Bovie Movie

Wesley Snipes is battling bad guys in the air again, this time with parachutes, in this action-packed suspense thriller. Pete Nessip (Snipes) is a Federal Marshall who, teamed with his brother Terry (Malcolm-Jamal Warner), is escorting criminal computer genius Earl Leedy (Michael Jeter) to a new prison facility. Pete, Terry, and Earl are on a jet en route to Earl’s new lockup when terrorists attempt a daring hijacking; Terry is killed in an explosion aboard the plane, and suddenly Earl is missing. Pete discovers that a team of sky-diving outlaws, led by former DEA agent gone bad Ty Moncrief (Gary Busey), have snatched Earl from his flight and spirited him away for a special raid on Washington D.C.; Ty and his men intend to take advantage of an obscure rule in which the normally restricted airspace in Washington D.C. is open to parachute enthusiasts on July 4. Eager to avenge his brother’s death and put both Ty and Earl behind bars, Pete recruits sky-diving expert Jessie Crossman (Yancy Butler) to teach him how to infiltrate Ty’s team of sky-bound criminals. Superb aerial stunt work highlights this film; please note that Pete’s last name is an anagram for the leading man’s last name.

Andrew Davis directed this exciting thriller starring Steven Seagal, sans ponytail, and featuring electric, over-the-top performances by Gary Busey and Tommy Lee Jones. This action saga takes place on the battleship USS Missouri, about to be decommissioned from service after a visit from George Bush. When Bush departs the vessel, a band of terrorists overcome the remaining skeleton crew and take over the ship, under the ruse of holding a surprise birthday party for the ship’s commander, Captain Adams (Patrick O’Neal). The band is led by Strannix (Jones), a disgruntled ex-CIA operative, and his right-hand man, the psychotic Krill (Busey). The terrorists plan to steal the ship’s store of nuclear warheads, transfer them to a stolen North Korean submarine, and sell them to a Middle Eastern country. Unfortunately for Strannix, he has overlooked the ship’s cook, Casey Ryback (Seagal). Ryback is a much-honored Navy SEAL who, because of a minor scandal, is quietly completing his twenty-year tour in the galley of the Missouri. Forced into action, Ryback, along with the woman who jumped out of Captain Adams’ birthday cake (Erika Eleniak), knocks off the bad guys one-by-one while crawling inside the bowels of the ship.

A cop used to chasing bad guys finds himself up against the ultimate villain of all time in this Christian-themed thriller. Tom Canburo (Gary Busey) is a police detective whose work doesn’t leave him with much room in his life for the intangibles of faith. Tom’s sister, Eileen (Margot Kidder), however, is a born-again Christian who often attempts to engage her brother in discussions of spiritual matters, while his brother-in-law, Jason (Howie Mandel), embraces a puzzling melange of New Age teachings. One night, Tom’s life seems to take a left turn into the unknown; he gets a call from Eileen, saying that Jason has tried to kill her, calling her a “hater,” while in the course of an investigation, Tom uncovers a bizarre underground cult with supernatural powers. As Tom tries to escape, he gets in a severe auto accident and drifts into a coma. Several years later, he comes to and finds himself in a strange new world. Franco Macalousso (Nick Mancuso), a New Age philosopher who spoke of bringing peace to the world, is now the most powerful man on Earth, and under his leadership everyone must have their right hand marked with the number “666″ — those who refuse have their hand cut off. Christians are also persecuted as “haters,” and Helen Hannah (Leigh Lewis), the leader of a Christian resistance group, has become Public Enemy Number One. Also released as Apocalypse III: Tribulation, Tribulation was the third film from screenwriters Paul Lalonde and Peter Lalonde inspired by modern-day interpretations of biblical prophesy.

