Bovie Movie

A free-spirited art student and a roguish poet find their addiction to each other taking a back seat to their taste for heroin in director Neil Armfield’s intensely personal tale of recreational drug use gone bad. When Candy (Abbie Cornish) and Dan (Heath Ledger) first fell in love, they both thought they had found all they ever needed in life. Despite financial hardships, the pair sustained themselves on the vibrant life force that burned blindingly bright as it promised an invincible future. Their intoxicating romance a blissful altered state of which heroin played only a minor role in the beginning, Candy and Dan soon decide to strengthen their bond by marrying and starting a family. Their manufactured Eden gradually becomes an uncontrollable inferno, however, as Candy’s parents slowly pull away due to the pain of witnessing their daughter’s slow slide into oblivion, and even chemistry professor Casper (Geoffrey Rush), who was at first complicit in their experimentation, admits that Candy and Dan’s blind devotion to the drug is now forever ingrained into their commitment to one and other. As the marriage deteriorates right along with Candy’s increasingly fragile mental state, Dan must make the difficult decision to either rescue her or pull away in hopes that the clarity of separation will finally empower her to break free of the addiction that binds her.

Set amidst the controversy of the handover of the Panama Canal from Panama to America in late 1999, this espionage thriller follows seductive British spy Andrew Osnard (Pierce Brosnan), who has found himself recently banished to Panama. When Osnard stumbles into a tailor shop, he meets Harry Pendel (Geoffrey Rush), a garrulous sort with an unmatched penchant for “fluence” — that is, fabricating wild tales with real-life details. Osnard threatens to expose his shady past, until Pendel agrees to provide him with information about the political situation in Panama. Pendel’s wife Louisa (Jamie Lee Curtis) tries to remain unscathed by her husband’s constant follies, which escalate and put him in the midst of international discord, while also threatening the shaky relationship between himself and Osnard, who cannot escape each other’s grasp. Based on John le Carr?’s popular 1996 novel, the film also features Catherine McCormack, David Hayman, and young Daniel Radcliffe, who completed this film before his starring role in Harry Potter and the Sorcerer’s Stone, released later in the year.

Much as Steven Spielberg followed 1993’s special-effects blockbuster Jurassic Park with a far more downbeat and personal project later the same year, Schindler’s List, in 2005 after tearing up the box office with War of the Worlds the director closed out the year with a powerful and thoughtful drama about the human costs of international terrorism. The 1972 Olympics in Munich, Germany, were supposed to be a peaceful gathering of outstanding athletes from around the world, but on September 5, the games took a sinister turn when eight masked Palestinian terrorists invaded the Olympic village, killing two Israeli athletes and abducting nine others. The kidnappers demanded safe passage out of Germany in addition to the release of Arab prisoners in Israeli and German prisons, but when they arrived at the Munich airport they were met by German police and military forces, and in the melee that followed, all nine hostages were killed. In the wake of the killings, the Israeli government gave Mossad, the nation’s intelligence agency, a special assignment — to track down and eliminate the Palestinians responsible for the death of the Israeli athletes. A young and idealistic Mossad agent (Eric Bana) is assigned to the four-man unit created to wipe out the Olympic terrorists, but while he believes in serving his country, as their bloody work goes on he begins to buckle under the weight of his work and wonders if he can morally justify his nation’s acts of revenge. Munich also stars Geoffrey Rush, Daniel Craig, Mathieu Kassovitz, and Ciar?n Hinds.

