Bovie Movie

A gunslinging con man develops a tricky scheme to make a killing at a major poker tournament in this comic Western inspired by the popular television show. Mel Gibson assumes the role of Bret Maverick, the handsome rogue who hopes to cheat his way to success. In need of a large stake to enter a major card competition on a Louisiana steamboat, Maverick decides to take advantage of a few small-town poker players. These include the seemingly sweet Annabelle Bransford (Jodie Foster) and the intimidating Angel (Alfred Molina), neither of whom is too happy about their loss. Things become even more complicated for Maverick when the law gets involved, with Marshal Zane Cooper (James Garner, who played the role of Maverick in the original television series) giving chase. A series of stagecoach chases, complicated cons, and gun battles ensues, with Annabelle and Maverick finding time for plenty of flirtation along the way.

The Bold Ones was the umbrella title given a group of rotating hour-long TV series, which ran from 1969 to 1973. Joining established Bold Ones components The Doctors and The Lawyers in 1970 was The Senator, starring Hal Holbrook as RFK-like Senator Hays Stowe. The pilot for The Senator was A Clear and Present Danger, which first aired March 21, 1970. In this 2-hour “problem drama”, Senator Stowe tackles the issue of air pollution after a close friend dies of emphysema. The Emmy-nominated Hal Holbrook, Sharon Acker (as Erin Stowe) and Cindy Eilbacher (as Norma Stowe) carried their roles over to the “Senator” series proper, while Michael Tolan was cast as Stowe’s aide Jordan Boyle, the role played in A Clear and Present Danger by Joseph Campanella.

Outrageously violent, time-twisting, and in love with language, Pulp Fiction was widely considered the most influential American movie of the 1990s. Director and co-screenwriter Quentin Tarantino synthesized such seemingly disparate traditions as the syncopated language of David Mamet; the serious violence of American gangster movies, crime movies, and films noirs mixed up with the wacky violence of cartoons, video games, and Japanese animation; and the fragmented story-telling structures of such experimental classics as Citizen Kane, Rashomon, and La jet?e. The Oscar-winning script by Tarantino and Roger Avary intertwines three stories, featuring Samuel L. Jackson and John Travolta, in the role that single-handedly reignited his career, as hit men who have philosophical interchanges on such topics as the French names for American fast food products; Bruce Willis as a boxer out of a 1940s B-movie; and such other stalwarts as Harvey Keitel, Tim Roth, Christopher Walken, Eric Stoltz, Ving Rhames, and Uma Thurman, whose dance sequence with Travolta proved an instant classic.

John Hughes sticks to his seemingly fool-proof formula for success in Baby’s Day Out, a cross-pollination of Home Alone and a Swee’ Pea cartoon. The plot seems all-too familiar: posing as baby photographers, a group of three would-be kidnappers (led by the usually outstanding character actor Joe Pantoliano) enter an unsuspecting wealthy Chicago couple’s home and make off with Baby Bink after leaving a ransom note. However, while waiting for the delivery of the ransom money, Baby Bink manages to escape and subsequently embarks on a series of cutesy-poo adventures in downtown Chicago (including a crawl through a skyscraper construction site), leaving the hapless crooks in hot pursuit.

Joel Coen and Ethan Coen concocted this stylish screwball comedic amalgam of Frank Capra and Howard Hawks. Tim Robbins stars as Norville Barnes, a dull-wit from Muncie, Indiana who wrangles a job with the big Hudsucker Industries. He has a singular idea for a new children’s toy that he wants to present to corporate executive Sidney J. Mussberger (Paul Newman). As he makes his way up to Mussberger’s office, the company president Waring Hudsucker (Charles Durning) is on his way down — through the window of the forty-fourth floor boardroom! Hudsucker’s death sets off a panic that Mussberger sees as an opportunity for taking over the company — by installing a total incompetent in Hudsucker’s place and devaluing the stock. When Barnes stumbles into Mussberger’s office, Mussberger sees his pigeon and appoints Barnes as the new company president. The only problem is that the new product Barnes proposes for the company, the Hula Hoop, turns out to be a tremendous success, and Mussberger has difficulty manipulating his new corporate president.

Hyperactive mayhem results when a mild-manned banker discovers an ancient mask that transforms him into a zany prankster with superhuman powers in this special-effects-intensive comedy. The wildly improvisational Jim Carrey plays Stanley Ipkiss, a decent-hearted but socially awkward guy who one night finds a strange mask. Carrey’s trademark energy reveals itself after Stanley puts on the mask and the banker transforms into The Mask, a green-skinned, zoot-suited fireball. The rubber-faced Mask possesses the courage to do the wild, fun things that Stanley fears, including romancing Tina Carlyle (Cameron Diaz). In addition to Carrey’s physical talents, the film makes effective use of digital visual effects that bestow the Mask with superhuman speed, insane flexibility, and popping eyes out of a Tex Avery cartoon. The larger narrative, involving the efforts of Tina’s gangster boyfriend to destroy Stanley and use the mask’s powers for evil, prove less interesting than the anarchic comic set pieces, including a particularly memorable dance number to “Cuban Pete.” The film delivered enough laughs to become a surprise hit and, along with the same year’s Dumb and Dumber, establish Carrey’s status as a comedy superstar.

