Bovie Movie

As visually stylish as it is graphically violent, this thriller directed by Luc Besson concerns Mathilda (Natalie Portman), a 12-year-old girl living in New York City who has been exposed to the sordid side of life from an early age: her family lives in a slum and her abusive father works for drug dealers, cutting and storing dope. Mathilda doesn’t much care for her parents, but she has a close bond with her four-year-old brother. One day, she returns from running an errand to discover that most of her family, including her brother, have been killed in a raid by corrupt DEA agents, led by the psychotic Stansfield (Gary Oldman). Mathilda takes refuge in the apartment of her secretive neighbor, Leon (Jean Reno), who takes her in with a certain reluctance. She discovers that Leon is a professional assassin, working for Tony (Danny Aiello), a mob kingpin based in Little Italy. Wanting to avenge the death of her brother, Mathilda makes a deal with Leon to become his protégée in exchange for work as a domestic servant, hoping to learn the hitman’s trade and take out the men who took her brother’s life. However, an affection develops between Leon and Mathilda that changes his outlook on his life and career. Besson’s first American film boasted a strong performance from Jean Reno, a striking debut by Natalie Portman, and a love-it-or-hate-it, over-the-top turn by Gary Oldman. Léon was originally released in the U.S. in 1994 as The Professional, with 26 minutes cut in response to audience preview tests. Those 26 minutes were restored in the director’s preferred cut, released in 1996 in France as Léon: Version Intégrale and in the U.S. on DVD as Léon: The Professional in 2000.

Good and evil battle for the future of 23rd century Earth in this visually striking big-budget science fiction epic. In the movie’s prologue, which is set in 1914, scientists gather in Egypt at the site of an event that transpired centuries earlier. Aliens, it seemed, arrived to collect four stones representing the four basic elements (earth, air, fire and water) - warning their human contacts that the objects were no longer safe on Earth. A few hundred years later (in the 23rd century), a huge ball of molten lava and flame is hurtling toward Earth, and scientist-holy man Victor Cornelius (Ian Holm) declares that in order to prevent it from destroying the planet, the same four elemental stones must be combined with the fifth element, as embodied by a visitor from another world named Leeloo (Milla Jovovich). However, if the force of evil presents itself to the stones instead, the Earth will be destroyed, and a sinister alien race called the Mangalores are intent upon using their representative, Zorg (Gary Oldman), to trigger the disaster. Despite her remarkable powers, Leeloo needs help with her mission, and she chooses her accomplice, military leader-turned-cab driver Korben Dallas (Bruce Willis), when she literally falls through the roof of his taxi. Writer and director Luc Besson began writing the script for The Fifth Element when he was only 16 years old, though he was 38 before he was able to bring it to the screen.

In the 15th century, France is mired in the 100 Years War when a humble voice appears, claiming to have been instructed by the Lord to lead the French army into battle and defend their land against the British. The voice belongs to Jeanne d’Aragon, a teenage girl from a tiny village, and, to the surprise of many, her story does not fall on deaf ears. Wearing the armor of a soldier, the girl known as Joan of Arc leads the French troops in what she believes is a holy battle. Joan would soon be tried for heresy for her actions, but history would vindicate her with sainthood. The Messenger: The Story of Joan of Arc stars Milla Jovovich as Joan of Arc, Faye Dunaway as Yolande d’Aragon, and Dustin Hoffman as The Grand Inquisitor. Directed by Luc Besson, The Messenger was originally titled Joan of Arc but added the prefix to avoid confusion with the 1999 TV movie of the same name, which starred Leelee Sobieski.