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After being committed for 15 years, Michael Myers, now a 21-year-old man and still very dangerous, escapes from the mental institution (where he was committed as a 6 year old) and immediately returns to Haddonfield, where he wants to find his baby sister. Anyone who crosses his path is in mortal danger.

A disillusioned medical student is stranded for a summer in a remote community of counterculture pot farmers, the last place in the world he imagined he would discover himself.

Israeli-born director Isaac H. Eaton spins this thriller about a Mephistophelean writer luring an impressionable young man into L.A.’s seamy underside. Stuart Chappell (Peter Weller) persuades gas station attendant Michael Holloway (Balthazar Getty) to abandon the straight and narrow and accompany him on a prowl of increasingly kinky haunts — including stripclubs, S&M dungeons, fight clubs, and Russian roulette joints. This film was screened at the 2000 Sundance Film Festival.

The fourth film in the Alien series, directed by Jean-Pierre Jeunet (Delicatessen, The City of Lost Children) at a cost of 70 million dollars, takes place aboard an immense ship, the Auriga, where General Perez (Dan Hedaya) heads a staff of seven science officers and 42 enlisted, all employed by United Systems Military (replacing the Company of the earlier films). The time is 200 years after the events of Alien 3. Scientists researching the aliens need hosts, and they rely on space mercenaries who make spacecraft raids to acquire bodies. The research requires an Alien Queen specimen, so Ellen Ripley (Sigourney Weaver) has been cloned from preserved blood samples. The scientific team then removes the baby Alien Queen from Ripley’s chest. Since the Ripley clone has alien DNA mixed into her genetic structure, she is not totally human. Later, a commercial freighter, the Betty, arrives with a crew of mercenaries — Elgyn (Michael Wincott), pilot Hillard (Kim Flowers), paralyzed mechanic Vriess (Dominique Pinon), space jock Johner (Ron Perlman), and junior mechanic Annalee Call (Winona Ryder) — who deliver a load of human hosts with alien eggs. Problems begin when the mercenaries take over the Auriga, and aliens escape to massacre humans. As the aliens attack, Ripley and the mercenaries try to reach the Betty in order to escape. Cinematography by Darius Khondji features the same ENR process he used on Seven, adding silver to the printing process to heighten contrasts, making the dark colors richer. An electric-blue tint was employed during the underwater firefight between the mercenaries and the aliens. For the more physical aspects of her role, Ryder got in shape with six hours of daily workouts. Although all previous films in the series were shot at London’s Pinewood Studios, filming of Alien Resurrection took place West Los Angeles soundstages with special effects in California and Paris.

David Lynch wades through dark waters in his adaptation of Frank Herbert’s cult science fiction novel. In condensing Herbert’s rambling and complex book by eliminating characters and compacting events, Lynch succeeds in rendering the story incomprehensible to those unfamiliar with the novel and making the film look like a sketchy greatest hits collection of the book for Herbert fans. The story takes place in the year 10,191. The universe is governed through a system of feudal rule, presided over by Padishah Emperor Shaddam IV (Jos? Ferrer), who appears to take his marching orders from something that resembles a talking vagina. In the kingdom are two rival houses — the House of Atreides and the House of Harkonnen. Each house is trying to gain dominion over the universe, but that dominion can only be gained by the house that controls the Spice, a special substance that permits the folding of time. The Spice is only available on the desert world of Arrakis, or Dune. Shaddam, tired of the feuding between the two houses, permits the Atreides to take over the Spice production on Dune, while secretly working with the Harkonnens to launch a sneak attack on the Atreides and destroy them. The leader of the Atreides is Duke Leto (J?rgen Prochnow), who rules with the help of his concubine Jessica (Francesca Annis) and son Paul (Kyle MacLachlan). The rival Harkonnens are headed by the pus-oozing degenerate Baron Vladimir Harkonnen (Kenneth McMillan, in a thoroughly through-the-roof performance) and his two unsavory nephews, Rabban (Paul L. Smith) and Feyd (Sting). When his father is murdered by the Harkonnens, Paul escapes to Dune, where he is greeted by the Fremen (the desert dwellers on Dune who prepare the Spice) as the messiah foretold in Fremen legend. Paul assumes the mantle of messiah and leads the Fremen in a revolt that topples the balance of power in the universe.

