Bovie Movie

Requiem for a Dream director Darren Aronofsky switches gears from drug-induced urban malaise to abstract science fiction with this time-tripping symbolic tale of a man’s thousand-year quest to save the woman he loves. Moving between representational stories and images, this meditation on life and death focuses on the concept of the mythical Tree of Life that is said to bestow immortality to all who drink of its sap. In one of the film’s allegorical timelines, a 16th century Spanish conquistador played by Hugh Jackman sets out to find the tree in order to save his queen (Rachel Weisz) from the Inquisition. Another conceptual story finds Jackman centuries later, struggling with mortality as a modern-day scientist desperately searching for the medical breakthrough that will save the life of his cancer-stricken wife, Izzi. The third and most abstract concept finds Jackman as a different incarnation of the same character-idea, this time questing for eternal life within the confines of a floating sphere transporting the aged Tree of Life through the depths of space. Still more avant-garde than his breakthrough film Pi, The Fountain finds Aronofsky almost completely abandoning conventional story structure in favor of something more cinematically abstract. Though the film was originally slapped with an R by the MPAA, Aronofsky & co. re-edited it to conform to a PG-13 rating.

Adapted from the bestselling novel, the whimsical, heartwarming comedy The Nanny Diaries concerns Annie Braddock (Scarlett Johansson), a recent college graduate from New Jersey whose nurse mother makes an unsuccessful bid to pressure her into a white-collared business career. Sidetracking this path for more colorful pursuits, Annie accepts a position as nanny and domestic servant for a wealthy couple on the upper east side of Manhattan, known only as “The Xs” (Paul Giamatti) and a heavily coiffed and accoutred Laura Linney). Annie has her first real taste of servant life when she arrives at the family’s residence and promptly sinks into Mrs. X’s luxury tub, but is soon shuttled off to her own bare-bones room. Face to face, for the first time in her life, with the vast socioeconomic differences between herself and others, Annie must spend her days catering to Mrs. X’s every whim, navigating the emotional landmines set by the domineering Mr. X, and tending to the demands of the couple’s mischievous and bratty son, Grayer (Nicholas Art). The situation grows a bit more awkward and sticky when Annie begins to fall for a young man who lives near the Xs, whom she’s nicknamed Harvard Hottie (Chris Evans), leading her to seriously reevaluate her career goals and priorities.

Stan Lee’s all-too-human superhero returns to the screen in this highly anticipated sequel to 2002’s blockbuster hit Spider-Man. Peter Parker (Tobey Maguire) is attempting to juggle college classes and his job as a photographer with the Daily Bugle while maintaining his secret life as costumed crime-fighter Spider-Man. Parker is also struggling to hold on to his relationship with Mary Jane Watson (Kirsten Dunst), who is beginning to enjoy success as a model and actress, and both Mary Jane and Peter have noticed he’s beginning to buckle under the strain. Parker’s friendship with Harry Osborn (James Franco) is also beginning to fray due to Peter’s seeming alliance with Spider-Man, whom Harry blames for the death of his father, the nefarious Norman Osborn. As Parker weighs his responsibilities to himself and those around him against the obligations that come with his special powers, Spider-Man is faced with a new nemesis — Dr. Otto Octavius (Alfred Molina), a deranged scientist whose latest project has turned him into the near-invincible cyborg Doctor Octopus. Spider-Man 2 was directed by Sam Raimi, who helmed the first film, and much of the original cast has also reunited for this sequel, including Rosemary Harris, J.K. Simmons, and Bruce Campbell.