Bovie Movie

In this international action thriller, Paul Racine (Christopher Lambert) is an American salesman with a computer firm who is in Japan on business. While spending an evening in a bar, he meets Kirina (Joan Chen), a beautiful but mysterious woman. Paul buys Kirina a drink, one thing leads to another, and he ends up spending the night with her. However, when Paul returns to her room to retrieve a set of keys he left behind, he discovers that Kirina is being murdered by Kinjo (John Lone), the master of a cult of bloodthirsty ninjas. Kinjo informs Karina that no one has ever seen his face and lived, so when Paul witnesses Kirina’s execution and the face Kinjo hides behind his mask, he’s a marked man. With the help of Takeda (Yoshio Harada), an experienced ninja fighter, Paul learns how to defend himself against his new adversaries as he plots a final showdown with the deadly Kinjo. The Hunted represented something of a reunion for John Lone and Joan Chen, who previously starred together in The Last Emperor.

Academy Award-winning Exorcist director William Friedkin scuttles deep into the darkest recesses of the traumatized human psyche with this tale of a lonely bartender haunted by the long-ago disappearance of her young son, and the paranoia that emerges when she enters into a tentative relationship with a deeply disturbed drifter. Adapted from the off-Broadway play by Tracy Letts, Bug centers on Agnes (Ashley Judd), who tends bar alongside pal R.C. (Lynn Collins), and has recently moved into a shoddy roadside motel in hopes of avoiding her menacing and recently paroled ex-husband Jerry (Harry Connick Jr.). Upon making the acquaintance of subdued former soldier Peter (Michael Shannon repeating his stage role), a veteran of the first Gulf War, Agnes finally senses that things are looking up. Quietly charming despite his melancholy aura, Peter soon reveals to Agnes that he had contracted a “bug” while serving in the Middle East, and that it may have been deliberately administered as part of a secret military medical experiment. Convinced that the microscopic insects are quickly multiplying just under the surface of his skin and that they have now infected Agnes as well, Peter soon descends into a psychotic rage as he resorts to increasingly desperate measures to purge himself of the offending, sub-dermal arthropods.

This gritty, fast-paced, and innovative police drama earned five Academy Awards, including Best Picture, Best Adapted Screenplay (written by Ernest Tidyman), and Best Actor (Gene Hackman). Jimmy “Popeye” Doyle (Hackman) and his partner, Buddy Russo (Roy Scheider), are New York City police detectives on narcotics detail, trying to track down the source of heroin from Europe into the United States. Suave Alain Charnier (Fernando Rey) is the French drug kingpin who provides a large percentage of New York City’s dope, and Pierre Nicoli (Marcel Bozzuffi) is a hired killer and Charnier’s right-hand man. Acting on a hunch, Popeye and Buddy start tailing Sal Boca (Tony Lo Bianco) and his wife, Angie (Arlene Faber), who live pretty high for a couple whose corner store brings in about 7,000 dollars a year. It turns out Popeye’s suspicions are right — Sal and Angie are the New York agents for Charnier, who will be smuggling 32 million dollars’ worth of heroin into the city in a car shipped over from France. The French Connection broke plenty of new ground for screen thrillers; Popeye Doyle was a highly unusual “hero,” an often violent, racist, and mean-spirited cop whose dedication to his job fell just short of dangerous obsession. The film’s high point, a high-speed car chase with Popeye tailing an elevated train, was one of the most viscerally exciting screen moments of its day and set the stage for dozens of action sequences to follow. And the film’s grimy realism (and downbeat ending) was a big change from the buff-and-shine gloss and good-guys-always-win heroics of most police dramas that preceded it. The French Connection was inspired by a true story, and Eddie Egan and Sonny Grosso, Popeye and Buddy’s real life counterparts, both have small roles in the film. A sequel followed four years later.