Bovie Movie

Robert Altman directed this John Grisham tale that begins at a party where Savannah attorney Rick Magruder (Kenneth Branagh) celebrates his successful defense of a man who shot a local cop. The partygoers include his ex-wife Leeanne (Famke Janssen), the mother of his two children; his law partner Lois Harlan (Daryl Hannah); and caterer Mallory Doss (Embeth Davidtz). After Mallory finds her car stolen, Rick gives her a ride home where things turn sexual. Attracted to Mallory, he learns that her crazed father Dixon Doss (Robert Duvall) has been threatening her. Getting too closely involved with this woman he hardly knows, Rick has the police round up her unstable father, and he next subpoenas her ex-husband Pete (Tom Berenger) to testify against Dixon, who is institutionalized.

The crazed Dixon manages to escape from the asylum, intent on revenge against all his betrayers and enemies. As a potent hurricane blows into Savannah, Mallory’s car is torched, and Rick receives threats. Believing his children are in danger, Rick removes them from school, prompting a warrant for his arrest. When his children disappear, Rich goes on the counterattack against Dixon. Chinese cinematographer Changwei Gu (of Chen Kaige’s Farewell My Concubine and Zhang Yimou’s Ju Dou) captured the soaked Savannah sites. The script is not an adaptation from a John Grisham novel; Grisham wrote it as an original screenplay just before the success of The Firm (1993), and it was acquired by producer Jeremy Tannenbaum. After Island Pictures came into the project at $1.4 million, Grisham returned for rewrites. Altman did even more drafts, so the pseudonym Al Hayes was created as the scripting credit. When Polygram suggested to Altman that the electronic score could be replaced with a traditional score, Altman had friends call reporters to say he had been dismissed. Polygram began re-editing the $25 million movie, but their edit didn’t test much better than Altman’s version, so they handed the reins back to Altman.

Miramax Films darlings Robert Rodriguez and screenwriter Kevin Williamson teamed up for a high-school alien-horror film that they described as The Breakfast Club meets Invasion of the Body Snatchers. Dilapidated Herrington High is the location for a story about a school faculty taken over by outer-space creatures, forcing the students to take charge and kick some alien butt. School faculty members (Robert Patrick, Bebe Neuwirth, Salma Hayek, and Jon Stewart) are infested with rapidly reproducing space worms that take over their minds and bodies. But never fear, because at this school, between hazing the student body and having sex in the locker room, a Scooby-Doo-ish group of high school students is ready to fight back. The up-and-coming acting talent includes R&B singer Usher Raymond, Elijah Wood, Clea DuVall, Josh Hartnett, Shawn Hatosy, Laura Harris, and Jordanna Brewster. The story is nearly irrelevant, as the real stars are the action and lots of special effects.

Tense thrills and action mix in the gritty suspense drama Don't Say a Word starring Michael Douglas and Brittany Murphy. Fox has done a very good job on this 2.35:1 anamorphic widescreen transfer. All aspects of this transfer look very good, from the evenly saturated color schemes to the deep, dark black levels. No edge enhancement, shimmer, or digital artifacting is spotted anywhere on this disc. The audio is presented in Dolby Digital 5.1 in English (as well as 2.0 in French) and DTS Surround in English. Both the DTS and Dolby 5.1 soundtracks are full and bombastic with surround sounds utilized during much of the film. All aspects of these tracks are clear and free of any excessive hiss or distortion. Also included on this disc are English subtitles. This edition of Don't Say a Word is chock-full of extra features. Starting off the disc are two commentaries: one feature-length commentary with director Gary Felder; and a second with actors Michael Douglas, Sean Bean, Famke Janssen, Oliver Platt, and Brittany Murphy. While the director's commentary is insightful and runs the length of the film, the actor's commentaries are broken up in sections so each actor can give some information about their character or thoughts on the film separately. Taken as a whole, these commentary tracks are very thorough and informative. Next up are three sections: "Preproduction," "Production," and "Post-production." In the "Preproduction" section there is a screen test for actress Brittany Murphy and two insightful storyboard-to-scene comparisons. In the "Production" section is a featurette called "You Are There" which takes a behind-the-scenes look at three separate sequences narrated by the director. Also included are some screening room dailies which show how a scene is comprised of multiple takes or shots, and a set tour with production designer Nelson Coates that features Coates walking the viewer through many of the sets used in the film. In the "Post-production" section, there is an interview with director Gary Felder discussing filmmaking and what works best as a director, "Thriller Themes" which is a short spot about the music in the film (featuring composer Mark Isham in a few brief scenes), and "Inside a Scene: Trench Sequence," a feature that looks at how the end scenes was filmed and why the use of computer graphics was necessary. Also included on this disc are some deleted scenes which don't add much to the proceedings, a short making-of featurette that includes many clips from the film, and some vital statistics on the cast and crew. Finally, there is a DVD trailer for the Michael Douglas drama Wall Street. Strangely, there is no theatrical trailer available for Don't Say a Word anywhere on this disc. This DVD is filled to the brim with special features and should leave fans speechless.

