathetic toward their plight. He chases them to the Grand Canyon, where the women make a fateful decision about their lives. Directed by Ridley Scott, Thelma & Louise brought first-time screenwriter Callie Khouri many accolades including the Oscar for Best Original Screenplay.