Bovie Movie

After a break of more than 15 years, director Francis Ford Coppola and writer Mario Puzo returned to the well for this third and final story of the fictional Corleone crime family. Two decades have passed, and crime kingpin Michael Corleone (Al Pacino), now divorced from his wife Kay (Diane Keaton), has nearly succeeded in keeping his promise that his family would one day be “completely legitimate.” A philanthropist devoted to public service, Michael is in the news as the recipient of a special award from the Pope for his good works, a controversial move given his checkered past. Determined to buy redemption, Michael and his lawyer B.J. (George Hamilton) are working on a complicated but legal deal to bail the Vatican out of looming financial troubles that will ultimately reap billions and put Michael on the world stage as a major financial player. However, trouble looms in several forms: The press is hostile to his intentions. Michael is in failing health and suffers a mild diabetic stroke. Stylish mob underling Joey Zaza (Joe Mantegna) is muscling into the Corleone turf. “The Commission” of Mafia families, represented by patriarch Altobello (Eli Wallach) doesn’t want to let their cash cow Corleone out of the Mafia, though he has made a generous financial offer in exchange for his release from la cosa nostra. And then there’s Vincent Mancini (Andy Garcia), the illegitimate and equally temperamental son of Michael’s long-dead brother Sonny. Vincent desperately wants in to the family (both literally and figuratively), and at the urging of his sister Connie (Talia Shire), Michael welcomes the young man and allows him to adopt the Corleone name. However, a flirtatious attraction between Vincent and his cousin, Michael’s na?ve daughter Mary (Sofia Coppola) develops, and threatens to develop into a full-fledged romance and undo the godfather’s future plans.

A brilliant young man is tapped to join the elite branch of American intelligence, only to discover how complex and dangerous the job can really be in this suspense-drama. James Clayton (Colin Farrell) recently completed his studies at MIT, where he graduated at the top of his class and is pondering his next move while he works as a bartender at an upscale nightspot. One evening, Clayton is approached by Walter Burke (Al Pacino), a recruiter for the Central Intelligence Agency, who describes himself as “a scary judge of talent” and believes Clayton is just the sort of man the CIA is looking for. Clayton, who has little interest in an ordinary nine-to-five career and suspects his father (whom Burke claims to have known) worked for the Agency, accepts the offer and is soon sent to the CIA’s secret training camp. It soon becomes obvious that Burke’s intuition has not failed him; Clayton is smart, fast on his feet, a crack shot, and possesses a very agile mind. In training, Clayton notices a few things, most notably one of his fellow students, Layla (Bridget Moynahan), a beautiful woman whose skills equal his own. Clayton becomes quite infatuated with Layla, and after a fashion the attraction appears to be mutual, but Clayton has to keep in mind Burke’s dictum that “nothing is as it seems,” especially when Clayton is given a special assignment — find the mole within the Agency’s training program who is actually feeding information to America’s enemies.

Cinema icon Al Pacino joins a powerhouse cast headed by of George Clooney, Brad Pitt, Matt Damon, Andy Garcia, Don Cheadle, Bernie Mac, and series newcomer Ellen Barkin for this, the third installment of director Steven Soderbergh’s popular series of glitzy crime comedies. The only hotelier in Las Vegas who can claim that each and every one of his establishments has earned the Royal Review Board’s Five Diamond Award, Willy Bank (Pacino) has made more than his share of enemies during his impressive ascent. While most of Bank’s adversaries amount to little more than the occasional nuisance, however, this powerful player is about to find out that picking your enemies in Las Vegas can be a true gamble. In betraying Reuben Tishkoff (Elliott Gould), Bank has finally crossed the one man who could bring his entire empire crumbling to the ground — Danny Ocean (Clooney). Now Reuben is in critical condition, and Ocean is determined to strike back at the man who nearly murdered his mentor. Bank may have taken down one of the original Ocean’s Eleven, but his efforts only managed to unite the remaining ten closer than ever before. As the opening of Bank’s newest casino draws near, Danny and the crew set into motion a bold plan to humiliate the cocksure casino owner and forever tarnish his spotless reputation. It won’t be easy, but if Ocean and his team can get their elaborate plan together in time for the opening of The Bank, they just might be able to deliver some serious Las Vegas justice.

