Bovie Movie

Three brothers who would argue that crime does pay have a hard time getting their fair share of the proceeds in this witty action thriller from Australia. Dale Twentyman (Guy Pearce) and his brothers, Mal (Damien Richardson) and Shane (Joel Edgerton), are serving time together in prison for robbery. Dale is the brains and the cool head of the group, Mal is the eager-to-please nice guy, and Shane is something of a loose cannon. Dale and his siblings are eager to get out of jail, and their lawyer, Frank Malone (Robert Taylor), has pulled a deal that could pare some time off their sentences, though the arrangement is strictly off the books. Mick Kelly (Vince Colosimo) and Jack O’Riordan (Paul Sonkkila) are a pair of crooked police detectives who have arranged with Malone to give the Twentyman brothers day passes from jail in order to pull bank robberies, with the siblings’ share held in escrow until they’re released. Dale thinks something a bit off in this operation, and his suspicions are confirmed when Malone tells the brothers after they’re granted their early release that they won’t get their money until they pull one last job — an ambitious robbery at a Melbourne race track on the day of the nation’s biggest horse race. Dale is convinced he smells a rat — especially since he has good reason to suspect that Malone is having an affair with his wife, Carol (Rachel Griffiths). The Hard Word marked the directorial debut for writer/director Scott Roberts.

Almost 50 years after Walt Disney brought James M. Barrie’s classic children’s tale Peter Pan to the screen in one of the best-loved animated features, the studio that bears his name revisits the story of the magical boy who doesn’t grow up in this sequel. In London during World War II, Wendy (voice of Kath Soucie) comforts her children with stories about her youthful adventures with Peter Pan (voice of Blayne Weaver) in the fantastic world of Neverland. Young Danny (voice of Andrew McDonough) loves the stories and believes that they’re real, but his older sister, Jane (voice of Harriet Owen), isn’t so certain. Jane soon discovers her mother is indeed telling the truth when she’s kidnapped by the evil Captain Hook (voice of Corey Burton) and spirited away to his lair in Neverland. Hook is still trying to capture his nemesis, Peter Pan, after all these years, and is certain he’ll come to the rescue of his old friend, Wendy; however, Hook realizes too late that he’s carried away Wendy’s daughter instead. Peter comes to the aid of young Jane, but as they do battle with Hook, he realizes it will take some work before Jane will fit in with the Lost Boys. Return to Neverland includes original songs from Jonatha Brooke and They Might Be Giants.

Fifty years after releasing their opulent adaptation of the classic fairy tale Cinderella, Walt Disney Productions revisits the characters in this direct-to-video sequel. Cinderella 2: Dreams Come True encompasses three short stories; first, after Cinderella (voice of Jennifer Hale) marries Prince Charming (voice of Christopher Daniel Barnes), she finds it difficult to reconcile her new station in life with the simple ways she’s known in the past. Secondly, the friendly mouse Jacques (voice of Rob Paulsen) wishes he could be a human being — but after the Fairy Godmother (voice of Russi Taylor) makes it so, he discovers it’s a lot tougher than he imagined. And finally, Cinderella takes pity on her stepsister, Anastasia (voice of Tress MacNeille), and teaches her how to smile in the hopes she can find a love of her own. Cinderella 2: Dreams Come True also includes a new song by Brooke Allison, “Put It Together.”

Following memorable roles in the military action-adventures Pearl Harbor (2001) and Black Hawk Down (2001), young actor Josh Hartnett is propelled to romantic leading man status with this semi-autobiographical comedy from screenwriter Rob Perez. Hartnett stars as Matt Sullivan, a young man smarting over the bitter breakup of his most recent relationship. With Lent approaching, Matt decides to observe the 40-day tradition by abstaining from all sexual contact, including self-gratification. Once his odyssey of discipline has begun, he meets the girl of his dreams, while his ex begins campaigning to get him back. Co-starring Shannyn Sossamon, Maggie Gyllenhaal, and Vinessa Shaw, 40 Days and 40 Nights inspired another round of controversy between distributor Miramax and the Catholic League, which accused the film of being a “vulgar parody” of Lent. The League previously protested the company’s releases of Priest (1994) and Dogma (1999).

