Bovie Movie

Michael Douglas runs afoul of a treacherous supervisor in this film version of Michael Crichton’s novel. Douglas plays Tom Sanders, an executive at DigiCom, a leading computer software firm. DigiCom is about to launch a new virtual reality-based data storage system that is expected to revolutionize the industry, and Bob Garvin (Donald Sutherland), the owner of the company, is in the midst of negotiating a merger that could bring $100 million into the firm. However, while Tom is expecting a promotion, he discovers the position has been given instead to a new hire, Meredith Johnson (Demi Moore), with whom Tom had an affair years ago, before he was married. After her first day of work, Meredith invites Tom up to her office and makes a concerted attempt to seduce him; while Tom doesn’t fight off her advances with very much gusto at first, eventually he decides things have gone too far and leaves in a huff. The next morning, Meredith accuses Tom of sexual harassment, and he realizes this was merely a power ploy to get him out of DigiCom for good; Tom, determined to fight, files a counter-suit, which makes him no friends at the company, since rocking the boat too hard could very well scotch the merger. Dennis Miller also appears as one of Tom’s wise-cracking co-workers.

Your friendly neighborhood web-slinger is back, only this time his sunny outlook has become partially overcast in the third chapter of director Sam Raimi’s Spider-Man saga. Tobey Maguire, Kirsten Dunst, and James Franco return to reprise their roles from the previous two installments, with Thomas Haden Church, Topher Grace, and Bryce Dallas Howard making their first appearances in the series as Flint Marko (aka Sandman), Eddie Brock (aka Venom), and Gwen Stacy, respectively. Peter Parker (Maguire) has finally leaned to walk the middle ground between being the superhero that his city needs, and the man that Mary Jane (Dunst) loves. All is well in New York City until one night, as Peter and M.J. set gazing at the stars, a falling comet streams across the sky and crashes into the ground close by. But this isn’t any ordinary shooting star, and upon impact the mysterious space rock is split open to reveal a shape-shifting symbiote with the power to overtake anything that it comes into contact with. Later, as Harry Osborn acquires his late father’s flying board, engineers a powerful new Goblin outfit, and takes to the sky to avenge dad’s death, the mysterious space sludge infects both Peter’s Spider Man suit and ambitious street photographer Eddie Brock (Grace). His strange new suit giving him a newfound sense of power as it gradually overpowers his personality, Peter discovers that escaped convict Flint Marko was in fact the man responsible for the death of Uncle Ben (Cliff Robertson). Unfortunately for Peter, Marko has recently acquired the power to morph at will and quickly completes his transformation into the dreaded Sandman. As the Sandman gives in to his darkest criminal instincts and the slithering space symbiote transforms Eddie Brock into the nightmarish fanged villain known as Venom, the citizens of New York City must once again call on Spider Man to fend off destructive forces that are far too powerful for the likes of mortal man.

A chance meeting between two middle-aged men leads one into a life of crime in this offbeat comedy. Danny Wright (Greg Kinnear) is an American businessman whose life has been going through a sour patch after he and his wife, Carolyn (Hope Davis), lost their young son. During a business trip to Mexico City, Danny strikes up a conversation in a hotel bar with fellow out-of-towner Julian Noble (Pierce Brosnan), and while Julian’s loud and brassy manner initially puts Danny off, in time the two become friends, and Julian feels comfortable enough with Danny to tell him what he does for a living. It seems Julian is a hired killer working under the auspices of underworld kingpins Lovell (Dylan Baker) and Mr. Randy (Philip Baker Hall), and Julian tries to persuade Danny to help him with his latest assignment. Danny refuses, but a few months later a distraught Julian appears unannounced on Danny’s doorstep. It seems Julian has blown his two most recent assignments due to a variety of psychosomatic illnesses, and now Lovell and Mr. Randy want him dead. Julian has also done something to put Danny in his debt, and the previously non-criminal businessman is forced to help his friend stage a hit, with Julian’s presence in his home upsetting the precarious balance of Danny and Carolyn’s marriage.

