Bovie Movie

A remake of the Spanish film Open Your Eyes (1997), this thriller from director Cameron Crowe bears one of several discarded titles for his previous, Oscar-winning film Almost Famous (2000). Tom Cruise stars as David Ames, a womanizing playboy who finds romantic redemption when he falls in love with his best friend’s girlfriend Sofia (Penelope Cruz, reprising her role from the original film). Before that relationship can begin, however, David is coaxed into a car driven by an ex-lover, Julie (Cameron Diaz), who turns out to be suicidal. Driving her car off a bridge, Julie kills herself and horribly disfigures David. Reconstructive surgery and the loving support of Sofia seem to reverse David’s luck, but eerie incidents are soon making him question the reality of his existence and his control over his life, even while he is suspected of complicity in Julie’s death. Vanilla Sky (2001) bears the expected Crowe trademark of an obsession with recent pop culture and particularly rock music, a more important element of the remake than the original film. That project’s writer/director, Alejandro Amenabar, crafted his own supernatural hit the same year with The Others (2001), starring Nicole Kidman, the soon-to-be-ex-wife of Cruise.

Hyperactive mayhem results when a mild-manned banker discovers an ancient mask that transforms him into a zany prankster with superhuman powers in this special-effects-intensive comedy. The wildly improvisational Jim Carrey plays Stanley Ipkiss, a decent-hearted but socially awkward guy who one night finds a strange mask. Carrey’s trademark energy reveals itself after Stanley puts on the mask and the banker transforms into The Mask, a green-skinned, zoot-suited fireball. The rubber-faced Mask possesses the courage to do the wild, fun things that Stanley fears, including romancing Tina Carlyle (Cameron Diaz). In addition to Carrey’s physical talents, the film makes effective use of digital visual effects that bestow the Mask with superhuman speed, insane flexibility, and popping eyes out of a Tex Avery cartoon. The larger narrative, involving the efforts of Tina’s gangster boyfriend to destroy Stanley and use the mask’s powers for evil, prove less interesting than the anarchic comic set pieces, including a particularly memorable dance number to “Cuban Pete.” The film delivered enough laughs to become a surprise hit and, along with the same year’s Dumb and Dumber, establish Carrey’s status as a comedy superstar.

Nancy Meyers’ romantic comedy Holiday stars Cameron Diaz and Kate Winslet as two women who exchange houses in order to get a new lease on life. After each suffers her fair share of romantic disappointments, Englishwoman Iris (Winslet) and L.A. woman Amanda (Diaz) meet on-line at a website devoted to helping people exchange houses for vacations. Each agrees to spend the Christmas holiday at the other’s home. While each suffers from a minor case of culture shock, both women also end up becoming involved with a man. Iris makes the acquaintance of an upbeat everyman played by Jack Black, while Amanda spends time with a handsome Brit played by Jude Law. Both women must decide what to do with these new relationships as their pre-arranged house switch is scheduled to last less than two weeks.

The three most glamorous and butt-kicking private detectives in the business are back and ready to take on bad guys in this sequel to the 2000 blockbuster screen adaptation of the once-popular television series. Dylan (Drew Barrymore), Natalie (Cameron Diaz), and Alex (Lucy Liu) are once again summoned to the office of their boss Charlie (voice of John Forsythe), where they’re introduced to his new right-hand man Jimmy Bosley (Bernie Mac) and given their latest assignment. It seems a pair of rings have gone missing and need to be recovered, but this was no ordinary jewel heist — the rings have been coded with special information that can be used to access a list of every person in the FBI’s Witness Protection Program, and when a handful of protected informants are murdered, the Angels are brought in to help crack the case. As the women search for the culprits, they encounter Madison Lee (Demi Moore), one of Charlie’s former agents who decided that the wrong side of the law pays better, and Seamus (Justin Theroux), who once dated Dylan and wants revenge for her decision to turn him over to the police. Luke Wilson and Matt LeBlanc return as (respectively) Natalie and Alex’s love interests, as does Crispin Glover as the Thin Man; John Cleese, Robert Forster, and Eric Bogosian also appear in supporting roles.

