Bovie Movie

A family is touched by the shadows of hatred and violence in this Australian drama adapted from a short story by Raymond Carver. Stewart (Gabriel Byrne) and Claire (Laura Linney) are a married couple in their early 40’s; Stewart runs a gas station while Claire looks after their son Tom (Sean Rees-Wemyss). Tom has been grounded for the weekend after killing a small animal with his friend Caylin (Eva Lazzaro), and Claire keeps an eye on him while Stewart goes off on a fishing trip with his pals Carl (John Howard), Rocco (Stelios Yiakmis) and Billy (Simon Stone). After arriving at their favorite fishing spot, Stewart finds the naked body of a woman floating down the river; unknown to him, Gregory (Chris Haywood), an elderly man riddled with race hatred, killed Susan (Tatea Reilly), a young woman of Aboriginal heritage, and dumped her body in the water. Believing they wouldn’t be able to drive to town to report finding the body and get back to make camp before nightfall, Stewart decides to wait until morning to contact the police, and ties a line to the corpse so it won’t float away. The next morning, Stewart and his friends decide not to spoil their trip and spend the day fishing; they don’t contact the police until after they return home on Monday. Stewart’s callous actions cast an ugly light on himself, his friends and his family, and Claire finds herself implicated in the crime through Stewart’s poor judgment. Named for an Aborigine word for a valley, Jindabyne received its world premiere at the 2006 Cannes Film Festival.

A dark, bitter commentary on modern American life cloaked in the form of a surrealist western, Jim Jarmusch’s Dead Man stars Johnny Depp as William Blake, a newly-orphaned accountant who leaves his home in Cleveland to accept a job in the frontier town of Machine. Upon his arrival, Blake is told by the factory owner Dickinson (Robert Mitchum) that the job has already been filled. Dejectedly, he enters a nearby tavern, ultimately spending the night with a former prostitute. A violent altercation with the woman’s lover (Gabriel Byrne), also Dickinson’s son, leaves Blake a murderer as well as mortally wounded, a bullet lodged dangerously close to his heart. He flees into the wilderness, where a Native American named Nobody (Gary Farmer) mistakes Blake for the English poet William Blake and determines that he will be Blake’s guide in his protracted passage into the spirit world.

Stigmata is a supernatural suspense story about good, evil, and faith. Frankie Paige (Patricia Arquette) is a hair stylist in her mid-20s who has no strong religious convictions until odd things start happening to her after she’s given a rosary by her mother: she begins speaking with another person’s voice; unknown and unseen forces start to attack her; and she develops stigmata, bleeding wounds that spontaneously appear on her wrists, feet, and side, as Christ was wounded at Calvary. Some people believe that a holy miracle has been visited on Frankie, though no one can say why. A Cardinal from the Vatican (Jonathan Pryce) sends a priest, Father Andrew Kiernan (Gabriel Byrne), to investigate Frankie and her condition; after getting a first-hand look, Father Andrew finds himself less concerned with whether Frankie’s wounds are a legitimate miracle and more concerned with saving her life. Billy Corgan, leader of the rock group The Smashing Pumpkins, composed the score for Stigmata in collaboration with keyboardist Mike Garson.

Cops, secretaries, and prisoners stuck in a soon-to-be-shuttered L.A. police station fight off a horde of murderous gang members in director John Carpenter’s homage to Howard Hawks. When police officer Bishop (Austin Stoker) is left in charge of Precinct 13 on the last day it’s open, he isn’t prepared for the onslaught of a murderous street gang who have come into the possession of an enormous arsenal of guns. Finding himself trapped in the precinct with a pair of secretaries (Laurie Zimmer and Nancy Loomis), a few civilians and a handful of prisoners, Bishop is unable to call for help because the phones have already been disconnected and the precinct is in a run-down, out-of-the-way neighborhood. Holding out for a rescue, he and his fellow prisoners band together to barricade themselves in and hold the bandits at bay. But as the casualties mount and the supplies run low, they must choose between a daring escape attempt, a fiery offensive, or certain death. The sophomore feature from auteur-in-the-making John Carpenter, Assault on Precinct 13 reunited the director with Douglas H. Knapp, his cinematographer on 1974’s Dark Star.

A salvage team think they’ve made the find of a lifetime, until they discover there’s more on board than meets the eye in this supernatural thriller. Led by Captain Sean Murphy (Gabriel Byrne), the crew of the tugboat Arctic Warrior have discovered a sideline far more lucrative than hauling ships in and out of the harbor — they locate missing or wrecked ships in international waters, repair them until they can be brought back to port, and then sell off the ship and its contents as salvage. Acting on a tip from Jack Ferriman (Desmond Harrington), a pilot in the Canadian Air Force, Murphy and his crew — salvage expert Maureen Epps (Julianna Margulies), first mate Greer (Isaiah Washington), and crewmen Santos (Alex Dimitriades), Dodge (Ron Eldard), and Munder (Karl Urban) — set out to find a large craft seen adrift off the Alaskan coastline. To their surprise, the crew of the Arctic Warrior discover what appears to be the Antonia Graza, a famous Italian ocean liner, legendary for its luxury, which vanished without a trace in 1962. While they at first anticipate the payday of a lifetime from this find, the crew soon discover a sinister force has taken control of the ship, and before long they’re battling not for salvage rights, but for their lives. Ghost Ship was directed by special effects man turned filmmaker Steven Beck, who previously directed the 2001 remake of 13 Ghosts.

