Bovie Movie

A national health care crisis in the United States yields this tense drama from screenwriter James Kearns and director Nick Cassavetes, who experienced a real-life dilemma with his daughter’s congenital heart disease that mirrors the one in this film. Denzel Washington stars as John Q. Archibald, a factory worker facing financial hardship as a result of reduced hours in his workplace. When his young son, Michael (Daniel E. Smith), is stricken during a baseball game, John and his wife, Denise (Kimberly Elise), discover that their child is in need of an emergency heart transplant. Although the Archibalds have health insurance, they are informed by hospital administrator Rebecca Payne (Anne Heche) that their policy doesn’t cover such an expensive procedure. Unable to raise the money himself, John persuades the hospital’s compassionate cardiac surgeon, Dr. Raymond Turner (James Woods), to waive his lofty fee, but is still left with too much of a financial burden to bear. With no recourse but to take his son home to die, John snaps and holds the staff and patients of the hospital’s emergency room hostage at gunpoint. John is soon a media hero, the focus of intense news coverage, even as police chief Gus Monroe (Ray Liotta) and hostage negotiator Frank Grimes (Robert Duvall) try to resolve the situation before it leads to bloodshed.

Jonathan Demme directed this updated remake of John Frankenheimer’s 1962 cult favorite The Manchurian Candidate, a pioneering examination of political conspiracy and psychological reconditioning. Major Bennett Marco (Denzel Washington) and Sergeant Raymond Shaw (Liev Schreiber) are two soldiers who served in the same company during Operation Desert Storm, but their paths following their tours of duty have been very different. Shaw, the son of powerful congresswoman Eleanor Shaw (Meryl Streep), has used his reputation as a war hero to quickly scale the ladder of American politics, and with the help of his mother earns the Vice Presidential nomination. Marco, on the other hand, has been troubled with mental illness, and is convinced that something strange happened to him and his compatriots during the war. As Marco struggles to find the truth behind his nightmares and emotional torment, he unearths some disturbing facts about how his mind and body have been reworked by shadowy forces, as well as those of his fellow soldiers — including Raymond Shaw. Featuring a stellar supporting cast (including Jon Voight, Miguel Ferrer, Ted Levine, and Dean Stockwell), The Manchurian Candidate credits George Axelrod’s screenplay for the 1962 film as its source, as opposed to Richard Condon’s 1959 novel from which Axelrod adapted his script.

Edward Zwick directed this action thriller about Islamic militants unleashing terrorism in New York City. As FBI Terrorism Task Force-chief Anthony Hubbard (Denzel Washington) investigates, a false-alarm bomb threat is followed by a legit bomb, with many killed when a Brooklyn bus explodes. Agents track a suspect through Brooklyn, while Hub teams with Middle East expert and NSA operative Elise Kraft (Annette Bening). After the FBI wipes out three Arabs in a Brooklyn apartment, an explosion in a Broadway theater is followed by attacks on a school and FBI headquarters. When the President declares martial law, neo-fascist Army General William Devereaux (Bruce Willis) swings into action, deploying tanks through Brooklyn, capturing Arab-American males, and herding them into an open-air stadium detention camp. Hub’s Arab-American FBI associate Frank Haddad (Tony Shalhoub) is disgusted and quits when his son becomes one of the Arab detainees. With the Army out of control, the power-crazed Devereaux devises plans for torture and murder, turning his attention to Hub and Elise. President Bill Clinton is seen denouncing terrorists in TV clips.

Directed by Gregory Hoblit (Primal Fear), Fallen is a blend of the police drama and supernatural thriller genres. Homicide detective John Hobbes (Denzel Washington) narrates, taking the audience back to “the time I almost died.” This sets a flashback in motion, beginning at the prison cell of serial killer Edgar Reese (Elias Koteas), who grabs Hobbes’ hand and sings the Rolling Stones’ “Time Is on My Side.” After Reese is executed, Hobbes and his partner, Jonesy (John Goodman), find a seeming copycat killer, committing murders in a manner not unlike Reese. Hobbes is drawn into the occult after he meets theology professor Gretta Milano (Embeth Davidtz), the daughter of a dead police officer. Hobbes becomes a suspect himself, but he continues his search for the truth. Co-producer Dawn Steel died just as this film was due for release.

