Bovie Movie

Two cops with almost nothing in common find themselves brought together to capture a psychotic murderer in this action thriller. Jack Cole (Steven Seagal) was once a government intelligence operative known as “The Glimmer Man,” because he could move so quickly and quietly that his victims would only see a glimmer before they died. Having left international espionage behind him, Cole — steeped in Eastern mysticism and not used to working with others — has become a detective with the Los Angeles Police Department, where he’s paired up with Jim Campbell (Keenen Ivory Wayans), a tough, no-nonsense cop with a weakness for weepy movies (Casablanca is one of his favorites) and little patience for Cole’s New Age philosophies and outsider attitude. Cole and Campbell have to set aside their differences when they’re assigned to track down a serial killer the press has dubbed “The Family Man,” for his habit of dispatching entire households at once. However, when the Family Man’s latest victims turn out to be Cole’s former wife and her current husband, Campbell learns about Cole’s secret past, and they both think that Cole’s former bosses may somehow be involved with this current crime wave. Leading man Seagal also wrote and played guitar on several blues-based songs that appear on the film’s soundtrack.

Beth Cappadora (Michelle Pfeiffer), a photographer, is married to Pat (Treat Williams), a restaurateur, and they would seem to have a perfect life in Madison, Wisconsin. In 1988, they have three small children that Beth takes along to her high school reunion in Chicago. While checking in at a crowded hotel lobby, her middle child, three-year-old Ben, disappears. Despite a frantic search and much media coverage, the boy is not found, and Beth soon falls apart. Nine years later, the family has only barely recovered when they move to Chicago so Pat can open a restaurant with his father. A few months later, a neighborhood boy named Sam Karras (Ryan Merriman) knocks on the door, asking to mow the lawn. Beth notices the boy’s appearance exactly matches a time-elapsed photo of Ben constructed by the police; she takes pictures of the boy and contacts both her husband and police detective Candy Bliss (Whoopi Goldberg). School fingerprints of Ben and Sam match, and the boy is taken to foster care while Candy and Beth confront the father, George (John Kapelos). It seems Ben was abducted by an unbalanced woman who was Beth’s high school classmate; the boy was eventually adopted by George when he married “Sam’s” new mother, and she later committed suicide, leaving no one to blame. Having grown up happily with George, Sam has no memories of his real parents. Now Beth and Pat must find a way to bond with Sam, and heal older brother Vincent (Jonathan Jackson), who was supposed to be watching Ben at the time he disappeared, and has been suffering from guilt ever since.

The first American theatrically released 3-D movie from a major studio since 1991’s Freddy’s Dead: The Final Nightmare, Spy Kids 3-D: Game Over is the third entry in three years in Robert Rodriguez’s family-oriented action-adventure series. Along with the four members of the Cortez family, played by Antonio Banderas, Carla Gugino, Alexa Vega, and Daryl Sabara, most of the characters from the first two films have returned, including Fegan Floop (Alan Cumming), Romero (Steve Buscemi), Machete (Danny Trejo), Dinky Winks (Bill Paxton), and Donnagon (Mike Judge). This time around, Carmen (Vega) is kidnapped by the evil Toymaker (Sylvester Stallone) and imprisoned inside a virtual-reality game. It’s then up to Juni (Sabara) to venture into the game and save his sister from the villain’s clutches. The film’s three-dimensional segments take place inside the game. Also starring Salma Hayek, Spy Kids 3-D: Game Over is actually the first of two 2003 films directed by Rodriguez that complete a trilogy, the other being Once Upon a Time in Mexico, the third installment in the El Mariachi saga.