Near the end of The Usual Suspects, Kevin Spacey, in his Oscar-winning performance as crippled con man Roger “Verbal” Kint, says, “The greatest trick the Devil ever pulled was convincing the world he didn’t exist.” This may be the key line in this story; the farther along the movie goes, the more one realizes that not everything is quite what it seems, and what began as a conventional whodunit turns into something quite different. A massive explosion rips through a ship in a San Pedro, CA, harbor, leaving 27 men dead, the lone survivor horribly burned, and 91 million dollars’ worth of cocaine, believed to be on board, mysteriously missing. Police detective Dave Kujan (Chazz Palminteri) soon brings in the only witness and key suspect, “Verbal” Kint. Kint’s nickname stems from his inability to keep his mouth shut, and he recounts the events that led to the disaster. Five days earlier, a truckload of gun parts was hijacked in Queens, NY, and five men were brought in as suspects: Kint, hot-headed hipster thief McManus (Stephen Baldwin), ill-tempered thug Hockney (Kevin Pollak), flashy wise guy Fenster (Benicio Del Toro), and Keaton (Gabriel Byrne), a cop gone bad now trying to go straight in the restaurant business. While in stir, someone suggests that they should pull a job together, and Kint hatches a plan for a simple and lucrative jewel heist. Despite Keaton’s misgivings, the five men pull off the robbery without a hitch and fly to Los Angeles to fence the loot. Their customer asks if they’d be interested in pulling a quick job while out West; the men agree, but the robbery goes horribly wrong and they soon find themselves visited by Kobayashi (Pete Postlethwaite), who represents a criminal mastermind named Keyser Soze. Soze’s violent reputation is so infamous that he’s said to have responded to a threat to murder his family by killing them himself, just to prove that he feared no one. When Kobayashi passes along a heist proposed by Soze that sounds like suicide, the men feel that they have little choice but to agree.

Actor and author Richard E. Grant made his directorial debut with this period comedy drama inspired by his own experiences growing up in colonial Africa in the sixties. Ralph Compton (Zachary Fox) is the 11-year old son of Harry (Gabriel Byrne), the minister of education in the British-controlled African nation of Swaziland. While Harry is a likeable and well-connected man, his marriage to Lauren (Miranda Richardson) is on shaky ground, and when he learns she’s been having an affair with one of his best friends, she leaves him and he begins drinking heavily. Harry sends Ralph to boarding school when things start to get unpleasant, and after two years he returns home to discover that some changes have been made. Ralph (now played by Nicholas Hoult) finds that his father is still drinking, but seems a more relaxed and better adjusted man — and has just remarried, having tied the knot with Ruby (Emily Watson), a former stewardess from America. Ralph naturally resists Ruby’s presence in the house, but the two become close, as Ruby indicates that she understands Ralph better than anyone else (and he senses the same). Meanwhile, the British start to withdraw from Swaziland. Wah-Wah received its world premiere at the 2005 Edinburgh Film Festival.

Ralph Fiennes plays a grown man haunted by his childhood in David Cronenberg’s stylized psychological drama Spider. Upon his release from a mental institution, Spider (Fiennes) takes up residence in a halfway house. Paranoid, quiet, and forever making notes, Spider spends much of the film remembering scenes from his youth, specifically a horrific event from his childhood that occurred after he came to believe that his father (Gabriel Byrne) was having an affair on his mother (Miranda Richardson). The psychological terror builds to a climax that challenges how much the viewer can believe Spider’s recollections of the event. Bradley Hall plays Spider as a boy, and Richardson portrays many different women who come into contact with Spider. Spider was screened in competition at the 2002 Cannes Film Festival.

The action producing-directing team of Jerry Bruckheimer and Tony Scott is back with another thrill-a-minute ride called Enemy of the State. Taking its “innocent man accidentally caught up in political corruption” story from such films as Francis Ford Coppola’s The Conversation, Alfred Hitchcock’s The Man Who Knew Too Much, and Sydney Pollack’s Three Days of the Condor, they turn up the high-tech volume in an attempt to create the ultimate action film. Robert Clayton Dean, played by Will Smith, is a devoted father, husband, and attorney shopping for a sexy gift for his wife. What he doesn’t know is that he was given a videotape from a friend (Jason Lee) regarding the recent murder of a U.S. senator led by corrupt National Security Agency official Thomas Reynolds (Jon Voight). Now Reynolds is after Dean to cover his tracks or, as the audience soon finds out, frame Dean for Rachel’s murder. Since Dean isn’t up on his high-tech gadgetry, he needs the aid of ex-intelligence operative Brill (Gene Hackman). Between the explosions and chases is the subtext of George Orwell’s 1984 mantra “beware of big brother,” as Dean realizes that in the modern world, there is no such thing as total privacy.

First filmed in 1928, Thornton Wilder’s Pulitzer-winning novel The Bridge of San Luis Rey is given a ponderous treatment in this 1944 remake. Like the novel, the film begins at the end, with the collapse of a rope bridge in 18th century Peru. The story then flashes back to the lives of the five unfortunates killed in the collapse. Among the five are singer-turned-couresan Michaela (Lynn Bari), her obsequious Uncle Pio (Akim Tamiroff), feuding twin brothers Manuel and Estaban (both played by Francis Lederer) and the envious Marquesa (Nazimova). Trying to make sense of the lives and deaths of the five is sensitive young priest Brother Juniper (Donald Woods).