Terry Gilliam (Brazil, Twelve Monkeys, The Fisher King) directed this colorful, stylized, pseudo-psychedelic $21-million adaptation of the 1971 Hunter S. Thompson classic, Fear and Loathing in Las Vegas: A Savage Journey into the Heart of the American Dream, about stoned sportswriter Raoul Duke, Thompson’s alter ego, on a wild drug-crazed road trip, a paranoid plummet into the belly of the beast, with his pal, lawyer Oscar Zeta Acosta. Originally serialized in Rolling Stone (November 1971), the book catapulted Thompson headfirst toward the Kerouac-Mailer-Capote pantheon and jump-started the entire movement of “gonzo journalism.” Carrying a suitcase of drugs, Raoul Duke (Johnny Depp with shaved pate) and his attorney Dr. Gonzo (Benicio Del Toro) drive a red convertible across the Mojave from L.A. to Vegas, where Duke has an assignment to cover the Mint 400 desert motorcycle race. As the drugs kick in, Duke ventures into voiceover, filling in the blank spots and narrative gaps. “This is not a good town for psychedelic drugs,” says Duke, but even so, they consume vast quantities, eventually escalating to ether. Duke notes that with ether “you can actually watch yourself behaving this terrible way, but you can’t control it.” The two trash their hotel room, and Gonzo goes back to L.A. Thinking the hotel room holocaust will lead to an arrest, Duke begins a drive back to L.A., but after an odd encounter with a highway patrolman (Gary Busey) and a telephone conversation with Gonzo, he returns to Vegas to cover the District Attorney Convention on Narcotics and Dangerous Drugs in the glitzy Flamingo Hotel. This time the drugged-out duo trash their Flamingo room. The crazed carnival atmosphere segues into a carney casino, Bazooko’s Circus, where a barker (Penn Jillette) spiels amid aerialists, clowns, and a rotating carousel bar. Gonzo worries over runaway teen Lucy (Christina Ricci), who paints portraits of Barbra Streisand. Soon the hallucinations begin: Duke sees Gonzo transmogrify into a demon with breasts on its back, and an acid vision of a Vegas bar features large legit lounge lizards (courtesy of monster makeup man Rob Bottin). Flashbacks depicting Duke’s intro to the drug scene jump back to love-Haight relationships in San Francisco’s Summer of Love. Cameos and guest stars include Mark Harmon, Cameron Diaz, Flea, Lyle Lovett, Harry Dean Stanton, Ellen Barkin, Tobey Maguire, and Hunter S. Thompson himself. The film features a Geffen Records soundtrack mixing rock of the period with Vegas lounge tunes. Over the years, various script adaptations came and went as did numerous talents; people connected with past efforts to film Thompson’s book include Martin Scorsese, Jack Nicholson, Dan Aykroyd, John Belushi, and writer-director Alex Cox. Shown in competition at the 1998 Cannes Film Festival.

After scripting Blade Runner and Twelve Monkeys, David Webb Peoples continued to traverse the science fiction landscape with this action-adventure directed by Paul Anderson. A prologue shows infants classified 1A and placed in an academy promoting violent militarism. Spawned in such an environment, Sgt. Todd (Kurt Russell) became a top-ranking interplanetary fighter. However, military upgrades in genetic engineering made Todd obsolete. Todd’s commanding officer, Captain Church (Gary Busey), has a confrontation with West Point-trained Colonel Mekum (Jason Isaacs), who heads the new generation of genetically engineered fighters. One such warrior is Caine 607 (Jason Scott Lee), who defeats Todd and others led by Church. The trio, presumed dead, is put in a garbage ship which dumps them on the distant Arcadia 234 planet. However, Todd survives and is nursed by homesteaders Sandra (Connie Nielsen) and Mace (Sean Pertwee), while their mute son Nathan (brothers Jared and Taylor Thorne) watches. Todd is regarded with suspicion by others in the colony. But when the warrior supermen, led by Caine 607, attack the settlement, Todd turns out to be their only line of defense. The one-man army springs into action to eliminate the super squadron amid leftover props from Demolition Man, Event Horizon and other sci-fi movies.

LA cop Martin Riggs (Mel Gibson), whose wife has recently died, is a loose cannon with a seeming death wish. This makes him indispensable in collaring dangerous criminals, but a liability to any potential partners. Roger Murtaugh (Danny Glover), a conservative family man who wants to stay alive for his upcoming 50th birthday, is partnered with Riggs. As Riggs gets to know Murtaugh and his family, he begins to mellow, though his insistence on using guerilla tactics to catch criminals is still (put mildly) above and beyond the call of duty. The main villain is The General (Mitchell Ryan), a drug dealer responsible for the death of the daughter of one of Murtaugh’s oldest friends. The General is also in charge of a deadly, militia-like gang of smugglers. Adding fuel to the fire is The General’s chief henchman, played with all stops out by Gary Busey. Moviegoers familiar only with the relatively tongue-in-cheek Lethal Weapon sequels may be amazed to find out how dangerous and unpredictable Riggs is in the first Lethal Weapon — and how likely it seems that Murtaugh might not survive until fade-out time.