Bovie Movie

Bill Murray plays Phil, a TV weatherman working for a local station in Pennsylvania but convinced that national news stardom is in his grasp. Phil displays a charm and wit on camera that evaporates the moment the red light goes off; he is bitter, appallingly self-centered, and treats his co-workers with contempt, especially his producer Rita (Andie MacDowell) and cameraman Larry (Chris Elliot). On February 2, 1992, Phil, Rita, and Larry are sent on an assignment that Phil especially loathes: the annual Groundhog Day festivities in Punxsutawney, PA, where the citizens await the appearance of Punxsutawney Phil, the groundhog who will supposedly determine the length of winter by his ability to see his own shadow. Phil is eager to beat a hasty retreat, but when a freak snowstorm strands him in Punxsutawney, he wakes up the next morning with the strangest sense of d?j? vu: he seems to be living the same day over again. The next morning it happens again, and then again. Soon, no matter what he does, he’s stuck in February 2, 1992; not imprisonment nor attempted suicide nor kidnapping the groundhog gets him out of the loop. But the more Phil relives the same day, the more he’s forced to look at other people’s lives, and something unusual happens: he begins to care about others. He starts to respect people, he tries to save the life of a homeless man, and he discovers that he’s falling in love with Rita and therefore wants to be someone that she could love in return.

Spoof series torch-bearer and Airplane! mastermind David Zucker steps back into the captain’s chair for yet another round of cinematic shenanigans in the latest installment of the Scary Movie franchise, this time mocking such frightful blockbusters as Saw, War of the Worlds, The Village, and The Grudge. An alien invasion threatens to wipe out the entire human race, but not if Cindy Campbell (Anna Faris) and her nymphomaniac pal Brenda Meeks (Regina Hall) have any say in the matter. With the clock counting down for all of humankind and the extraterrestrial invasion about to begin, the fearless but slightly dunderheaded heroines are joined by a series of celebrity guests including Dr. Phil, Carmen Electra, Chris Elliot, Shaquille O’Neal, and, of course, Leslie Nielsen in ensuring that the planet remains free of the alien menace and prepared for yet another installment in the over-the-top, pop-culture deflating satire series. Although two versions of this film officially exist (a PG-13 one and an “Unrated and Uncensored” one - evidently they skipped the R version) the unrated cut only reportedly features about 3 extra minutes of screen time, devoted to jiggling and bouncing breast implants.

This sequel to a box-office sleeper hit that spoofed teen slasher flicks takes its cues from haunted house and possession films, particularly The Haunting (1999) and The Exorcist (1973). Although many of the first film’s main characters were homicide victims, Marlon Wayans, Shawn Wayans, and Anna Faris return anyway to “re-possess” their roles for this follow-up in which four students are invited by their professor (Tim Curry) to his haunted mansion, Hell House, for a weekend sleep-deprivation study. Providing the sleep deprivation, however, is a series of murderous, supernatural goings-on. Scary Movie 2 co-stars Tori Spelling, Andy Richter, Christopher Masterson, Kathleen Robertson, James Woods, Chris Elliott, and Natasha Lyonne.

Former NBC intern and Get a Life creator Chris Elliott stars as the title character, a recent graduate of the exclusive Fancy Lad Academy who unwittingly boards the wrong sea vessel and ends up a whipping post for its gruff, foul-mouthed crew after his predecessor (Andy Richter of The Late Show) falls overboard. Over the course of their adventures, Elliot eventually earns the respect of the crew as he also earns his manhood. This supremely silly film features sight gags and tastelessness galore, including a love scene with a woman who’s all hands — literally. Elliot’s old boss David Letterman appears in an amusing unbilled cameo as a sarcastic villager in port. In all, Cabin Boy works much in the same vein as Elliot’s former TV show; a crass sense of humor is helpful for full appreciation.

In the ’70s, Roy Munsen (Woody Harrelson) was a bowling phenomenon. He was none too sharp about picking friends, though, and the champion he had to beat, “Big Ern,” takes him under his supposedly friendly wing. Big Ern (Bill Murray) shows him the high-living lifestyle, and induces him to go on the road with him, hustling small-town bowlers. A couple of the men he bilks take exception to the scam, and show their displeasure with Roy by mangling his hand. Twenty years later, Roy (who now has a hook in place of his hand), earns his living as a salesman. On a visit to a bowling alley, he cannot help but notice the incredible talents of an Amish boy, Ishmael (Randy Quaid). Bowling is not part of the Amish lifestyle, but Ishmael occasionally sneaks into the bowling alley and plays a frame or two. Roy takes Ishmael under his wing, and together they begin a quest for bowling success. This comedy is directed by Peter and Robert Farrelly, who also directed Dumb and Dumber. Like those comedies, it contains a lot of gross-out jokes and bathroom humor.

The Farrelly Brothers set this romantic comedy in their home state of Rhode Island. In 1985, when teen-nerd Ted Stroehmann (Ben Stiller) challenges a high-schooler who’s bullying retarded Warren Jenson (W. Earl Brown), his concern prompts Warren’s sister, the dazzling and desirable Mary Jenson (Cameron Diaz) to choose Ted as her senior prom date, a fact Ted’s pals find hard to believe. However, on prom night, Ted gets his penis caught in his zipper, so the much-desired date never happens. Living in Providence and waxing nostalgic 13 years later, Ted hires Pat Healy (Matt Dillon) to locate Mary, and the creepy private investigator finds her in Miami, where she lives with her tan-shriveled roommate Magda (Lin Shaye). After Pat develops a stalker-style fixation on the lovely, unattached Mary, he lies to Ted, telling him that she’s now an overweight mother confined to a wheelchair. Employing professional eavesdropping equipment, Pat gathers a dossier on Mary’s life and future plans, information that forms the basis for more lies when Pat begins dating her. Sure enough, Mary falls for Pat, although her friend Tucker (Lee Evans) is very suspicious of Pat’s claim to be a Harvard-educated architect. Meanwhile, Ted learns the truth but continues to encounter offbeat obstacles as he accelerates to Miami in hopes of finding happiness with his true love. Former Modern Lovers singer Jonathan Richman vocalizes a narrative ballad of onscreen commentary in the Cat Ballou (1965) tradition. Most of the cast sings and frolics to Build Me Up, Buttercup by The Foundations during the closing credits.