Opening within one month from each other in 1994, Blown Away invited many comparisons to Speed. Both are pyrotechnical displays involving mad bombers and a multitude of flying building debris and body parts. The cop and the mad bomber in this one are Jimmy Dove (Jeff Bridges), a veteran of the Boston Bomb Squad planning to retire from the force, and Ryan Gaerity (Tommy Lee Jones), a revenge-crazed explosives expert who has recently escaped from a detention center in Northern Ireland. It seems that Gaerity is out to get Jimmy and has been nursing his grudge for the past twenty years. Back in his Irish past, Jimmy, then known as Liam, was a student of Gaerity, who constructed bombing devices for the IRA. But when Gaerity’s bombing plans included the killing of innocent civilians, Liam opposed him and thwarted his efforts. As a result, Liam escaped to the United States to become Jimmy, and Gaerity was arrested and sent to prison. But now that Gaerity is out of jail, he is traveling to Boston to wreak havoc upon the city in revenge for what Jimmy has done to him. His plan is to create so many bombings in Boston that the bomb squad’s strength will be depleted, allowing him to get to Jimmy and his family. The goal? Blowing up Jimmy’s wife (Suzy Amis) and stepdaughter at a Boston Pops concert.

When your dog, bird, or water-dwelling mammal disappears, who do you call? Ace Ventura (Jim Carrey) is a low-rent private eye who specializes in recovering lost animals, so when Snowflake, the Miami Dolphins’ aquatic mascot, is kidnapped, team representative Melissa Robinson (Courtney Cox) puts Ace on the case. However, Snowflake isn’t the only Miami Dolphin who has gone missing; several key members of the team also disappear, including quarterback Dan Marino (who plays himself), who is spirited away while filming a TV commercial. With the Super Bowl only two weeks away, will Ace be able to find Snowflake and the missing athletes in time to salvage the big game? Ace Ventura: Pet Detective was a surprise box office smash and catapulted manic comedian Jim Carrey to stardom. The supporting cast includes Sean Young as ill-tempered Lois Einhorn, Udo Kier as the sinister Ronald Camp, and rapper Tone Loc as Ace’s detective pal Emilio (Loc also wrote and performed a song for the closing credits).

In a change-of-pace role designed to prove that she could carry high-concept genre films as well as character-driven dramas, Meryl Streep headlined this fast-paced adventure as Gail, a whitewater rafting guide. For a vacation, Gail is accompanying her son Roarke (Joseph Mazzello) and workaholic husband Tom (David Strathairn) on a river trip. Gail and Tom are experiencing marital troubles and contemplating divorce, but their problems take a back seat when they encounter some menacing rafters led by Wade (Kevin Bacon). After Tom saves Wade from drowning, they discover that the men are murderous fugitives using the river as an escape route. Kidnapped by the killers, Gail’s forced to leave her husband stranded on shore and guide the villains through the “Gauntlet,” a raging confluence of rivers that few rafters ever survive. Meanwhile, Tom proves to be wilier than anyone suspected, following the raft on foot and plotting his family’s rescue. Following a quartet of popular B-grade thrillers, director Curtis Hanson attempted to break partially out of the genre with The River Wild, which, despite the presence of a psycho killer, played as more a stunt-filled action movie than a murder mystery.

“Stupid is as stupid does,” says Forrest Gump (played by Tom Hanks in an Oscar-winning performance) as he discusses his relative level of intelligence with a stranger while waiting for a bus. Despite his sub-normal IQ, Gump leads a truly charmed life, with a ringside seat for many of the most memorable events of the second half of the 20th century. Entirely without trying, Forrest teaches Elvis Presley to dance, becomes a football star, meets John F. Kennedy, serves with honor in Vietnam, meets Lyndon Johnson, speaks at an anti-war rally at the Washington Monument, hangs out with the Yippies, defeats the Chinese national team in table tennis, meets Richard Nixon, discovers the break-in at the Watergate, opens a profitable shrimping business, becomes an original investor in Apple Computers, and decides to run back and forth across the country for several years. Meanwhile, as the remarkable parade of his life goes by, Forrest never forgets Jenny (Robin Wright Penn), the girl he loved as a boy, who makes her own journey through the turbulence of the 1960s and 1970s that is far more troubled than the path Forrest happens upon. Featured alongside Tom Hanks are Sally Field as Forrest’s mother; Gary Sinise as his commanding officer in Vietnam; Mykelti Williamson as his ill-fated Army buddy who is familiar with every recipe that involves shrimp; and the special effects artists whose digital magic place Forrest amidst a remarkable array of historical events and people.