Popularly viewed as one of the best American films ever made, the multi-generational crime saga The Godfather is a touchstone of cinema: one of the most widely imitated, quoted, and lampooned movies of all time. Marlon Brando and Al Pacino star as Vito Corleone and his youngest son, Michael, respectively. It is the late 1940s in New York and Corleone is, in the parlance of organized crime, a “godfather” or “don,” the head of a Mafia family. Michael, a free thinker who defied his father by enlisting in the Marines to fight in World War II, has returned a captain and a war hero. Having long ago rejected the family business, Michael shows up at the wedding of his sister, Connie (Talia Shire), with his non-Italian girlfriend, Kay (Diane Keaton), who learns for the first time about the family “business.” A few months later at Christmas time, the don barely survives being shot by gunmen in the employ of a drug-trafficking rival whose request for aid from the Corleones’ political connections was rejected. After saving his father from a second assassination attempt, Michael persuades his hotheaded eldest brother, Sonny (James Caan), and family advisors Tom Hagen (Robert Duvall) and Sal Tessio (Abe Vigoda) that he should be the one to exact revenge on the men responsible.

After murdering a corrupt police captain and the drug trafficker, Michael hides out in Sicily while a gang war erupts at home. Falling in love with a local girl, Michael marries her, but she is later slain by Corleone enemies in an attempt on Michael’s life. Sonny is also butchered, having been betrayed by Connie’s husband. As Michael returns home and convinces Kay to marry him, his father recovers and makes peace with his rivals, realizing that another powerful don was pulling the strings behind the narcotics endeavor that began the gang warfare. Once Michael has been groomed as the new don, he leads the family to a new era of prosperity, then launches a campaign of murderous revenge against those who once tried to wipe out the Corleones, consolidating his family’s power and completing his own moral downfall. Nominated for 11 Academy Awards and winning for Best Picture, Best Actor (Marlon Brando), and Best Adapted Screenplay, The Godfather was followed by a pair of sequels.

Jon Avnet directs Al Pacino in the thriller 88 Minutes. Pacino plays a university professor who occasionally assists the FBI in matters of forensic psychiatry. As the film opens, the professor learns that someone plans to kill him in 88 minutes. As with the like-minded thriller D.O.A. (both the original and the remake), the protagonist must use his skills in order to track down who has hatched this evil plot and hopefully prevent his own demise.

Is the time approaching when a persona in its entirety could be a mere fabrication of modern culture and technology? Or did Hollywood enter that time long ago? Either way Viktor Taransky (Al Pacino) finds himself growing more and more aware of the media-obsessed culture in which he tries to earn his living. Taransky is a film director struggling to survive in an industry that doesn’t require or want his artistic vision. When first he meets a stranger whose vision is considered somewhat questionable, he doesn’t realize the potential of the idea to digitally incorporate a character into his otherwise unsalvageable film. However, in time, not only the director and the entire studio, but American pop culture at large will grow to embrace Simone. As Taransky earns popularity and acclaim via the success of the digitally constructed actress he “discovered,” he struggles to define his own identity as an artist and a person, and finds that lying to cover up Simone’s non-existence is altering his life entirely. His ex-wife and former employer Elaine (Catherine Keener) notices the difference in his personality, upsetting their daughter Lainey (Evan Rachel Wood) and her hopes of their reconciliation. Meanwhile, stray paparazzi turned private investigators threaten to make public incriminating evidence, which could destroy the limelight Taransky enjoys while “hiding” Simone. Amazingly, what Simone doesn’t say or do creates all the more buzz, and causes Taransky to face the reality of his industry. Written and directed by Andrew Niccol (Gattaca), Simone takes a satirical approach to an otherwise fantastical comedy.

