Bovie Movie

Acclaimed filmmaker Werner Herzog returns to direct his first feature since 2001’s Invincible with this dramatic action film inspired by his own 1997 documentary Little Dieter Needs to Fly and detailing the escape efforts of a German-American pilot who was taken as a prisoner-of-war after being shot down over Laos during the Vietnam War. When U.S. fighter pilot Dieter Dengler (Christian Bale) escaped death after being shot down over one of the most intense front lines in the Vietnam War, his troubles were only beginning. Subsequently taken captive by the enemy and forced to endure a harrowing stint in a Vietnamese prison camp, Dengler and his fellow captives stage a death-defying escape that would later inspire one of Germany’s most accomplished directors to capture the remarkable tale on camera.

Bret Easton Ellis’ dark and violent satire of America in the 1980s is brought to the screen in this unsettling drama with black comic overtones. Patrick Bateman (Christian Bale), the son of a wealthy Wall Street financier, is pursuing his own lucrative career with his father’s firm. Bateman is the prototypical yuppie, obsessed with success, fashion, and style. He is also a serial killer who murders, rapes, and mutilates both strangers and acquaintances without provocation or reason. Donald Kimble (Willem Dafoe), a police detective, questions Bateman about the disappearance of Paul Allen (Jared Leto), whom Patrick murdered several days earlier. As Kimble stays on Bateman’s trail, Bateman’s mask of studied, distant cool begins to fall apart. American Psycho also features Reese Witherspoon as Bateman’s girlfriend, as well as Samantha Mathis, Chloe Sevigny, and Guinevere Turner; the latter also co-authored the screenplay. Controversy followed the production from the start, when speculation that Leonardo Di Caprio would play Bateman sparked concerns that he would lure preteens to an R-rated movie. Di Caprio soon bowed out of the project, and original leading man Bale was reinstated. Later, a group of Toronto residents attempted to block filming in that city after Canadian serial killer Paul Bernardo claimed that Ellis’ novel inspired his murder spree.

Russell Crowe plays a desperado whose accomplices stage an ambush after he is taken into custody by a determined local sheriff in this remake of the 1957 film starring Glenn Ford and Van Heflin. James Mangold directs a script based on the Elmore Leonard short story and penned by Stuart Beattie, Michael Brandt, and Derek Haas.

Based on J.G. Ballard’s autobiographical novel, Empire of the Sun stars Christian Bale as a spoiled young British boy, living with his wealthy family in pre-World War II Shanghai. During the Japanese invasion, Bale is separated from his parents. With the help of soldier-of-fortune John Malkovich, Bale learns to survive without a retinue of servants at his beck and call. By the time Malkovich and Bale are tossed into a Japanese prison camp, the boy has picked up enough street-smarts and developed enough intestinal fortitude to regard his imprisonment as an exciting adventure. The story ends during the 1945 liberation: on the verge of manhood, the 13-year-old Bale will never again be the pampered, privileged brat whom we met in the early scenes.

A man who dares to feel finds his life in danger in this cautionary science fiction drama. In the future, after a Third World War has decimated much of the Earth’s population, a new nation known as Libria rises up under the unquestioned leadership of Dupont (Angus MacFadyen). Believing human emotions and their expression were to blame for the failings of past societies, The Father has decreed that all citizens must take a daily dose of Prozia II, a drug which levels out the emotional landscape, and that all forms of creative expression are against the law; violating either regulation can be punished by death. John Preston (Christian Bale) is a Grammaton, an elite law enforcement officer who tracks down and punishes “sense offenders.” One day, Preston accidentally fails to take his Prozia II, and for the first time begins experiencing emotions himself. Preston becomes aware of an underground of rebels who refuse to take their medication and have embraced art and literature, and he finds himself becoming infatuated with one of their number, Mary O’Brian (Emily Watson). Equilibrium is the second feature-length directorial effort from Kurt Wimmer, whose screenwriting credits include The Thomas Crown Affair and Sphere.

Louis de Bernières’ best-selling novel of love during wartime is brought to the screen in this story that blends comedy, action, and romance. In 1940, war rages throughout Europe, but the fighting has yet to arrive on the Greek island of Cephallonia, where life continues to follow its own slow, deliberate path until word arrives that Italian troops have invaded neighboring Albania. A wave of anti-Axis patriotism sweeps the island, and Mandras (Christian Bale), a local fisherman, is one of a handful of men who volunteer for the army, leaving behind his aging mother (Irene Papas) and the woman he loves, Pelagia (Penélope Cruz), the daughter of the island’s physician, Dr. Iannis (John Hurt). The timing of Mandras and his compatriots proves less than fortuitous, as Italian troops invade Greece in their absence, but the remaining leaders of the island issue an ultimatum — the people of Cephallonia will surrender, but only to a ranking German officer. Since none of the available German officers can speak a word of Greek, an Italian soldier fluent in the language, Capt. Antonio Corelli (Nicholas Cage), is sent in to serve as translator. Corelli stays on with the Greek occupation forces, and he soon finds himself falling in love with beautiful Pelagia, who believes that Mandras was killed in the fighting in Albania. But as romance slowly blooms between the Italian soldier and the Greek girl, Mandras and a handful of surviving soldiers have joined a guerilla resistance faction, and they join up with Allied forces in a bid to retake Greece; soon, Pelagia must choose between the two men she loves, as the Greeks battle both the Italian occupation troops and German soldiers who have been sent in to replace them. Captain Corelli’s Mandolin was directed by John Madden; the project originally began shooting with Roger Michell, but Michell was forced to resign from the film after he suffered a heart attack.