If you met Adolph Hitler when he was just a struggling cartoonist, wouldn’t you have done the world a big favor by murdering him? That philosophical question provides the linchpin of this black comedy. Jude (Cameron Diaz), Pete (Ron Eldard), Paulie (Annabeth Gish), Marc (Jonathan Penner), and Luke (Courtney B. Vance) are five graduate students who are confirmed members of the political left, participate in small-scale activism, and share a house together. One night, Pete is stuck in the middle of nowhere, and Zack (Bill Paxton), a truck driver, gives him a lift home. The housemates are just about to sit down to dinner, so to show his gratitude, Pete asks Zack to join them. However, it soon becomes obvious that Zack doesn’t share the group’s political views, and when he states that he thinks Hitler had the right idea, the argument turns into a fight, with Zack brandishing a knife. The trucker is accidentally killed in the scuffle, and rather than report the death to the police, his body is buried in the backyard vegetable garden. However, the event prompts much discussion among the housemates — if Zack was a hateful bigot, isn’t the world better off without him? And wouldn’t killing other ignorant hatemongers improve society all the more? Before long, the group is having a weekly dinner party in which they invite a special guest — including an anti-environmental activist (Jason Alexander), a right-wing religious leader (Charles Durning), a sexist who doesn’t believe there’s such a thing as rape (Mark Harmon), and a teenager campaigning against sex education in schools (Erin Bryn) — and serve them some wine, which happens to be laced with arsenic. While the group’s attempt at community improvement does wonders for their tomato plants, the recent disappearances eventually attract the attention of the local sheriff (Nora Dunn). The Last Supper was the first feature for director Stacy Title, who won an Academy Award for her short subject Down on the Waterfront; screenwriter Dan Rosen appears in a supporting role as a police deputy.

They’re beautiful, they’re brilliant, and they can kick your butt — the most glamorous private eyes in the world are back in action in this big-screen adaptation of the popular ’70s television series. Natalie (Cameron Diaz) is the smart but silly one, Dylan (Drew Barrymore) is the tough but fun-loving one, and Alex (Lucy Liu) is the classy but hard-as-nails one, and they work for a man named Charlie (voice of John Forsythe), who never meets his employees face to face. Along with their helper Bosley (Bill Murray), the Angels are sent into action when electronics genius Eric Knox (Sam Rockwell) is kidnapped, with the nefarious Roger Corwin (Tim Curry) as the prime suspect. But they soon learn even bigger danger is afoot — the kidnappers have gotten their hands on Knox’s latest invention, a system that can monitor voice communication from anywhere in the world, virtually ending the notion of private conversation. Charlie’s Angels also stars Crispin Glover, Luke Wilson, Kelly Lynch, and Tom Green.

Shrek and Fiona’s (Mike Myers and Cameron Diaz, respectively) fairy-tale wedding has gone off without a hitch, yet just as the beaming newlyweds prepare to enjoy their blissful “happily ever after,” the sudden death of King Harold (John Cleese) finds everyone’s favorite ornery ogre being reluctantly fitted for the royal crown. Troubled to learn that not only will he be compelled to rule Far Far Away, but that he and Fiona are also expecting a little ogre, Shrek determines to track down his new bride’s rebellious cousin Artie (Justin Timberlake) — the one true heir to the throne — in order to focus on fatherhood without the added distraction of having to preside over the kingdom. As Shrek sets out with faithful companions Donkey (Eddie Murphy) and Puss in Boots (Antonio Banderas) to locate the medieval high-school slacker and bring him back to become the reigning sovereign of Far Far Away, handsome snake Prince Charming (Rupert Everett) slithers back to the castle in the company of the dreaded Captain Hook (Ian McShane) to stage a diabolically timed coup and assume control of the throne. Now, as Shrek, Donkey, and Puss in Boots do their best to wrangle up the feisty Artie, Fiona must enlist the aid of fighting princesses Snow White (Amy Poehler), Sleeping Beauty (Cheri Oteri), Rapunzel (Maya Rudolph), and Cinderella (Amy Sedaris) to barricade the castle and fend off Prince Charming’s invading army of fairy-tale villains until her beloved husband can return with the cavalry to save the day.

The cranky beast with a heart of gold returns to the big screen in this sequel to the computer-animated smash hit Shrek. After massive green ogre Shrek (voice of Mike Myers) and his new bride, Princess Fiona (voice of Cameron Diaz), return from their honeymoon, they receive an invitation to visit Fiona’s parents, King Harold (voice of John Cleese) and Queen Lillian (voice of Julie Andrews), who are the monarchs of The Land Far, Far Away. However, the king and queen are more than a bit alarmed to discover their new son-in-law is a monster the color of algae, and that their daughter’s little problem with a magical spell gone wrong has turned into a full-time skin condition. Certain this isn’t the sort of “happily ever after” they dreamed of for their daughter, King Harold decides to take Shrek out of the picture and return Fiona to her former beauty with the help of Prince Charming (voice of Rupert Everett), the Fairy Godmother (voice of Jennifer Saunders), and ogre-slaying feline Puss in Boots (voice of Antonio Banderas). Shrek 2 also features the voice of Eddie Murphy returning as Donkey, as well as Larry King as an Ugly Stepsister.

