Bovie Movie

Miguel Pinero became a leading figure in New York’s art scene during the 1970s as a poet, actor, and playwright whose vibrant, often pointed, work spoke directly to the lower classes and to disenfranchised minorities. As a founder of the influential Nuyorican Poets Cafe, his poetry soon became recognized as a forerunner to rap and hip-hop music. TV screenwriter turned director Leon Ichaso spins this impressionistic biographical look at this artist. Raised in an abusive family, Pinero (Benjamin Bratt) turns to streets for solace. Soon he is engaging in petty crime, drug dealing, and addiction. When he finds himself in Sing-Sing, he turns his experiences in prison into the play Short Eyes, which eventually garners him seven Tony awards in 1974. Uncomfortable with his new fame, he clings to his girlfriend, Sugar (Talisa Soto), and his childhood buddy, Miguel Algarin (Giancarlo Esposito), who is a literature professor and who co-founded the Nuyorican Cafe. Though Pinero makes cameos on such shows as Kojak, his art begins to suffer as he starts to succumb to his drug addictions. This film was screened at the 2001 Toronto Film Festival.

An effort to circumvent global catastrophe becomes a disaster in its own right in this science fiction thriller. In the year 2050, Earth is on the verge of ecological disaster, and the Mars Terraforming Project has been created in hopes of making our neighboring planet habitable so that a colony of Earthlings might begin a new civilization there. But the project goes awry, and Commander Kate Bowman (Carrie-Anne Moss) is put in charge of a rescue mission to set the system back on its feet. Bringing along astronaut Robby Gallagher (Val Kilmer) and scientists Dr. Quinn Burchenal (Tom Sizemore) and Dr. Bud Chantillas (Terrence Stamp), Bowman and her crew set out for Mars, but disaster strikes and the landing craft crashes into the red planet. The crew is stranded without communications as Bowman struggles to find a way to get them home; to make matters worse, the robot that was designed to serve and protect them has gone haywire, and is now attempting to hunt them down as prey. Red Planet was originally to have been released as Mars, but the producers changed the title to avoid confusion with Mission to Mars, released earlier the same year.

Writer/director Nicole Kassell makes her feature film debut with the drama The Woodsman. Co-written by Steven Fechter, the original script won first place at the Slamdance Screenplay Competition in 2001. Kevin Bacon plays Walter, a child molester who gets out of prison after serving a 12-year sentence. He returns to his old town and tries to start over by working at a woodyard. Fortunately, his brother-in-law (Benjamin Bratt) helps him get a place to live. He even strikes up a relationship with local gal Vickie (Bacon’s real-life wife, Kyra Sedgwick). However, Walter still struggles with his past and the suspicions of co-worker Mary-Kay (Eve) and Detective Lucas (Mos Def). The Woodsman premiered at the Sundance Film Festival in 2004 as part of the dramatic competition.

The Bold Ones was the umbrella title given a group of rotating hour-long TV series, which ran from 1969 to 1973. Joining established Bold Ones components The Doctors and The Lawyers in 1970 was The Senator, starring Hal Holbrook as RFK-like Senator Hays Stowe. The pilot for The Senator was A Clear and Present Danger, which first aired March 21, 1970. In this 2-hour “problem drama”, Senator Stowe tackles the issue of air pollution after a close friend dies of emphysema. The Emmy-nominated Hal Holbrook, Sharon Acker (as Erin Stowe) and Cindy Eilbacher (as Norma Stowe) carried their roles over to the “Senator” series proper, while Michael Tolan was cast as Stowe’s aide Jordan Boyle, the role played in A Clear and Present Danger by Joseph Campanella.

A high-school senior finds that fate (and modern medicine) plays some interesting tricks with his personality in this dramatic comedy. Justin Conn (Lou Taylor Pucci) is a neurotic teenager who has a difficult time with his peers, especially Rebecca (Kelli Garner), a cute girl in his debate class with whom he is somewhat mutually infatuated. It isn’t much better at home with his obnoxious younger brother Joel (Chase Offerle), his father, Mike (Vincent D’Onofrio), who is busy having a midlife crisis, and mother Audrey (Tilda Swinton), who’s infatuated with one of her favorite TV actors (Benjamin Bratt). All this anxiety has to go somewhere, and Justin’s manifestation of his troubles comes in the form of sucking his thumb, which makes him even more of an outcast. Dr. Perry Lyman (Keanu Reeves), an orthodontist who seems to double as a new age therapist, treats Justin with hypnosis; meanwhile, the school psychologist decides he has Attention Deficit Disorder, and treats him with medication. Suddenly, Justin stops sucking his thumb and becomes an outgoing overachiever, single-handedly taking his school debate team to the state championship. But Justin’s relationshop with his debate coach, Mr. Geary (Vince Vaughn), becomes strained, and the boy tries to mold yet another new identity for himself. Thumbsucker was the first feature film from Mike Mills, who previously distinguished himself in commercials and music videos.

