Bovie Movie

The “National Lampoon” franchise is resurrected for another politically incorrect collegiate romp with this R-rated gross-out sex comedy. National Lampoon’s Van Wilder revolves around the exploits of its title character (Ryan Reynolds), a seventh-year senior who’s made it his goal in life to help each and every Coolidge College undergrad succeed in life — or at least in bed. Van’s charmed life seems to have an expiration date, however; his father (Tim Matheson) has cut off his presumably vast allowance. Financial insecurity doesn’t phase the big man on campus, and he soon starts up a lucrative cottage industry as a planner of high-priced campus blowouts. When an enterprising reporter from the college paper gets wind of Van’s liberal interpretation of the school’s code of conduct, it seems his gig is up — unless, of course, he can charm the hard-edged Gwen (Tara Reid) into accepting his uniquely skewed world view. In addition to Matheson, Van Wilder features cameos from a number of ’80s teen movie stalwarts, including Edie McClurg, Paul Gleason, and Erik

Jackie Chan has often played a fish out of water, but he’s rarely found himself so far upstream as in this comic adventure, in which he puts his fighting skills to the test in the Old West of the 1850s. Lo Fong (Roger Yuan), onetime captain of the Chinese Imperial Guard, has traded upholding the law for smuggling opium. Needing some operating capital, Lo Fong kidnaps the Emperor’s daughter, Princess Pei Pei (Lucy Liu), and takes her to America. When the Emperor sends his best men to find her, Chon Wang (Chan), one of the Emperor’s less distinguished guards, insists on joining them; he feels at fault for Lo Fong’s capturing the Princess, and he wants to make amends. However, while the rescue party scours the West, Chon Wang gets separated from the group and soon becomes lost. When he crosses paths with Roy O’Bannon (Owen Wilson), a bright but arrogant train robber, the two become unlikely allies. While Shanghai Noon was billed as Jackie Chan’s follow-up to Rush Hour, his first successful American-made feature, it was actually filmed in Canada, as was Chan’s breakthrough film in America, the Hong Kong-backed Rumble in the Bronx.