Bovie Movie

Robert De Niro is Gil Renard, baseball fan from hell. Bobby Rayburn (Wesley Snipes) is the player he is nuts about. No sooner does the talented Rayburn sign a huge contract with the San Francisco Giants, than everything in his life goes horribly wrong. Not only does his field play deteriorate along with his batting average, but someone murders his chief team rival. It’s not revealing too much to say that Gil killed him, in the mistaken belief that he was doing Bobby a favor. When superfan Gil insinuates himself into Bobby’s everyday life, the situation grows much worse, because this fixated nut-case has some very strange ideas about family solidarity. Amusing highlights come from John Leguizamo as a ballplayer’s agent, and Ellen Barkin as a radio sports announcer.

So how far would you go to win a beauty pageant? That’s the burning question of Drop Dead Gorgeous, in which the citizens of Mount Rose, Minnesota gear up for the year’s biggest event, the Sarah Rose Miss Teen Princess America Pageant, in which Becky Leeman (Denise Richards) and Amber Atkins (Kirsten Dunst) are the contestants to beat. Becky’s mother Gladys (Kirstie Alley), a former beauty queen herself, has instilled in her daughter a drive to succeed at any cost. And Gladys will do anything to help Becky’s chances of success. Amber’s mother Annette (Ellen Barkin) is devoted to her daughter but drinks, smokes, and swears like a sailor. And while Amber is ambitious and a skilled beautician (a talent that she uses in her part-time job at the local mortuary), her view of the pageant is pragmatic: while boys can get sports scholarships, this pageant may be her only ticket out of town. However, Amber and the other contestants may have underestimated just how badly Becky wants to win — or just how good she is with a gun. Drop Dead Gorgeous was directed by Michael Patrick Jann, a founding member of the sketch comedy group The State (who had their own series on MTV), and written by Lorna Williams, a veteran of the beauty pageant circuit who claims that nearly everything in the film is based on an actual incident.

Directed by Spike Lee, She Hate Me follows John Henry “Jack” Armstrong (Anthony Mackie), who is fired from a posh job in biotechnology after informing the proper authorities of some sketchy business dealings from within the company. Unemployed and desperate for some quick cash, Jack accepts a strange offer — his ex-girlfriend Fatima (Kerry Washington) says she will pay him generously if he successfully impregnates her. Once word gets out among the lesbian community, Jack is inundated with requests, and is initially quite happy with his new direction in life. However, things — as they are wont to do — get complicated. There’s his former employer, who is actively trying to pin the blame for their wrongdoings on his shoulders, for one thing, and it isn’t long before the moral implications of his life as a sperm donor come to the forefront. The film co-stars John Turturro, Ellen Barkin, Woody Harrelson, Monica Bellucci, and Q-Tip.

Cinema icon Al Pacino joins a powerhouse cast headed by of George Clooney, Brad Pitt, Matt Damon, Andy Garcia, Don Cheadle, Bernie Mac, and series newcomer Ellen Barkin for this, the third installment of director Steven Soderbergh’s popular series of glitzy crime comedies. The only hotelier in Las Vegas who can claim that each and every one of his establishments has earned the Royal Review Board’s Five Diamond Award, Willy Bank (Pacino) has made more than his share of enemies during his impressive ascent. While most of Bank’s adversaries amount to little more than the occasional nuisance, however, this powerful player is about to find out that picking your enemies in Las Vegas can be a true gamble. In betraying Reuben Tishkoff (Elliott Gould), Bank has finally crossed the one man who could bring his entire empire crumbling to the ground — Danny Ocean (Clooney). Now Reuben is in critical condition, and Ocean is determined to strike back at the man who nearly murdered his mentor. Bank may have taken down one of the original Ocean’s Eleven, but his efforts only managed to unite the remaining ten closer than ever before. As the opening of Bank’s newest casino draws near, Danny and the crew set into motion a bold plan to humiliate the cocksure casino owner and forever tarnish his spotless reputation. It won’t be easy, but if Ocean and his team can get their elaborate plan together in time for the opening of The Bank, they just might be able to deliver some serious Las Vegas justice.

Small-time crook Mickey Rourke is mockingly named Johnny Handsome because of his grotesquely deformed face. While in stir on a robbery rap, Rourke is knifed by convicts in the employ of his former partner–and now bitter enemy–Lance Henriksen. While in the prison hospital, Rourke is cared for by a kindly doctor (Forrest Whitaker), who believes that the key to Rourke’s rehabilitation might be a literal change of face. Undergoing plastic surgery, Rourke emerges as virtually unrecognizable to everyone but the audience. Paroled, Rourke seems to be willing to follow a straight and narrow path. Seems to be. Only Morgan Freeman, playing a hard-bitten law officer, sees through Rourke’s “new leaf.”

Terry Gilliam (Brazil, Twelve Monkeys, The Fisher King) directed this colorful, stylized, pseudo-psychedelic $21-million adaptation of the 1971 Hunter S. Thompson classic, Fear and Loathing in Las Vegas: A Savage Journey into the Heart of the American Dream, about stoned sportswriter Raoul Duke, Thompson’s alter ego, on a wild drug-crazed road trip, a paranoid plummet into the belly of the beast, with his pal, lawyer Oscar Zeta Acosta. Originally serialized in Rolling Stone (November 1971), the book catapulted Thompson headfirst toward the Kerouac-Mailer-Capote pantheon and jump-started the entire movement of “gonzo journalism.” Carrying a suitcase of drugs, Raoul Duke (Johnny Depp with shaved pate) and his attorney Dr. Gonzo (Benicio Del Toro) drive a red convertible across the Mojave from L.A. to Vegas, where Duke has an assignment to cover the Mint 400 desert motorcycle race. As the drugs kick in, Duke ventures into voiceover, filling in the blank spots and narrative gaps. “This is not a good town for psychedelic drugs,” says Duke, but even so, they consume vast quantities, eventually escalating to ether. Duke notes that with ether “you can actually watch yourself behaving this terrible way, but you can’t control it.” The two trash their hotel room, and Gonzo goes back to L.A. Thinking the hotel room holocaust will lead to an arrest, Duke begins a drive back to L.A., but after an odd encounter with a highway patrolman (Gary Busey) and a telephone conversation with Gonzo, he returns to Vegas to cover the District Attorney Convention on Narcotics and Dangerous Drugs in the glitzy Flamingo Hotel. This time the drugged-out duo trash their Flamingo room. The crazed carnival atmosphere segues into a carney casino, Bazooko’s Circus, where a barker (Penn Jillette) spiels amid aerialists, clowns, and a rotating carousel bar. Gonzo worries over runaway teen Lucy (Christina Ricci), who paints portraits of Barbra Streisand. Soon the hallucinations begin: Duke sees Gonzo transmogrify into a demon with breasts on its back, and an acid vision of a Vegas bar features large legit lounge lizards (courtesy of monster makeup man Rob Bottin). Flashbacks depicting Duke’s intro to the drug scene jump back to love-Haight relationships in San Francisco’s Summer of Love. Cameos and guest stars include Mark Harmon, Cameron Diaz, Flea, Lyle Lovett, Harry Dean Stanton, Ellen Barkin, Tobey Maguire, and Hunter S. Thompson himself. The film features a Geffen Records soundtrack mixing rock of the period with Vegas lounge tunes. Over the years, various script adaptations came and went as did numerous talents; people connected with past efforts to film Thompson’s book include Martin Scorsese, Jack Nicholson, Dan Aykroyd, John Belushi, and writer-director Alex Cox. Shown in competition at the 1998 Cannes Film Festival.