A cop’s personal code of justice begins to change after a number of incidents lead his city to a tragic wave of violence in this police drama. Eldon Perry (Kurt Russell) is a veteran cop with the LAPD’s Special Investigations unit, a man who isn’t above bending the law if it means putting people behind bars who deserve the treatment. As Los Angeles waits on the verdict in the Rodney King police beating trial, Perry is presenting testimony to Assistant Chief of Police Arthur Holland (Ving Rhames), who is well aware of the corruption in the SIS unit and wants to stop it. Perry, however, twists some facts as he speaks in the defense of his new partner, Bobby Keough (Scott Speedman), who is being investigated for inappropriate use of deadly force. For lack of honest testimony, Keough is let off the hook, and soon he and Perry have a new case to investigate — a robbery at a liquor store than turned into a quadruple homicide. Perry and Keough quickly track down two likely suspects, Orchard (Kurupt) and Sidwell (Dash Mihok), but Perry is surprised when the head of SIS, Van Meter (Brendan Gleeson), tells him to let Orchard and Sidwell go, and instead points the finger at two ex-cons who should be taken off the street, even though they’re innocent of this crime. Perry follows Van Meter’s orders, despite Keough’s misgivings, but in the wake of the L.A. riots, Perry has a change of heart, and decides to start working with Holland against Van Meter’s corrupt methods. In the midst of it all, Perry is trying to hold together his troubled marriage to Sally (Lolita Davidovich), while Keough finds himself romancing a fellow officer, Beth (Michael Michele). Dark Blue was adapted from an original screenplay by noted crime novelist James Ellroy; originally set against the backdrop of the 1965 Watts riots, the story was later updated to 1992.

The second film in Peter Jackson’s series of screen adaptations of J.R.R. Tolkien’s internationally popular Lord of The Rings trilogy, The Lord of the Rings: The Two Towers literally begins where The Lord of the Rings: The Fellowship of the Ring ended, with the Fellowship splitting into three groups as they seek to return the Ring to Mordor, the forbidding land where the powerful talisman must be taken to be destroyed. Frodo (Elijah Wood), who carries the Ring, and his fellow Hobbit Sam (Sean Astin) are lost in the hills of Emyn Muil when they encounter Gollum (Andy Serkis), a strange creature who once carried the Ring and was twisted by its power. Gollum volunteers to guide the pair to Mordor; Frodo agrees, but Sam does not trust their new acquaintance. Elsewhere, Merry (Dominic Monaghan) and Pippin (Billy Boyd) are attempting to navigate Fangorn Forrest where they discover a most unusual nemesis — Treebeard (voice of John Rhys-Davies), a walking and talking tree-shepherd who doesn’t much care for Hobbits. Finally, Aragorn (Viggo Mortensen), Gimli (John Rhys-Davies), and Legolas (Orlando Bloom) arrive in Rohan to discover that the evil powers of Saruman (Christopher Lee) have robbed King Theoden (Bernard Hill) of his rule. The King’s niece Éowyn (Miranda Otto) believes Aragorn and his men have the strength to defeat Saruman, his henchman Wormtongue (Brad Dourif), and their minions. Éowyn soon becomes infatuated with Aragorn, while he struggles to stay faithful to the pledge of love he made to Arwen (Liv Tyler). Gandalf (Ian McKellen) offers his help and encouragement as the Rohans, under Aragorn’s leadership, attempt to face down Saruman’s armies, but they soon discover how great the task before them truly is when they learn that his troops consist of 10,000 bloodthirsty creatures specially bred to fight to the death. Most of The Lord of the Rings: The Two Towers was shot in tandem with The Lord of the Rings: The Fellowship of the Ring and The Lord of the Rings: The Return of the King during a marathon 18-month shooting schedule, overseen by Peter Jackson.

The life and sordid, untimely death of Hogan’s Heroes star Bob Crane are explored by director Paul Schrader in this biopic, which marks one of the few times the filmmaker has not scripted his own film. Auto Focus chronologically traces the meteoric rise of Crane’s show business career, beginning with his early success as a jokey deejay on Los Angeles morning radio in the early ’60s. A devout family man, Crane lives in Southern Californian comfort with his wife Anne (Rita Wilson) and their young children, relishing the modicum of celebrity his job provides him. His life begins to change, however, when his agent Lenny (Ron Leibman) proposes that he take a breakthrough role on the CBS POW-camp sitcom Hogan’s Heroes. Initially reluctant to take the job, Crane signs on with the production and, to his and everyone else’s surprise, the show becomes a smash hit. With celebrity comes a new set of friends, and Crane falls in with audio-visual guru John Carpenter (Willem Dafoe), a Sony sales rep who spends his days setting up home entertainment systems for the Hollywood elite, and his nights cruising strip clubs for anonymous sexual encounters. Already a pornography buff, Crane starts using his fame to secure him and Carpenter an endless parade of affairs, which they videotape and then obsessively review. It isn’t long before Anne demands a divorce, and Crane marries his Hogan’s co-star Patti Olsen (aka Sigrid Valdis, here played by Maria Bello), who’s more accepting of his escapades. When the sitcom is canceled, however, Crane has trouble securing acting jobs, and recedes further and further into his life of amateur porn with Carpenter. Auto Focus premiered at the Telluride and Toronto Film Festivals before its art-house run in the fall of 2002.

