Bovie Movie

In keeping with his background in television sitcoms, Sam Weisman directs the cameo-filled comedy Dickie Roberts: Former Child Star. Dickie Roberts (David Spade) was a child actor on the hit TV show “The Glimmer Gang” and remains remembered for a particular catch phrase. Now in his thirties, he finds work as a parking valet and spends time with other nominal child stars (enter cameos by Danny Bonaduce, Corey Feldman, and the like). Wanting to make a comeback, he manages to get an audition with director Rob Reiner. When the role requires him to be normal, he decides to hire a normal family in order to relive the childhood he missed out on. He ends up with sleazy salesman George Finney (Craig Bierko) and his loving wife, Grace (Mary McCormack). Dickie shares a room with their two kids: sunny daughter Sally (Jenna Boyd) and impressionable son Sam (Scott Tessa). Former child star Alyssa Milano appears as Dickie’s girlfriend, Cyndi.

Spoof series torch-bearer and Airplane! mastermind David Zucker steps back into the captain’s chair for yet another round of cinematic shenanigans in the latest installment of the Scary Movie franchise, this time mocking such frightful blockbusters as Saw, War of the Worlds, The Village, and The Grudge. An alien invasion threatens to wipe out the entire human race, but not if Cindy Campbell (Anna Faris) and her nymphomaniac pal Brenda Meeks (Regina Hall) have any say in the matter. With the clock counting down for all of humankind and the extraterrestrial invasion about to begin, the fearless but slightly dunderheaded heroines are joined by a series of celebrity guests including Dr. Phil, Carmen Electra, Chris Elliot, Shaquille O’Neal, and, of course, Leslie Nielsen in ensuring that the planet remains free of the alien menace and prepared for yet another installment in the over-the-top, pop-culture deflating satire series. Although two versions of this film officially exist (a PG-13 one and an “Unrated and Uncensored” one - evidently they skipped the R version) the unrated cut only reportedly features about 3 extra minutes of screen time, devoted to jiggling and bouncing breast implants.

Terry Gilliam (Brazil, Twelve Monkeys, The Fisher King) directed this colorful, stylized, pseudo-psychedelic $21-million adaptation of the 1971 Hunter S. Thompson classic, Fear and Loathing in Las Vegas: A Savage Journey into the Heart of the American Dream, about stoned sportswriter Raoul Duke, Thompson’s alter ego, on a wild drug-crazed road trip, a paranoid plummet into the belly of the beast, with his pal, lawyer Oscar Zeta Acosta. Originally serialized in Rolling Stone (November 1971), the book catapulted Thompson headfirst toward the Kerouac-Mailer-Capote pantheon and jump-started the entire movement of “gonzo journalism.” Carrying a suitcase of drugs, Raoul Duke (Johnny Depp with shaved pate) and his attorney Dr. Gonzo (Benicio Del Toro) drive a red convertible across the Mojave from L.A. to Vegas, where Duke has an assignment to cover the Mint 400 desert motorcycle race. As the drugs kick in, Duke ventures into voiceover, filling in the blank spots and narrative gaps. “This is not a good town for psychedelic drugs,” says Duke, but even so, they consume vast quantities, eventually escalating to ether. Duke notes that with ether “you can actually watch yourself behaving this terrible way, but you can’t control it.” The two trash their hotel room, and Gonzo goes back to L.A. Thinking the hotel room holocaust will lead to an arrest, Duke begins a drive back to L.A., but after an odd encounter with a highway patrolman (Gary Busey) and a telephone conversation with Gonzo, he returns to Vegas to cover the District Attorney Convention on Narcotics and Dangerous Drugs in the glitzy Flamingo Hotel. This time the drugged-out duo trash their Flamingo room. The crazed carnival atmosphere segues into a carney casino, Bazooko’s Circus, where a barker (Penn Jillette) spiels amid aerialists, clowns, and a rotating carousel bar. Gonzo worries over runaway teen Lucy (Christina Ricci), who paints portraits of Barbra Streisand. Soon the hallucinations begin: Duke sees Gonzo transmogrify into a demon with breasts on its back, and an acid vision of a Vegas bar features large legit lounge lizards (courtesy of monster makeup man Rob Bottin). Flashbacks depicting Duke’s intro to the drug scene jump back to love-Haight relationships in San Francisco’s Summer of Love. Cameos and guest stars include Mark Harmon, Cameron Diaz, Flea, Lyle Lovett, Harry Dean Stanton, Ellen Barkin, Tobey Maguire, and Hunter S. Thompson himself. The film features a Geffen Records soundtrack mixing rock of the period with Vegas lounge tunes. Over the years, various script adaptations came and went as did numerous talents; people connected with past efforts to film Thompson’s book include Martin Scorsese, Jack Nicholson, Dan Aykroyd, John Belushi, and writer-director Alex Cox. Shown in competition at the 1998 Cannes Film Festival.