Filmed on location in Montreal and New York, The Bone Collector is a suspense thriller that combines Rear Window and Seven. Two cops on the trail of a brutal serial killer must see as one, act as one, and think as one before the next victim falls. Lincoln Rhyme (Denzel Washington) is an intelligent forensics detective who was paralyzed in the line of duty. The author of several books, he has a keen eye for detail and nose for clues that have made him a legend in the law enforcement community. Amelia Donaghy (Angelina Jolie) is a street-smart policewoman in her twenties. On her last day as a street cop, before being transferred to a desk job, Amelia discovers a badly mutilated corpse. Rhyme is asked to investigate the case, but he declines. To him, it is an open-and-shut case not worth his time. But when he takes a close look at the evidence, he is intrigued, as the photos reveal complex messages in their details. The lunatic, who might be a taxi driver (a Scorsese allusion), amuses himself by paying homage to legendary murders in his own gruesome acts. Amelia is assigned to assist Rhyme, and she must be the eyes and ears of the quadriplegic detective. And they must capture the killer before he strikes again. Written by Jeremy Iacone and based on a book of the same title by Jeffrey Deaver, The Bone Collector was directed by the Australian thriller specialist Phillip Noyce, who directed such films as Clear and Present Danger and Dead Calm.

Spike Lee’s 1990 directing effort is a jazz film, the story of a fictional trumpeter named Bleek Gilliam (Denzel Washington). He leads a quintet at the Beneath the Underground club with a flashy saxophonist named Shadow Henderson (Wesley Snipes). Though Shadow takes a few too many solos, everything seems fine in Bleek’s life. Trouble soon arises, however, and he is forced to make decisions regarding both his best friend Giant (Spike Lee), and his relationships with two women. Giant, his manager and old pal, is addicted to gambling and often gets roughed up by thugs looking for pay back. Bleek is the only member of the quintet who wants to keep him as manager. The trumpeter’s woman problems concern trying to decide between two girlfriends who both love him: a schoolteacher (Joie Lee) and a singer (Cynda Williams). Spike’s father Bill Lee scored the film, with contributions from Branford Marsalis, Terence Blanchard, Abbey Lincoln and Ruben Blades (who plays Giant’s bookie).

The volatile showdown between a determined cop and a perfectionist bank robber is sent spiraling toward disaster when a scheming power broker steps in to take control of the situation in this hair-raising heist flick directed by Spike Lee and starring Denzel Washington, Clive Owen, and Jodie Foster. Dalton Russell (Owen) is a bank robber with a difference. In his quest to execute the perfect heist, Dalton has taken every possible factor into consideration. Dalton’s uncanny ability of staying one step ahead of the law thwarts even-tempered Detective Keith Frazier’s (Washington) best efforts. But there’s another factor at play. The bank president (Christopher Plummer) has requested the services of high-profile negotiator Madeline White (Foster). Despite her commendable track record, Madeline is something of a wild card, and before the day is over, this bank robbery will go down in history as one of the most elaborate heists ever executed.

The Fast and the Furious (2001) screenwriter David Ayer follows up that fast-paced action hit with this gritty cop drama from director Antoine Fuqua. Ethan Hawke stars as Jake Hoyt, a fresh-faced Los Angeles Police Department rookie anxious to join the elite narcotics squad headed up by 13-year veteran Detective Sergeant Alonzo Harris (Denzel Washington). Harris has agreed to give Hoyt a shot at joining his team with a one-day ride-along during which Hoyt must prove his mettle. As the day wears on, however, it becomes increasingly clear to the greenhorn that his experienced mentor has blurred the line between right and wrong to an alarming degree, enforcing his own morally compromised code of ethics and street justice. As he struggles with his conscience, an increasingly alarmed Hoyt begins to suspect that he’s not really being given an audition at all; he’s being set up as the fall guy in an elaborate scheme. Training Day co-stars Tom Berenger, Scott Glenn, and recording artists Snoop Dogg, Dr. Dre, and Macy Gray.

At the time of its release, Jonathan Demme’s Philadelphia was the first big-budget Hollywood film to tackle the medical, political, and social issues of AIDS. Tom Hanks, in his first Academy Award-winning performance, plays Andrew Beckett, a talented lawyer at a stodgy Philadelphia law firm. The homosexual Andrew has contracted AIDS but fears informing his firm about the disease. The firm’s senior partner, Charles Wheeler (Jason Robards), assigns Andrew a case involving their most important client. Andrew begins diligently working on the case, but soon the lesions associated with AIDS are visible on his face. Wheeler abruptly removes Andrew from the case and fires him from the firm. Andrew believes he has been fired because of his illness and plans to fight the firm in court. But because of the firm’s reputation, no lawyer in Philadelphia will risk handling his case. In desperation, Andrew hires Joe Miller (Denzel Washington), a black lawyer who advertises on television, mainly handling personal injury cases. Miller dislikes homosexuals but agrees to take the case for the money and exposure. As Miller prepares for the courtroom battle against one of the law firm’s key litigators, Belinda Conine (Mary Steenburgen), Miller begins to realize the discrimination practiced against Andrew is no different from the discrimination Miller himself has to battle against. The cast also includes Antonio Banderas as Andrew’s partner, Joanne Woodward as Andrew’s mother, and Stephanie Roth as Joe’s wife.