Driven by an extravagant, tour-de-force performance by Al Pacino, Scent of a Woman is the story of Frank Slade (Pacino), a blind, retired army colonel who hires Charlie Simms (Chris O’Donnell), a poor college student on the verge of expulsion, to take care of him over Thanksgiving weekend. At the beginning of the weekend, Frank takes Charlie to New York, where he reveals to the student that he intends to visit his family, have a few terrific meals, sleep with a beautiful woman and, finally, commit suicide. The film follows the mis-matched pair over the course of the weekend, as they learn about life through their series of adventures. Though the story is a little contrived and predictable, it pulls all the right strings, thanks to O’Donnell’s sympathetic supporting role and Pacino’s powerful lead performance, for which he won his first Academy Award. Scent of a Woman is based on the 1975 Italian film Profumo Di Donna.

A successful career criminal considers getting out of the business after one last score, while an obsessive cop desperately tries to put him behind bars in this intelligent thriller written and directed by Michael Mann. Neil McCauley (Robert De Niro) is a thief who specializes in big, risky jobs, such as banks and armored cars. He’s very good at what he does; he’s bright, methodical, and has honed his skills as a thief at the expense of his personal life, vowing never to get involved in a relationship from which he couldn’t walk away in 30 seconds. Vincent Hanna (Al Pacino) is an L.A.P.D. detective determined to catch McCauley, but while McCauley’s personal code has forced him to do without a wife and children, Hanna’s dedication has made a wreck of the home he’s tried to have; he’s been divorced twice, he’s all but a stranger to his third wife, and he has no idea how to reach out to his troubled step-daughter. While McCauley has enough money to retire and is planning to move to New Zealand, he loves the thrill of robbery as much as the profit, and is blocking out plans for one more job; meanwhile, he’s met a woman, Eady (Amy Brenneman), whom he’s not so sure he can walk away from. The supporting cast includes Val Kilmer as Chris, one of McCauley’s partners; Ashley Judd as his wife Charlene; Jon Voight as Nate; Hank Azaria as Alan Marciano; and Henry Rollins as Hugh, who is beaten up by Hanna.

D.J. Caruso’s Two for the Money stars Matthew McConaughey as Brandon Lang, a former college quarterback whose life plans changed when he suffered a career-ending injury. Brandon turns out to have remarkable skill at picking winning football bets. Eventually, he comes to the attention of Walter Abrams (Al Pacino), a very successful business tycoon who runs a giant gambling operation. Walter brings Brandon to New York and introduces him to a glitzy, fast-paced, money-drenched lifestyle that Brandon eagerly soaks up. When Brandon’s magic touch begins to falter, Walter starts to turn on his prot?g?. Soon the two men are attempting to outwit each other, with Walter’s wife (Rene Russo) caught in the middle.

This drama about an undercover cop who learns the hidden dangers of working his way inside the mob was based on a true story. Joe Pistone (Johnny Depp) is an FBI agent who is given an assignment to infiltrate the Mafia; calling himself Donnie Brasco, he befriends Lefty Ruggiero (Al Pacino), a low-level mob hit man whose personal life is in tatters. Lefty’s marriage is falling apart, his son is a junkie, and his health is failing, which only adds to his growing disillusionment about having spent 30 years with the Mafia (and killing 26 people) with little to show for it. But in Donnie, Lefty sees someone who can succeed where he failed; he takes the young man under his wing, and under Lefty’s tutelage Donnie quickly rises through the ranks of organized crime; however, the longer he plays the role of the gangster, the more Joe Pistone finds himself becoming Donnie Brasco in his increasingly rare off hours; it drives a wedge between himself and his wife (Anne Heche) and children, and Joe realizes that a break in character among the hoodlums he’s come to know could mean a death sentence for himself and his family. Just as importantly, Joe has come to regard Lefty as a close and trusted friend, and Joe realizes that when the day comes where he has to turn in his Mob associates, he’ll be ending Lefty’s life as surely as if he put a slug in his head himself. The supporting cast includes Michael Madsen as Sonny, Lefty’s boss, and Bruno Kirby as Nicky, one of Sonny’s henchmen. The real-life Joe Pistone today lives under an assumed name with a 500,000-dollar contract on his life still in effect.