The Hazing is the 1978 edition of 1951’s For Men Only, that pioneering expose of injurious fraternity-house traditions. This time, a hazing goes tragically awry, and a frat pledge is killed. The students conspire to hush up the event, but the truth will come out. Though Jeff East is top-billed in The Hazing, the film is stolen by the polished performance of Charles Martin Smith. The film, which represented the directorial debut of Douglas Curtis, was co-written by comic actor David Ketchum.

Based on Stephen King’s short story about a Maine textile mill, where it’s workers come into contact with something far more gruesome than anyone might expect.

Penelope Spheeris directed this Marlon Wayans comedy, scripted by the Rocket Man team of Greg Erb and Craig Mazin. Saddled with several on and off-campus jobs, hard-working college student Darryl Witherspoon (Marlon Wayans) is aiming for a position with the Smythe-Bates brokerage firm, but twit Scott Thorpe has the right resum? and connections. A frat failure, Darryl also doesn’t score at ice hockey. For extra cash, Darryl becomes a test subject for an experimental drug that heightens the senses by five times. The initial effect is a rectal irritation, but then Darryl finds his enhanced hearing enables him to pick up distant conversations, and his upgraded coordination improves his hockey game. However, an overdose literally leaves Darryl senseless, as he discovers only four of his five senses operative at any given time.

When the notoriously evil Chucky doll and his lover gave birth, they had no idea that their spawn would grow up to be a peace-loving kind of guy; however, that’s exactly what Glen turns out to be: a gentle soul who is horrified at what he has been told about his family. After hearing the news of a film being made about his parents’ murderous legacy, Glen sets off for Hollywood, where he promptly brings Chucky and Tiffany back to life. Far from diving into doting fatherhood, Chucky is seriously disappointed in his son’s lack of inherent evil and tries his best to impart his vast knowledge of all things malevolent before Glen becomes some sort of do-gooder. Elsewhere, Tiffany finds that she will be played by Jennifer Tilly in their movie and doesn’t hesitate to let her son in on their family’s most cherished tradition — killing sprees. Directed by Don Mancini, Seed of Chucky features Brad Dourif returning as the voice of Chucky, while Tilly plays both herself and Tiffany. The offspring of the evil pair, Glen, is voiced by Lord of the Rings star Billy Boyd. Cult film director John Waters also makes an appearance, as does hip-hop artist Redman.

Henri Young (Kevin Bacon) was convicted for stealing 5$ from post office and sent to Alcatraz, the most secured jail for the most dangerous criminals. After a futile escape mission he was sent to dungeon and got out as a murderer after thousand days, though maximum 19 days in dungeon is the official punishment was allowed. He became scared and confused savage and killed one of the prisoners. It was a sure to lose case and so James Stamphill (Christian Slater), a fresh law graduate was appointed as his lawyer. But rest is history! Based on a true story, Murder in the first is a masterpiece by Marc Rocco shows how the dungeon of Alcatraz was shut down for ever!

Director David Lynch crafted this hallucinogenic mystery-thriller that probes beneath the cheerful surface of suburban America to discover sadomasochistic violence, corruption, drug abuse, crime and perversion. Kyle Maclachlan stars as Jeffrey Beaumont, a square-jawed young man who returns to his picture-perfect small town when his father suffers a stroke. Walking through a field near his home, Jeff discovers a severed human ear, which he immediately brings to the police. Their disinterest sparks Jeff’s curiosity, and he is soon drawn into a dangerous drama that’s being played out by a lounge singer, Dorothy Vallens (Isabella Rossellini) and the ether-addicted Frank Booth (Dennis Hopper). The sociopathic Booth has kidnapped Dorothy’s young son and is using the child as a bargaining chip to repeatedly beat, humiliate and rape Dorothy. Though he’s drawn to the virginal, wholesome Sandy Williams (Laura Dern), Jeff is also aroused by Dorothy and in trying to aid her, he discovers his dark side. As the film nears its conclusion, our hero learns that many more indivduals are tacitly involved with Frank, including a suave, lip-synching singer, Ben (Dean Stockwell), who is minding the kidnapped boy. Director Lynch explored many similar themes of the “disease” lying just under the surface of the small town, all-American fa?ade in his later television series Twin Peaks (1990-91).