Bovie Movie

George Lucas draws the Star Wars film series to a close with this dark sci-fi adventure which sets the stage for the events of the first film and brings the saga full circle. After a fierce battle in which Obi-Wan (Ewan McGregor) and Anakin (Hayden Christensen) join Republic forces to help free Chancellor Palpatine (Ian McDiarmid) from the evil Count Dooku (Christopher Lee) and his minions, Anakin is drawn into Palpatine’s confidence. Palpatine has designs on expanding his rule, and with this in mind he plants seeds of doubt in Anakin’s mind about the strength and wisdom of the Jedis. Anakin is already in a quandary about how to reveal to others the news of his secret marriage to Padmé Amidala (Natalie Portman) now that she is pregnant, and visions which foretell her death in childbirth weigh heavy on his mind. As Anakin finds himself used by both the Jedis and the Republic for their own purposes — particularly after Mace Windu (Samuel L. Jackson) expresses his distrust of the young Jedi — he turns more and more to the Force for help, but begins to succumb to the temptations of its dark side. Many of the Star Wars series regulars returned for Star Wars: Episode III — Revenge of the Sith, including Frank Oz as the voice of Yoda, Anthony Daniels as C-3PO, Kenny Baker as R2-D2, and Peter Mayhew as Chewbacca.

Two teenagers think they have problems until they come to the rescue of a girl with a fishy story to tell in this teen-oriented comedy. Thirteen-year-old Claire (Emma Roberts) and same-aged Hailey (Joanne “JoJo” Levesque) are two close friends living in Tampa, FL, who are facing a separation in a few weeks — Claire’s mother is a marine biologist who has been given a prestigious new job in Australia, meaning the girls are not likely to see much of each other again. While the girls wonder if there’s anything they can do to avoid the inevitable, a storm breaks out and the waves toss an unusual example of sea life into Hailey’s swimming pool — Aquamarine (Sara Paxton), a teenaged mermaid who has some problems of her own. Aquamarine’s father is a leader of the undersea world who has arranged for his daughter to marry a boy whom she doesn’t care for. It seems Dad doesn’t put much stock in the land-locked notion of love, and unless Aquamarine can prove to him that it’s real, she will have to go through with the wedding. Claire and Hailey find Aquamarine, and discover that she fortunately sprouts legs when on dry land during the daylight hours; after learning of her romantic dilemma, they decide to help her by teaching her how to turn the head of Raymond (Jake McDorman), a cute lifeguard at the nearby beach. However, pretty Aquamarine learns her lessons well enough to make Cecilia (Arielle Kebbel), a mean girl with a crush on Raymond, jealous, leading her into a battle over the young man’s affections, which Aquamarine has to win if she wants to avoid a loveless marriage. Aquamarine was the first feature film from director Elizabeth Allen.

Overnight sensation Jim Carrey reprises his role as the eccentric detective in this follow-up to the runaway blockbuster Ace Ventura: Pet Detective. The sequel finds Ace on assignment in Africa to prevent a tribal war by saving a white bat sacred to both sides. Along the way, he nearly sleeps with a seductive African princess before her wedding, experiences astral projection with an enlightened monkey, masturbates, collects bat dung and, last but not least, is birthed by a mechanical rhino (much to the horror of an American tourist family). Often short on taste, the film is nonetheless full of good spirit and plenty of genuine belly laughs — particularly during the fight scene with a diminutive tribal champion (Tommy Davidson, who demonstrates a gift for physical comedy equal to Carrey’s). Not for every taste, Ace Ventura: When Nature Calls is either hilarious or insufferable, depending on the viewer’s opinion of Carrey’s unique brand of slapstick and sight gags. Please note: the opening sequence may be upsetting to younger viewers.

Director George Miller’s follow-up to his own 1979 hit Mad Max is proof that not all sequels are inferior to their originals. If anything, this brutal sci-fi action film is even more intense and exciting than its predecessor, although the state of its post-apocalyptic world has only become worse. Several years after the deaths of his wife and child, Max (Mel Gibson) has become an alienated nomad, wandering an Australian outback that has fallen into tribal warfare conducted from scattered armed camps. After a road battle with psychotic villain Wez (Vernon Wells), Max meets up with the odd Gyro Captain (Bruce Spence), who takes him to the camp of a sympathetic group led by Pappagallo (Mike Preston). As Pappagallo’s people are camped at a refinery, Max plans to take their oil — more precious than gold in this world — but eventually joins them to fight a band of marauders led by the evil Humungus (Kjell Nilsson). The stunning climax features a heart-pounding chase scene involving an oil tanker-truck and a frenzied rush for the coast, with Humungus and his forces in hot pursuit. Nilsson is a scary villain, with huge muscles and a sinister pre-Jason hockey mask, but the stunt work is the key here, and it is more flamboyantly dynamic than ever, edited at breakneck pace and staged with manic fury by Miller and stunt coordinator Max Aspin. Savage and kinetic, Mad Max 2 is a must-see for action buffs.