An unstable Gulf War veteran with a savior complex receives a shocking wake-up call upon returning stateside and accepting a position with the Department of Homeland Security in the directorial debut of Training Day screenwriter David Ayer. Jim (Christian Bale) is a Gulf War veteran who believes his sworn duty to protect his fellow Americans extends to the streets of Los Angeles, and he longs to fulfill his destiny by joining the LAPD. Rejected by the force and left to ponder his future with his impoverished Mexican paramour — whom he had intended on bringing to the city after joining the police — the dejected and unemployed veteran is offered a second shot at helping his country when he is subsequently approached by the Department of Homeland Security. As Jim and his unemployed best friend, Mike (Freddy Rodriguez), carve a swath of chaos through the streets of Los Angeles, the weight of their American dream soon comes crashing down in a devastating blow that threatens to dash their high hopes for a bright future.

Richard Roundtree cuts a startlingly new and powerful heroic figure as John Shaft, “the cat who won’t cop out, when there’s danger all about” in Gordon Parks’ seminal action film, Shaft. John Shaft is a black private eye with a small office near Times Square. On his way there one day, he gets pumped for information by Lt. Victor Androzzi (Charles Cioffi), a friend of his on the police force, about something big going down in Harlem involving black crime kingpin Bumpy Jonas (Moses Gunn). Shaft can’t help him and leaves, only to just miss being waylaid by two of Bumpy’s strong-arm men at his office, one of whom ends up dead on the pavement eight floors or so below. Squeezed by the cops, who are holding a potential manslaughter arrest over his head, Shaft contacts Bumpy, who reveals that his teenage daughter, whom he’s always kept away from his business, has been kidnapped. There’s been no ransom demand and no clue as to who did it, and he wants Shaft to find the culprits, insisting that he start with a group of Harlem-based black militants led by Shaft’s onetime friend Ben Buford (Christopher St. John). No sooner does he find Buford, holed up in a decaying part of Harlem, however, than his friend’s comrades are mowed down by submachine gun fire, and Shaft and Buford barely escape. With Shaft angry and out for blood, everyone is forced to come clean — Bumpy knows that it’s the Mafia that kidnapped his daughter, as they want in on the Harlem drug trade that he controls; they’re holding her somewhere else outside of Harlem, where his men are no good to him, which is why he wanted Shaft to hook up with Buford. Androzzi tells Shaft that a dozen Mob trigger men from out of town have been spotted in Greenwich Village. He doesn’t know why they’re there, but he does know that if fighting breaks out between Bumpy’s men and the Mafia, it’s going to look like a race war, and the whole city could erupt. Shaft doesn’t like the way he’s been manipulated, but he sees Androzzi’s point — he links the trigger men to the kidnapping and finds the girl, but loses her again, getting shot in the process. Even though he’s wounded, Shaft heads for a final confrontation with the kidnappers, supported by Ben’s friends in an armed assault on the building where they’re holed up.

The origins of the Caped Crusader of Gotham City are finally brought to the big screen in this new adaptation of the perennially popular comic-book series. The young Bruce Wayne (Gus Lewis) leads a privileged life as the son of wealthy, philanthropist parents, both of whom stress their commitment to improving the lives of the citizens of crime-ridden Gotham City. After his mother and father are murdered by a mugger, however, Wayne grows into an impudent young man (Christian Bale), full of rage and bent on retribution until encouraged by his childhood sweetheart, Rachel Dawes (Katie Holmes), to search for answers beyond his own personal vendettas. Wayne eventually finds discipline in the Far East under the tutelage of Henri Ducard (Liam Neeson), a member of the mysterious League of Shadows who guides him in the study of martial arts — and the ways in which an ordinary man can hone his senses to an almost superhuman acuity. After seven years away from Gotham, Wayne returns, determined to bring peace and safety back to the city. With the help of his faithful manservant, Alfred Pennyworth (Michael Caine), and Lucius Fox (Morgan Freeman), a scientist at his late father’s corporation, Wayne develops a secret identity as Batman, a masked fighter for justice. But when a shady psychiatrist (Cillian Murphy) joins forces with the criminal underworld, Wayne realizes that putting an end to their nefarious plans will be very difficult indeed. Batman Begins also features Gary Oldman as Lt. James Gordon and Tom Wilkinson as the crime boss Carmine Falcone.

This two-part TV movie recounts the life of Anna Anderson, who until the day she died at age 82 insisted that she was really Anastasia Romanov, daughter of Czar Nicholas. Anna first makes her claim in 1920, when she is an inmate in a Berlin asylum. Her story of escape from the Bolsheviks who killed the rest of her family in 1918 seems so vivid that many Russian expatriates are willing to believe her. The film concludes in 1928, with Anna restating her claim before the surviving Romanovs living in New York. Amy Irving plays the leading character in a lady-or-the-tiger fashion, so that we never know if she truly swallows her own tale or if she’s merely a clever charlatan. Olivia DeHavilland, Rex Harrison, Claire Bloom, Omar Sharif and Susan Lucci co-star in this opulent, location-filmed production, which originally aired on December 7 and 8, 1986.