In this fully computer-animated fantasy from the creators of Antz, we follow the travails of Shrek (Mike Myers), a green ogre who enjoys a life of solitude. Living in a far away swamp, he is suddenly invaded by a hoard of fairy tale characters, such as the Big Bad Wolf, the Three Little Pigs, and Three Blind Mice, all refugees of their homes who have been shunned by the evil Lord Farquaad (John Lithgow). They want to save their homes from ruin, and enlist the help of Shrek, who is in the same situation. Shrek decides to offer Lord Farquaad a deal; he will rescue the beautiful Princess Fiona (Cameron Diaz), who is intended to be Farquaad’s bride. Accompanying Shrek on his adventure is the faithful but loquacious Donkey (Eddie Murphy), who has a penchant for crooning pop songs. The two must face various obstacles in order to locate the Princess, but they find their world challenged when she reveals a dark secret that will affect the group. Shrek is based on the children’s book by William Steig, and features additional voice-work by Vincent Cassel, Cody Cameron, and Kathleen Freeman.

Terry Gilliam (Brazil, Twelve Monkeys, The Fisher King) directed this colorful, stylized, pseudo-psychedelic $21-million adaptation of the 1971 Hunter S. Thompson classic, Fear and Loathing in Las Vegas: A Savage Journey into the Heart of the American Dream, about stoned sportswriter Raoul Duke, Thompson’s alter ego, on a wild drug-crazed road trip, a paranoid plummet into the belly of the beast, with his pal, lawyer Oscar Zeta Acosta. Originally serialized in Rolling Stone (November 1971), the book catapulted Thompson headfirst toward the Kerouac-Mailer-Capote pantheon and jump-started the entire movement of “gonzo journalism.” Carrying a suitcase of drugs, Raoul Duke (Johnny Depp with shaved pate) and his attorney Dr. Gonzo (Benicio Del Toro) drive a red convertible across the Mojave from L.A. to Vegas, where Duke has an assignment to cover the Mint 400 desert motorcycle race. As the drugs kick in, Duke ventures into voiceover, filling in the blank spots and narrative gaps. “This is not a good town for psychedelic drugs,” says Duke, but even so, they consume vast quantities, eventually escalating to ether. Duke notes that with ether “you can actually watch yourself behaving this terrible way, but you can’t control it.” The two trash their hotel room, and Gonzo goes back to L.A. Thinking the hotel room holocaust will lead to an arrest, Duke begins a drive back to L.A., but after an odd encounter with a highway patrolman (Gary Busey) and a telephone conversation with Gonzo, he returns to Vegas to cover the District Attorney Convention on Narcotics and Dangerous Drugs in the glitzy Flamingo Hotel. This time the drugged-out duo trash their Flamingo room. The crazed carnival atmosphere segues into a carney casino, Bazooko’s Circus, where a barker (Penn Jillette) spiels amid aerialists, clowns, and a rotating carousel bar. Gonzo worries over runaway teen Lucy (Christina Ricci), who paints portraits of Barbra Streisand. Soon the hallucinations begin: Duke sees Gonzo transmogrify into a demon with breasts on its back, and an acid vision of a Vegas bar features large legit lounge lizards (courtesy of monster makeup man Rob Bottin). Flashbacks depicting Duke’s intro to the drug scene jump back to love-Haight relationships in San Francisco’s Summer of Love. Cameos and guest stars include Mark Harmon, Cameron Diaz, Flea, Lyle Lovett, Harry Dean Stanton, Ellen Barkin, Tobey Maguire, and Hunter S. Thompson himself. The film features a Geffen Records soundtrack mixing rock of the period with Vegas lounge tunes. Over the years, various script adaptations came and went as did numerous talents; people connected with past efforts to film Thompson’s book include Martin Scorsese, Jack Nicholson, Dan Aykroyd, John Belushi, and writer-director Alex Cox. Shown in competition at the 1998 Cannes Film Festival.