Download Movies Bovie Movie Library

Darkman, needing money to continue his experiments on synthetic skin, steals a crate of cash from drug lord Peter Rooker, attracting the gangster’s attention. Rooker is determined to find the source of Darkman’s super strength, and uses his beautiful but evil doctor to lure Darkman into a trap. Thinking that the doctor will restore feeling to his tortured body, he discovers too late that they have taken a sample of his adrenaline, which they will market as a super steroid. As Darkman plans his revenge on Rooker’s gang, he slowly begins to care about Rooker’s neglected wife and daughter. He must now find a way to help them, and destroy Rooker before he uses the adrenaline to plunge the city into chaos.

A white school teacher takes over a talented, but undisciplined black high school basketball team and turns them into a winning team.

Our underground monster-killing heroes from the original Tremors have split up. Soured that everyone else profited from Graboids-mania, ‘Fred Ward (I)’ (qv) “re-enlists” to battle a new breed of Mexican Graboids. This sequel pokes so much fun at its original plot, exaggerated characters, cheap explosions, and Graboid gore. Tremors I is a prerequisite.

When a bunch of runaway robbers in a getaway car hit the tunnel connecting Manhatten and New Jersey. Trouble strikes when they hit a truck full of explosions. After the impact, the tunnel is left weakened and blocked off by both exits, but leaving some survivors. When Kit Latura was about to drive into the tunnel he see the impact and knows he gotta take action. He is given the job, and is sent into the tunnel, but time is running out. Can he get the survivors out before the tunnel fills up?

Originally planned as a silly vehicle for Chris Farley, in the hands of director Ben Stiller and star Jim Carrey, The Cable Guy became an opportunity for Carrey to flex some of his darker comedic muscles as stalker Chip Douglas. Matthew Broderick plays Steven, an average Joe who is forlorn over his recent breakup with girlfriend Robin (Leslie Mann). When he moves into a new apartment, Steven comes in contact with Chip, who shows up to hook up the cable. Before he knows it, and whether he likes it or not, Steven has a new best-friend in the obnoxious and clingy Chip. However, Steven soon learns that obnoxious is a walk in the park compared to Chip’s behavior when Steven tells him he doesn’t want to be his pal anymore. What’s worse, no one — including Robin or his family — believes Steven when he accuses the seemingly harmless Chip of being a malevolent menace. George Segal and Jack Black also star along with Stiller, who plays twins loosely-based on the Menendez brothers.

The title affliction causes sufferers to react to paintings in extreme and bizarre ways. In the case of police detective Anna Manni, she swoons and feels herself entering hallucinatory versions of the artwork she sees. This Italian psychothriller contains dark elements of horror as Manni tries to capture a murderous serial rapist. The lady detective is first seen walking the art-filled hallways of the Uffizi Gallery in Florence. The great paintings have a terrible effect upon her and she ends up having one of her surreal visions after fainting in front of Brueghel’s “The Flight of Icarus.” She sees herself falling through the painting’s deep ocean and is only saved by the hands of Alfredo, a stranger who saw her fall. She returns woozily to her hotel. Her memory has temporarily lapsed, and once in her room she finds herself similarly mesmerized by a painting on the wall, but eventually she remembers her assignment. Unfortunately, when she meets up with Alfredo again, he attacks and rapes her. He then forces her to watch while he rapes and murders another. She manages to escape and make it back to Rome where she begins seeing a psychiatrist. Her former lover Marco also makes sure she is guarded 24-hours a day. Unfortunately for Anna it is not enough, and Alfredo strikes again.

While on assignment in the jungles of Nepal, photojournalist Ted Harrison (Michael Pare) and his girlfriend are savagely attacked by a hideous beast which tears the woman to shreds and leaves Ted badly mauled. He later returns to the States to live near his sister Janet (Mariel Hemingway), nephew Brett (Mason Gamble) and their German shepherd Thor, hoping the presence of family will dispel the horrific memories… until the inevitable effects of a werewolf curse begin to surface. As his humanity begins slipping away, only the family dog begins to suspect something is wrong — but poor Thor ends up being the chief suspect in a string of recent mutilation murders. Writer/director Eric Red’s script (based on the novel Thor by Wayne Smith) plays with the standard werewolf conventions — territory already barren after being strip-mined by a plethora of Howling sequels — but tends to retreat into cliché too often to kick it more than a notch or two above the average direct-to-video fodder. Cinematographer Jan Kiesser’s widescreen compositions lend a threatening edge to the woodland locations but are sadly lost to cable and home-video formatting.