In a change-of-pace role designed to prove that she could carry high-concept genre films as well as character-driven dramas, Meryl Streep headlined this fast-paced adventure as Gail, a whitewater rafting guide. For a vacation, Gail is accompanying her son Roarke (Joseph Mazzello) and workaholic husband Tom (David Strathairn) on a river trip. Gail and Tom are experiencing marital troubles and contemplating divorce, but their problems take a back seat when they encounter some menacing rafters led by Wade (Kevin Bacon). After Tom saves Wade from drowning, they discover that the men are murderous fugitives using the river as an escape route. Kidnapped by the killers, Gail’s forced to leave her husband stranded on shore and guide the villains through the “Gauntlet,” a raging confluence of rivers that few rafters ever survive. Meanwhile, Tom proves to be wilier than anyone suspected, following the raft on foot and plotting his family’s rescue. Following a quartet of popular B-grade thrillers, director Curtis Hanson attempted to break partially out of the genre with The River Wild, which, despite the presence of a psycho killer, played as more a stunt-filled action movie than a murder mystery.

Gracie Hart (Sandra Bullock) is an FBI agent with a reputation for being aggressive and hard-nosed, who has long wanted to duplicate the career of her deceased mother, also an FBI agent, who died in the line of duty. Her cantankerous nature, though, has made her few friends, excepting her trusting, sensitive partner Eric Matthews (Benjamin Bratt). However, her true abilities are put to the test when she is called upon to infiltrate a Miss United States pageant after a terrorist threatens to bomb it. Gracie, who prides herself on her toughness, must now feminize her behavior to effectively participate in the pageant with the aid of Victor Melling (Michael Caine), a pompous consultant who dreams of whisking away Gracie’s past self and creating “Gracie Lou Freebush” for an appreciative, all-American audience. After her arduous conversion, Gracie must play the role of beauty queen and FBI agent, and try not to blow her undercover outfit. Miss Congeniality, which was produced by star Bullock, features television stalwarts William Shatner and Candice Bergen in supporting roles.

John Dahl directed this war drama based on the true story of one of the most daring military actions of World War II. In the waning days of World War II, General Douglas MacArthur chose to make good on a pledge that he made in 1942 — that he would return to the Philippines after he and his troops were forced to retreat. However, MacArthur’s determination was more than a matter of pride. Over 500 American soldiers were being held in Cabanatuan, a notoriously brutal prisoner of war camp in the Philippines operated by the Japanese army, and MacArthur wanted to see to it that they made it home. MacArthur chose Lt. Col. Henry Mucci (Benjamin Bratt) to lead the Sixth Ranger Battalion on a mission 30 miles behind enemy lines to infiltrate Cabanatuan and liberate the American prisoners. With the help of Capt. Prince (James Franco), Mucci leads his men on a life-or-death raid against forces known for their savagery. The Great Raid was based on William B. Breuer’s book The Great Raid on Cabanatuan: Rescuing the Doomed Ghosts of Bataan and Corregidor, and also stars Joseph Fiennes, Connie Nielsen, and Marton Csokas.

The plot of this action film begins in 1996, with Los Angeles in a violence-crazed conflagration. One of the LAPD’s most notorious cops, John Spartan (Sylvester Stallone), known as “the demolition man,” is in hot pursuit of blonde-haired psychopath Simon Phoenix (Wesley Snipes), who is so nasty he even kills sometimes just because he feels cranky. John captures Simon, but not before Simon kills innocent hostages. John is blamed for the deaths of the hostages, and both he and Simon are cryogenically frozen to remove their brand of ultra-violence from a society that is simply just too violent. The film shifts to the future world of 2032, where Los Angeles has become a megalopolis called San Angeles. There is no poverty, Arnold Schwarzenegger was (at one time) president of the United States, and Taco Bell is the sole survivor of the Franchise Wars. Into this peaceful and bland society, Simon is summarily defrosted by reigning benevolent dictator Dr. Cocteau (Nigel Hawthorne) to have Simon murder Edgar Friendly (Denis Leary), the leader of a group of underground rebels. But Cocteau bites off more than he can chew when the melted-down Simon proceeds to go on a murder-and-looting spree. Reluctantly, Cocteau defrosts John to hunt down his old adversary. As John adjusts to self-driving cars and having sex wearing helmets, he pairs up with Lenina Huxley (Sandra Bullock), a bored cop with a nostalgic fascination for 20th-century culture.

Best buddies Abbie (Madonna), a heterosexual yoga instructor, and Robert (Rupert Everett), a gay landscaper, cope with failed relationships, the approach of middle age, and the AIDS-related death of a mutual friend by sticking together as a “family of choice.” Drunk one night, they have sex, and when Abbie turns up pregnant, they decide to move in together and raise the child as decidedly unconventional co-parents. Flash forward several years and Abbie begins dating Ben (Benjamin Bratt), an investment banker. The new relationship causes tension between Abbie and Robert that ultimately leads to betrayal, courtroom confrontation, and a sudden denouement. Everett, a sometime writer of trashy comic novels such as Hello Darling, Are You Working?, reportedly supplied the film’s concept and even additional dialogue, although Tom Ropelewski is the credited screenwriter. This was pop diva Madonna’s first film role since the hoopla of Evita; she supplied a highly edited hit cover of Don McLean’s “American Pie” and one other song for the soundtrack, which was released on her own Maverick imprint.