Bovie Movie

A man whose life has been touched by tragic illness is drawn into the life of another victim whose story has an unsettling twist in this drama. Gabriel Noone (Robin Williams) is a radio talk show host who has developed a loyal following for his deeply personal on-air monologues, many of which deal with his relationship with his companion Jess (Bobby Cannavale), who is HIV-positive and struggling with his health. When Jess’ condition improves, he surprises Gabriel by announcing he needs his space and has decided to break up with him. Gabriel is shaken and feels creatively blocked until Ashe (Joe Morton), a friend in the publishing business, gives him an advance copy of a memoir by Pete Logand (Rory Culkin), a 14-year-old boy living with AIDS. Pete’s book is a harrowing memoir of a childhood fraught with abuse of all sorts meted out at the hands of his parents, and Gabriel is deeply moved by his story. One night, Gabriel gets a phone call from Pete, who claims to be a big fan of his radio show, but the call is cut off by Donna (Toni Collette), Pete’s stern and protective stepmother. While Gabriel admires Pete’s book, he begins to question its veracity, and with the help of Anna (Sandra Oh) tries to research the facts behind the story. As he uncovers more loose ends, Gabriel begins to suspect that Pete isn’t the true author of the work, and that Donna has created his terrible past in the name of literary celebrity. The Night Listener was adapted from the novel by Armistead Maupin.

The assassination of the most powerful leader in the free world is examined in this controversial mockumentary from British filmmaker Gabriel Range. On October 19, 2007, president George W. Bush is visiting Chicago when he impulsively stops to shake hands with supporters en route to a meeting, while a throng of protesters demonstrate nearby. Shots ring out, and Bush is fatally wounded. As America and its allies deal with the tragic loss of their leader, vice president Dick Cheney is sworn in as the new chief executive, and while he takes the reigns of the nation and pushes new and aggressive anti-terrorism legislation through Congress, the Federal Bureau of Investigation steps into action to track down the gunman. As Secret Service agents and law enforcement officers share their thoughts on how the murder of the president could have been avoided, and people around the globe discuss how Bush’s death has tipped the delicate balance of relations between the United States and the Middle East, a Syrian Muslim activist living in Chicago, Jamal Abu Zikri (Malik Bader), is charged with the murder of the president. While no “smoking gun” connects Zikri to the crime, a wealth of circumstantial evidence points to him as the gunman, and he’s tried, found guilty, and executed in short order. However, lingering questions persist as some wonder if the F.B.I. found the right man with the right motives. Created using a combination of newsreel footage, computer-generated images, and newly staged material, Death of a President (aka D.O.A.P.) received the International Critics Prize at the 2006 Toronto Film Festival, despite negative reaction from many American political commentators, many of whom were deeply offended by the film’s depiction of the assassination of Bush, the sitting U.S. president at the time of the picture’s production and release.

A man struggling to save the life of another finds himself drawn into a strange netherworld he didn’t know existed in this stylish thriller. Sam Foster (Ewan McGregor) is a psychiatrist living in New York City with his girlfriend, Lila Culpepper (Naomi Watts), who was once one of his patients. However, it’s another one of his patients who becomes the focus of his obsessions when Henry Letham (Ryan Gosling), a disturbed young man whom Foster took over from a colleague, announces during a session that he intends to commit suicide in three days, on his 21st birthday. Sam takes the threat quite seriously and tries to track down Henry, who seems to have disappeared. Sam speaks to a number of Henry’s friends and acquaintances — his mother (Kate Burton), the man he claimed was his father, Dr. Leon Patterson (Bob Hoskins), a waitress who regularly served Henry at the coffee shop where she works (Elizabeth Reaser), and his former therapist Dr. Beth Levy (Janeane Garofalo). As Sam talks to people in Henry’s circle, he finds he’s learning more about himself than the man he’s supposed to save, and he begins to drift into an emotional netherworld where the supposedly dead and the living cross paths. Stay was directed by Marc Forster, who had previously enjoyed breakthrough hits with two very different films, Monster’s Ball and Finding Neverland.

Based on Scott Smith’s bone-chilling blockbuster 1993 novel, A Simple Plan is a bit of a departure for horror-film director Sam Raimi. Instead of flying eyeballs and dancing corpses, A Simple Plan is a taught crime thriller in the vein of Joel Coen’s Academy Award-winning Fargo. Set during the white winters of Minnesota, this story tells the eerie tale of Hank and Jacob Mitchell (played by Bill Paxton and Billy Bob Thornton) who, along with a buddy, find a downed single-engine plane buried in the snowy woods. Inside it is a decaying pilot and a bag carrying four million dollars in one-hundred-dollar bills. The men decide to hide the money until spring when the snow is melted and the plane is found. If no one notices the missing money at that time, they will split it and live a wealthy new life. A simple plan, right? Wrong. Much like Humphrey Bogart’s The Treasure of the Sierra Madre, things can only get worse, as distrust and greed creep into the minds of the principles. They find it difficult to decide which one gets to hold the money — and even more impossible to keep from dipping into the stash until spring. And so on. It also becomes increasingly tough to keep a secret of this magnitude. And if all this doesn’t get movie-goers’ right-brains working, it seems there are suspicious characters in town who just may be able to link them to the plane, forcing the more dangerous and bloody question of what to do with those people and how to cover their tracks.