Stephen Somers wrote and directed this $50 million science-fiction action-thriller. Set in the South China Sea, the story has been described as a cross between The Poseidon Adventure, Alien, and Die Hard. On the maiden voyage of the luxury liner Argonautica, pickpocket Trillian (Famke Janssen) is caught stealing jewels and locked up. After the ship’s communication system is infected with a virus, the ship collides with a massive underwater object. When John Finnegan (Treat Williams) and others board the Argonautica, they are surrounded by death. Survivors Trillian, builder Simon Canton (Anthony Heald), and others talk of sea monsters, but Hanover (Wes Studi) doesn’t believe them — until the fanged, squid-like creature (designed by Rob Bottin) extends its huge tentacles and makes its presence known to all. Filmed in Vancouver and the northern Pacific under the working title Tentacles.

A newly single father discovers his daughter is caught up in a web of evil in this thriller. David Callaway (Robert De Niro) has been left to raise his nine-year-old daughter, Emily (Dakota Fanning), on his own after the unexpected death of his wife. David is at first amused to discover that Emily has created an imaginary friend named “Charlie,” but it isn’t long before “Charlie” develops a sinister and violent side, and as David struggles with his daughter’s growing emotional problems, he comes to the frightening realization that “Charlie” isn’t just a figment of Emily’s imagination. Hide and Seek also stars Famke Janssen, Dylan Baker, and Amy Irving.

Jon Favreau and Famke Janssen star in this slick indie film about love, romance, and jealousy. Kate (Janssen) almost gets fired from her posh magazine job when she submits an overly graphic, overly personal article on oral sex. As she rewrites her piece, she reminisces on her past flames, particularly on her most serious relationship — with Adam (Favreau), a fast-talking, very neurotic painter. The film traces their romance from their initial heady meeting, to moving in together, to an unexpected pregnancy, and the inevitable breakup because Adam felt trapped. Devastated by Adam’s sudden defection, Kate goes on a dating spree and manages to drive him crazy by going out with handsome yet shallow video star Joey Santino (Josh Hopkins). Meanwhile, Adam grows increasingly obsessed with Kate’s private life. This film was screened at the 2000 Sundance Film Festival.

Yet another classic television series from the 1960s gets a big-screen update in this action-comedy inspired by the Bill Cosby/Robert Culp vehicle I Spy. Alex Scott (Owen Wilson) is a federal intelligence agent who has been assigned to find a particularly expensive and valuable weapon which has gone missing: a special stealth fighter jet which can not only hide from radar, but also turn invisible to the human eye. Scott learns a rogue agent has sold the jet to Gundars (Malcolm McDowell), a powerful and unscrupulous underground arms dealer. After blowing his opportunity to catch Gundars in the act, Scott formulates a Plan B — it seems Gundars is a rabid boxing fan, so in order to get inside his organization, Scott recruits Kelly Robinson (Eddie Murphy), a longtime middleweight champion whose ego nearly exceeds his talent in the ring. Robinson is excited by the prospect of a life of espionage, but Scott and Robinson’s personalities are like oil and water, and matters are hardly helped by the efforts of less-than-helpful fellow agents Rachel (Famke Janssen) and Carlos (Gary Cole). This adaptation of I Spy was directed by a woman who starred in a memorable television series herself, former Hill Street Blues regular Betty Thomas, who has gone on to a successful career behind the camera.

A perennial favorite of the “Shock Theatre” TV circuit, House on Haunted Hill stars Vincent Price as sinister gent (you’re surprised?) Frederick Loren, who owns a sinister mansion on a sinister hill, where seven murders have occurred. He makes a proposal to several strangers, offtering $10,000 to anyone who can last the entire night. Loren festively gives each of his guests a tiny coffin containing a loaded handgun, designed to protect them from the spooks that emerge in the house over the course of the night. The picture hinges on its surprise ending, which packs in several by-now-familiar twists. When originally released to theaters, House on Haunted Hill was accompanied by one of those gimmicks so beloved of producer/director William Castle: the gimmick was “Emergo,” and it involved a prop skeleton that “emerged” from the side of the screen at a crucial moment to frighten the audience. Like most of Castle’s best films, House didn’t really need the gimmick, but its presence added to the fun — especially when second- and third-time viewers responded to “Emergo” by bombarding the skeleton with popcorn and empty soda bottles.