In a 1950s-era alternate universe where domesticated zombies play a functional role in society by delivering the milk, carrying the mail, and even helping out with household chores, one boy is about to find out just how big of a personal responsibility “pet” ownership truly is. When the Earth passed through a cloud of space dust and the dead arose from their graves to devour the flesh of the living, it first seemed that all hope for humanity was lost. Society’s rapid slide into chaos, however, was soon halted when scientists at a company called ZomCom created a special collar that turned the rampaging animated corpses docile. Now, thanks to ZomCom, everything is under control — or is it? Timmy Robinson (K’Sun Ray) isn’t quite convinced. Quiet and withdrawn, the skeptical young boy spends so much time locked away in his room that he’s almost become invisible around the household. His mother Helen (Carrie-Anne Moss) has recently purchased a zombie to help keep things tidy around the house though, and when the creature attempts to engage the curious youngster in a game of catch, a friendship is forged between boy and zombie that finds the amiable gut-muncher nicknamed Fido (Billy Connolly) practically becoming a part of the family. Things take a turn for the worse however, when Fido’s collar malfunctions and Timmy’s neighbors begin dying in droves. When ZomCom’s top zombie control specialist Mr. Bottoms (Henry Czerny) moves in across the street from Timmy, the increasingly complicated situation threatens to place a serious stumbling block in the path of human-zombie relations.

An airy romance in the tradition of classic Hollywood comedies of the Depression Era, Simply Irresistible (1999) also presses into service the food-obsessed magical realism of Like Water for Chocolate (1992). Sarah Michelle Gellar stars as Amanda Shelton, the chef at Southern Cross, a trendy Tribeca restaurant she inherited from her legendary mother. Not the most inspired of culinary artists, Amanda is running the establishment into the ground, until a cab-driving, Cupid-like guardian angel (playwright Christopher Durang) intervenes with a magical crab that puts Amanda in the path of slick spin master Tom Bartlett (Sean Patrick Flanery). Tom is opening a restaurant for his boss Jonathan Bendel (Dylan Baker), who wants to assure the eatery is no less than a four-star affair, but the temperamental French chef is giving fits to Bartlett and his secretary Lois (Patricia Clarkson). Enter Amanda, who falls head over heels for Tom, love suddenly bestowing upon her the gift of infusing her dishes with powerful amorous emotions that overwhelm diners with a rapturous ecstasy.

A newly single father discovers his daughter is caught up in a web of evil in this thriller. David Callaway (Robert De Niro) has been left to raise his nine-year-old daughter, Emily (Dakota Fanning), on his own after the unexpected death of his wife. David is at first amused to discover that Emily has created an imaginary friend named “Charlie,” but it isn’t long before “Charlie” develops a sinister and violent side, and as David struggles with his daughter’s growing emotional problems, he comes to the frightening realization that “Charlie” isn’t just a figment of Emily’s imagination. Hide and Seek also stars Famke Janssen, Dylan Baker, and Amy Irving.

Were it not for its profanity-laden opening scenes, John Hughes’ Planes, Trains and Automobiles might have been suitable family entertainment: certainly it’s heaps less violent and mean-spirited than Hughes’ Home Alone. En route to Chicago to spend Thanksgiving with his family, easily annoyed businessman Neal Page (Steve Martin) finds his first-class plane ticket has been demoted to coach, and he must share his flight with obnoxious salesman Del Griffith (John Candy). A sudden snowstorm in Chicago forces the plane to land in Wichita. Unable to find a room in any of the four-star hotels, Neal is compelled to accept Del’s invitation to share his accommodations in a cheapo-sleazo motel. Driven to distraction by Del’s annoying personal habits, the ungrateful Neal lets forth with a stream of verbal abuse. That’s when Del delivers the anticipated (but always welcome) “I don’t judge, why should you?”-type speech so common to John Hughes flicks. The shamefaced Neal tries to make up to Del, but there’s a bumpy time ahead as the mismatched pair make their way back to Chicago, first in a balky train, then by way of a refrigerator truck. We know from the outset that the oil-and-water Neal and Del will be bosom companions by the end of Planes, Trains and Automobiles, but it’s still a fun ride. The best bit: a half-asleep Del thinking that he’s got his hand tucked between two pillows — until his bedmate, Neal, bellows “Those aren’t pillows!”