A bright, optimistic caper comedy from first-time director Wes Anderson, Bottle Rocket focuses on a group of young Texans aspiring to become master thieves. Their leader is Dignan (Owen C. Wilson, who also co-wrote the screenplay), an upbeat if naive charmer who convinces his friends Anthony (Wilson’s brother Luke Wilson) and Bob Mapplethorpe (Robert Musgrave) to enter the crime business. After their first heist, a bizarrely-executed robbery of a local bookstore, the trio goes on the lam, taking up residence in a border hotel where Anthony falls in love with a maid played by Lumi Cavazos. When the three buddies decide that they need to return to the real world, they hook up with a master con-man (James Caan) who sends them on a daring — if ill-concieved — mission.

When Arthur Miller’s play The Crucible was first staged in 1953, it was widely acclaimed as a metaphor for the recklessness of Joseph McCarthy and his spurious crusade against communism. In its 1996 screen adaptation (scripted by Miller), the tone has been adjusted somewhat and plays as a warning against the dangers of political and religious extremism of all kinds. After a group of young women is accused of witchcraft in the Puritan community of Salem, Mass. in 1692, Abigail Williams (Winona Ryder) is held in suspicion of practicing magic. Abigail in turn levels charges against John Proctor (Daniel Day-Lewis) and his wife Elizabeth (Joan Allen). Abigail has a private grudge against the Proctors; while working as their servant, she had an affair with John, and when John ended the relationship and returned to his wife, Abigail was fired. Now the Reverend Parris (Bruce Davison) is hearing accusations and counter-accusations of misdeeds from all sides of the community in the wake of Abigail’s charges, so he brings in Judge Danforth (Paul Scofield) to determine who is guilty or innocent. However, given the moral climate of the time, it seems someone has to be found guilty of witchcraft, even though firm evidence of wrongdoing is becoming hard to come by. This was the second screen version of The Crucible, though it was the first one in English; the previous version, filmed in France in 1956, starred Simone Signoret and Yves Montand.

There are more puppies than you can shake a rolled up newspaper at in this live-action remake of the Disney animated favorite 101 Dalmatians. Roger (Jeff Daniels) is a designer of computer games who shares his home with his pet dalmatian, Pongo. One day, Roger takes Pongo for a walk in the park and the dog sets his eyes on a beautiful female dalmatian named Perdy. Perdy likes Pongo as much as he likes her, and thankfully Perdy’s mistress, a fashion designer named Anita (Joely Richardson), is quite taken with Roger. Romance blooms between the human and canine couples, and Roger and Anita tie the knot (Pongo and Perdy are apparently still living in sin). Anita works for Cruella De Vil (Glenn Close), an intense fashion maven whose lust for fur doubtless places her high on PETA’s hit list. Inspired by her dogs, Anita finds herself working up a design for a fur coat made with spotted fur, and Cruella leaps on the idea of making garments out of real dalmatians. But where to get the animals? Cruella has two nasty but not especially intelligent henchmen, Jasper (Hugh Laurie) and Horace (Mark Williams), who’ve been known to kill the odd endangered species at madame’s request. Now they’re sent on a mission to round up dalmatians, and when they fall a bit short of their goal, it comes to Cruella’s attention that Perdy has just given birth to a litter of 15 pups. For this version, a number of real dalmatian puppies were combined with computer-generated animation and animatronic creatures from Jim Henson’s Workshop, who respond better to direction (and are doubtless easier to clean up after) than the real thing.

In the periwigged and opulent France of Louis XVI, an unwitting nobleman soon discovers that survival at court demands both a razor wit and an acid tongue.

Zane Ziminski is fired from NASA after picking up unidentified signals from a distant location in space. His curiosity soon turn to sheer terror as he travels to Mexico, where a series of unexplained events lead him to believe that there are aliens all over the world. He gathers evidence to support this theory but will he ever have the chance to broadcast the ‘facts’ alive?

Adam Sandler’s second popular starring vehicle after Billy Madison is a goofy lowbrow paean to golf, hockey, and the comic hysterics of its childlike star. In Happy Gilmore, Sandler plays the title character, a raw, determined, but ultimately untalented hockey player who keeps trying out for the pros. When Happy discovers his grandmother (Frances Bay) will lose her home if she doesn’t fork over 270,000 dollars to the IRS, he tries to figure out how he can possibly scrounge up the cash. An idea strikes during a game of one-upmanship with a couple furniture movers stripping his grandmother’s home: On his first-ever swing, he drives a golf ball farther than the movers have ever seen. Before long, he has transplanted the foul-mouthed, aggressive persona of the hockey rink to the links, winning an amateur tourney that earns him a spot on the pro tour. Throttling everyone from a helpless caddy to game show host Bob Barker during the course of his 90-day quest to amass prize money, Happy also wins the sport a legion of new fans with his in-your-face style. Guiding him on his quest is a whimsical retired pro who lost his hand to an alligator (Carl Weathers) and an attractive public relations woman charmed by Happy’s antics (Julie Bowen). Opposing him, however, is sneering hotshot Shooter McGavin (Christopher McDonald), who will do anything to win his championship jacket and see Happy fail.