Bovie Movie

A woman meets her future in-laws and discovers they don’t much care for her in this comedy from writer and director Thomas Bezucha. Everett Stone (Dermot Mulroney) is a successful young businessman who is dating Meredith Morton (Sarah Jessica Parker), and has asked her to spend Christmas with his family, with plans to ask his mother Sybil (Diane Keaton) for the titular family wedding band and propose to Meredith on Christmas. Meredith is more than a bit nervous about meeting Everett’s folks, and things only get worse when they arrive — Meredith is by her nature straight-laced and a bit uptight around strangers, while Sybil and family patriarch Kelly (Craig T. Nelson) are free-thinkers who, except for Everett, have raised a family of cheerfully rebellious children, most notably younger daughter Amy (Rachel McAdams), older brother Ben (Luke Wilson), and adopted sibling Thad (Tyrone Giordano, who is both deaf and gay.
Meredith and the Stone family do not get along well at first, especially Sybil, who is appalled at the prospect of Everett giving Meredith the family’s heirloom wedding ring; in dire need of moral support, Meredith asks her younger sister, Julie (Claire Danes), to join her for Christmas with the Stones. However, the plan runs into a snag when Everett’s head is turned by pretty Julie, and Meredith finds herself on the receiving end of attention from slobby Ben.

In this powerful and disturbing drama, Danny Balint (Ryan Gosling) is a member of a gang of racist skinheads who espouses a vile but well-articulated philosophy of anti-Semitism. Danny also has a secret — he is a Jew, and was a top student in Hebrew school before he began to ask too many questions about the deeper implications of the teachings in the Torah and the Old Testament, leading to his expulsion. Angry and confused, Danny began to explore the philosophies of the neo-Nazi movement, which he soon came to embrace through a mixture of anger over the tragic history of the Jewish people, bitterness over his experiences in Hebrew school, and a loathing of himself. Danny soon becomes a key member of a skinhead sect led by Curtis (Billy Zane) and Lina (Theresa Russell), but while Curtis and Lina believe that the desire for cultural assimilation by many American Jews will lead to their self-destruction, Danny advocates a more direct and violent approach in dealing with the “enemy.” Danny gains the admiration of his fellow skinheads for his intelligence and commitment, and wins the affection of Carla (Summer Phoenix), a group member with severe masochistic tendencies. But in time Danny’s beliefs begin to shift once again, just as the truth about his background becomes known to his comrades. Winner of the Grand Jury Prize at the 2001 Sundance Film Festival, The Believer was inspired by the true story of Daniel Burros, a member of the American Nazi Party who committed suicide in the 1960s when it was revealed by the press that he was born to a Jewish family.

A man struggling to save the life of another finds himself drawn into a strange netherworld he didn’t know existed in this stylish thriller. Sam Foster (Ewan McGregor) is a psychiatrist living in New York City with his girlfriend, Lila Culpepper (Naomi Watts), who was once one of his patients. However, it’s another one of his patients who becomes the focus of his obsessions when Henry Letham (Ryan Gosling), a disturbed young man whom Foster took over from a colleague, announces during a session that he intends to commit suicide in three days, on his 21st birthday. Sam takes the threat quite seriously and tries to track down Henry, who seems to have disappeared. Sam speaks to a number of Henry’s friends and acquaintances — his mother (Kate Burton), the man he claimed was his father, Dr. Leon Patterson (Bob Hoskins), a waitress who regularly served Henry at the coffee shop where she works (Elizabeth Reaser), and his former therapist Dr. Beth Levy (Janeane Garofalo). As Sam talks to people in Henry’s circle, he finds he’s learning more about himself than the man he’s supposed to save, and he begins to drift into an emotional netherworld where the supposedly dead and the living cross paths. Stay was directed by Marc Forster, who had previously enjoyed breakthrough hits with two very different films, Monster’s Ball and Finding Neverland.