One man takes on the Irish family law system and the Catholic Church in a bid to be reunited with his children in this drama, based on a true story. In 1953, Desmond Doyle (Pierce Brosnan) was a house painter and decorator who, despite a strong work ethic, had a hard time holding on to steady work. Desmond’s wife had grown tired of her marriage and her husband’s financial problems, and one day walked away from her home, leaving Desmond to raise their three children on his own. While Desmond struggles to keep body and soul together for his children, his sporadic employment eventually attracts the attention of the law, and a court order sends his two sons and young daughter to separate Catholic orphanages until Desmond can prove he’s capable of properly supporting them. However, Desmond discovers merely getting work is not enough to bring his children back to him, and when he learns that his daughter, Evelyn (Sophie Vavasseur), is having a rough time of it at the hands of several stern nuns, he becomes determined to win their custody in a court of law. Through Bernadette (Julianna Margulies), a barmaid who has caught his eye, Desmond meets Michael Beattie (Stephen Rea), a lawyer and Bernadette’s brother. While Michael doesn’t believe Desmond’s case can be won in an Irish court, his partner Nick Barron (Aidan Quinn), an expatriate American who lost custody of his own children in a divorce proceeding, is eager to help, and they agree to take the case. However, they both realize they’re fighting an uphill battle, and so they persuade Thomas Connolly (Alan Bates), a former football star who became one of Ireland’s most respected barristers, to lend his knowledge and prestige to the case. Leading man Bronson also served a co-producer for Evelyn; Bruce Beresford directed, who previously collaborated with Pierce Brosnan on Mister Johnson.

Robert DeNiro continues to lampoon his tough-guy persona with this spoof of buddy cop movies that teams him with comic co-star Eddie Murphy. DeNiro is L.A.P.D. detective Mitch Preston, a gruff, no-nonsense 28-year veteran whose bust of a drug gang is botched one night by Trey Sellars (Murphy), a bumbling patrolman who’s really a frustrated actor at heart. When Mitch’s aggravation is captured by a television news crew, he fires his gun in their direction and becomes an instant media celebrity, while earning himself a temporary suspension at work. After his fame draws the attention of network TV producer Chase Renzi (Rene Russo), Mitch is soon informed that the only way he can get back to work is to allow a production crew to trail him on the job for a new cop reality series called “Showtime”. In order to make the taciturn lawman more palatable to the viewing public, he’s paired with the camera-friendly, fast-talking Trey. The new partners drive each other crazy, but their mismatched sensibilities make for great TV, while their newfound fame has its advantages in getting them back on the trail of those escaped drug dealers, who possess a powerful new weapon. Showtime co-stars Frankie Faison and William Shatner, who sends up his own TV cop role in T.J. Hooker.

A crystal-meth addict struggles to get his next fix as he obsesses over a recent breakup in Spun, a black-comic drug drama from music video director Jonas Akerlund. Rushmore’s Jason Schwartzman stars as Ross, a young man who finds his maniacal world crumbling around him over the course of one long weekend. Spun chronicles Ross’ travails as he tries to score from his regular dealer, Spider Mike (John Leguizamo), who realizes during Ross’ visit that he’s misplaced his stash. Indisposed by the frantic drug search, Spider Mike’s girlfriend, Cookie (Mena Suvari), enlists Ross to pick up her stripper friend Nikki (Brittany Murphy) from work, and when he grudgingly agrees, he learns that Nikki might have an inside line on some of her own speed, courtesy of The Cook (Mickey Rourke). Meanwhile, two bumbling cops are onto Spider Mike’s trail, and in his paranoid-delusional state, he sets out to find out who set him up. Spun premiered at the 2002 CineVegas Film Festival before securing berths at the Sundance, Toronto, and South by Southwest festivals.