Bovie Movie

In this thriller, a baby-sitter is terrorized by an anonymous telephone caller who turns out to be a particularly persistent serial killer. When a stranger calls to ask, “Have you checked the children lately?” teenaged sitter Jill Johnson (Carol Kane) is understandably spooked. After a series of increasingly creepy calls culminates in a request for “your blood…all over me,” Jill learns from the police operator that the man is calling from inside the house. One narrow escape and two dead children later, the police capture British maniac Curt Duncan (Tony Beckley). Several years later, the killer escapes from a mental institution and plagues Tracy (Colleen Dewhurst), a hard-drinking New Yorker. Foiled by John Clifford (Charles Durning), the same cop who investigated the original case, Duncan sets his sights back on his original victim, Jill Johnson, who, now married and out to dinner with her husband, has left her own young children at home — with a baby-sitter. When a Stranger Calls helped inspire Drew Barrymore’s famous opening scene in Wes Craven’s Scream. Kane, Durning, and director Fred Walton would return for 1993’s TV-movie sequel, When a Stranger Calls Back. Beckley died a year after the original film’s release.

David Mamet writes and directs the political thriller Spartan. Respected Secret Service agent Robert Scott (Val Kilmer) is assigned to the kidnapping case of Laura Newton (Kristen Bell), the missing daughter of a high-ranking political figure. Scott is teamed up with rookie Curtis (Derek Luke). Aided by the FBI and the CIA, the team discovers a human trafficking operation that may lead to Laura’s kidnappers. Meanwhile, political operative Stoddard (William H. Macy) refuses to cooperate with the rescue mission. Scott and Curtis are forced to quit the investigation when the media reports Laura’s death. Believing her to be alive, Curtis is motivated to start up a dangerous unofficial investigation of his own. Spartan premiered at the Bangkok International Film Festival in 2004.

Three kids have an unexpected adventure as they try to protect some rare birds in this comedy drama based on a book for young adults by Carl Hiaasen. Roy Eberhardt (Logan Lerman) is a 14-year-old boy whose family has moved so often he’s literally lost count of the number of times he’s changed schools in the last ten years. Roy ought to be used to being the new kid at school by now, but making the switch from the big sky of Montana to the Gulf Coast of Florida proves to be a major challenge. While Roy quickly becomes the target of school bully Dana Matherson (Eric Phillips), he’s befriended by Beatrice Leep (Brie Larson), a spunky girl with enough nerve to stand up to Dana, and her brother Mullet Fingers (Cody Linley). Beatrice and Mullet share their big secret with Roy — they have a hidden hideaway where they look after a flock of wild owls. The owls in question are on the endangered species list, but that’s of little concern to Chuck Muckle (Clark Gregg), a top executive from the Mother Paula’s All-American Pancake House chain, who is planning to build a new restaurant in the hollow where the owls nest. Roy, Beatrice, and Mullet are determined to find a way to save the owls, but Muckle and his right-hand man, Curly Brannitt (Tim Blake Nelson), are less interested in saving the birds than in turning a profit. The kids have a plan, however, and they uncover some evidence of interest to David Delinko (Luke Wilson), a well-meaning but slow-witted policeman investigating some dirty doings tied in to the pancake house. Hoot features a handful of new recordings from popular Florida musician Jimmy Buffett, who also helped produce the film.

Randall Wallace directs Mel Gibson in the Vietnam War drama We Were Soldiers, which comes to DVD with a widescreen anamorphic transfer that preserves the original theatrical aspect ratio of 2.35:1. Closed-captioned English soundtracks are rendered in both DD-EX 5.1 and Dolby Digital Surround, while a French soundtrack has also been recorded in Dolby Digital Surround. English subtitles are accessible. Supplemental materials include a commentary track recorded by the director, ten deleted scenes with director commentary, and a making-of featurette. This is a strong disc from Paramount.

For his first film since 1998’s Twilight, acclaimed director Robert Benton helmed this tense drama written by Fatal Attraction co-scribe Nicholas Meyer and based on the novel of the same name by Philip Roth. Set in the late ’90s at the height of the Clinton sex-scandal, The Human Stain stars Anthony Hopkins as Coleman Silk, a respected professor at a New England college who suddenly finds his life unraveling after a comment he makes about some African-American students is misinterpreted as a racial slur. As the scandal heats up, Nathan Zuckerman (Gary Sinise), a writer researching a biography of Silk, begins to dig deeper and deeper into Silk’s life. Eventually, matters are made worse when an affair with a young married janitor named Faunia Farley (Nicole Kidman) is exposed. But amid the controversy, Silk must struggle to keep his greatest secret, a secret he’s held for the majority of his life, from becoming public. Ed Harris, who previously worked with Benton in 1984’s Places in the Heart, also stars.

Based on the 1969 short story Super-Toys Last All Summer Long, by Brian Aldiss, this science fiction fantasy bears similarities to Pinocchio (1940) and originated as a long-gestating project of director Stanley Kubrick that passed to his friend Steven Spielberg after Kubrick’s death. Haley Joel Osment stars as David, a “mecha” or robot of the future, when the polar ice caps have melted and submerged many coastal cities, causing worldwide starvation and human dependence upon robotic assistance. The first mecha designed to experience love, David is the “son” of Henry (Sam Robards), an employee of the company that built the boy, and the grief-stricken Monica (Frances O’Connor). David is meant to replace the couple’s hopelessly comatose son, but when their natural child recovers, David is abandoned and sets out to become “a real boy” worthy of his mother’s affection. Along the way, David is mentored by a pleasure-providing mecha named Gigolo Joe (Jude Law) and a talking “super toy” bear named Teddy. His adventures take him to the Roman Circus-style “Flesh Fair,” where mechas are destroyed for the amusement of humans; Rouge City, where Gigolo Joe narrowly avoids capture by police; and finally a submerged New York City, where David’s creator, Professor Hobby (William Hurt) reveals the secrets of the boy’s creation. Brendan Gleeson and narrator Ben Kingsley co-star in A.I., which was adapted from Kubrick’s treatment by Spielberg, in his first crack at screenwriting since Close Encounters of the Third Kind (1977).