Stan Lee’s all-too-human superhero returns to the screen in this highly anticipated sequel to 2002’s blockbuster hit Spider-Man. Peter Parker (Tobey Maguire) is attempting to juggle college classes and his job as a photographer with the Daily Bugle while maintaining his secret life as costumed crime-fighter Spider-Man. Parker is also struggling to hold on to his relationship with Mary Jane Watson (Kirsten Dunst), who is beginning to enjoy success as a model and actress, and both Mary Jane and Peter have noticed he’s beginning to buckle under the strain. Parker’s friendship with Harry Osborn (James Franco) is also beginning to fray due to Peter’s seeming alliance with Spider-Man, whom Harry blames for the death of his father, the nefarious Norman Osborn. As Parker weighs his responsibilities to himself and those around him against the obligations that come with his special powers, Spider-Man is faced with a new nemesis — Dr. Otto Octavius (Alfred Molina), a deranged scientist whose latest project has turned him into the near-invincible cyborg Doctor Octopus. Spider-Man 2 was directed by Sam Raimi, who helmed the first film, and much of the original cast has also reunited for this sequel, including Rosemary Harris, J.K. Simmons, and Bruce Campbell.

Director Roger Donaldson teams up with star Kevin Costner for another political thriller (after their 1987 pairing, No Way Out), only this time with a film based on the actual events surrounding the Cuban missile crisis of 1962, taking place during the titular thirteen days wherein the U.S. and the Soviet Union nearly engaged in full-scale nuclear war. After President John F. Kennedy (Bruce Greenwood) is shown photographs from a spy plane detailing the presence of missiles in Cuba capable of obliterating massive areas of the U.S., he must immediately decide the most effective course of action for the country. With the aid of best friend and special assistant Kenny O’Donnell (Kevin Costner) and brother Robert (Steven Culp), the President must avoid a dire chain of events that could be dictated by General Curtis LeMay (Kevin Conway), who would rather take immediate action and invade Cuba. After initial reticence about leaking the information to the nation, President Kennedy eventually tells of the conflict, leading to widespread panic and a blockade of Cuba. With the aid of Robert McNamara (Dylan Baker) and Adlai Stevenson (Michael Fairman), the leaders must find a way to alleviate the tension of the situation. Thirteen Days also features Walter Adrian as Lyndon Johnson.

Can a high-attitude African-American politician who says what he thinks stand a chance in a presidential campaign? Mays Gilliam (Chris Rock) is a straight-talking alderman representing a inner-city neighborhood in Washington, D.C. In the midst of a hard-fought race for the White House, the Democratic presidential and vice-presidential candidates are killed in an airline crash, and with little time to prepare a new campaign, the Republican candidate, Vice President Brian Lewis (Nick Searcy), seems all but guaranteed to win. With practically nothing to loose, party head Martin Geller (Dylan Baker) approaches Gilliam and asks him to stand as the Democrat’s presidential candidate. While Gilliam is dubious at first, before long his streetwise style and willingness to face the issues head-on earns him surprising figures in the polls, especially after he persuades his short-fused older brother, Mitch Gilliam (Bernie Mac), to join the ticket as vice presidential candidate — a big jump for a bail bondsman. Gilliam’s love life also becomes more complicated as his ex-girlfriend Kim (Robin Givens) decides she wants him back now that he has a shot at the White House, even though Gilliam only has eyes for Lisa (Tamala Jones). Head of State marked the directorial debut for comic and actor Chris Rock, who also co-wrote and co-produced the film.