For some folks, the 1960s never really ended, and one woman still cheerfully stuck in the Summer of Love discovers her one-time best friend has left that decade as far behind as humanly possible in this comedy. In the late ’60s and early ’70s, Suzette (Goldie Hawn) and Vinnie (Susan Sarandon) were two of Southern California’s most celebrated groupies. Affectionately nicknamed “The Banger Sisters” by Frank Zappa, best friends Suzette and Vinnie partied hearty with practically every rock star of the era who mattered, and kept a collection of Polaroid snapshots documenting their randy exploits. In 2001, Suzette is still her free-spirited self, and after losing her job as a barmaid at an L.A. rock club, she decides to look up Vinnie, whom she hasn’t seen for 20 years. Suzette hits the road for Phoenix, AZ, to pay Vinnie a surprise visit, and en route picks up Harry (Geoffrey Rush), a novelist with writer’s block who can’t drive and hasn’t had sex for a decade. Upon her arrival, Suzette discovers Vinnie isn’t quite the same person who used to chase any man with long hair and an electric guitar. Now going by her given name of Lavinia, she’s a straight laced social worker with a lawyer for a husband, Raymond (Robin Thomas), and two teenage daughters, Hannah (Erika Christensen) and Ginger (Eva Amurri), none of whom know a thing about her wild and crazy past, and have a pretty hard time imagining Lavinia even attending a rock concert. Eva Amurri comes by her role as Susan Sarandon’s daughter naturally enough — Amurri is Sarandon’s daughter in real life.

Joel and Ethan Coen take on the classic battle-of-the-sexes screwball comedy with Intolerable Cruelty. George Clooney plays Miles Massey, a high-powered Los Angeles divorce lawyer nearing a midlife crisis . While representing wealthy client Rex Rexroth (Edward Herrmann), Miles meets his match in Rex’s gold-digging wife, Marilyn Rexroth (Catherine Zeta-Jones). He’s impressed by her similarly heartless ways of using marriage to fuel an expensive lifestyle, but he still defeats her in court. With Marilyn looking to get her revenge and Miles finding himself attracted to her, the two engage in a ruthless romantic pursuit to out-swindle each other. Billy Bob Thornton shows up in a small role as Texas oil tycoon Howard Doyle.

Director Gore Verbinski and the crew set sail once again for this, the third chapter in the swashbuckling Pirates of the Caribbean trilogy. Captain Jack Sparrow (Johnny Depp) is hopelessly trapped in Davy Jones’ locker after a harrowing encounter with the dreaded Kracken, and now Will Turner (Orlando Bloom) and Elizabeth Swann (Keira Knightley) must align themselves with the nefarious Captain Barbossa (Geoffrey Rush) if they hold out any hope of saving their old friend from a fate worse than death. The East India Trading Company and it’s fearsome leader Lord Cutler Beckett (Tom Hollander) have taken control of the ghostly Flying Dutchman and it’s Captain Davy Jones (Bill Nighy), and now the baleful Admiral Norrington (Jack Davenport) has taken the helm in a relentless bid to destroy every pirate ship in his path and bring the Age of Piracy to a violent close. Meanwhile, Will, Elizabeth, and Captain Barbossa navigate treacherous waters and face bitter betrayal as they set sail to gather the only army that can stand up to Beckett — The Nine Lords of the Brethren Court. But Captain Jack Sparrow is one of the Lords, and as long as he’s stuck in Davy Jones’ locker Beckett and his nefarious armada are sure to emerge victorious. There’s still hope, however, if the heroic team that includes Tia Dalma (Naomie Harris), Pintel (Lee Arenberg), and Ragetti (Mackenzie Crook) can reach exotic Singapore and convince vulpine pirate Sao Feng (Chow Yun-Fat) to provide them with charts and a ship. But even the powerful Brethren Court may need a bit of help from volatile sea goddess Calypso in order to weather the coming storm. With the entire future of the pirate way at stake, everyone will be forced to choose sides while drifting precariously to the edge of the Earth for one final, spectacular battle.

Andrew Stanton, who helped write Toy Story and Monsters, Inc., co-wrote and directed this computer-animated comedy-adventure about finding a very small fish in a very large ocean. Marlin (voice of Albert Brooks) is a more-than-slightly paranoid Clown Fish who is extremely devoted to his young son, Nemo (voice of Alexander Gould), the only survivor after an undersea predator swallowed up Nemo’s mother and her other offspring. It’s not Marlin’s nature to explore unfamiliar waters, but when he and Nemo are accidentally separated near the Great Barrier Reef en route to Nemo’s first day of fish school, Marlin gathers his courage and sets out to find his son. What Marlin doesn’t know, however, is that while Nemo was looking at a boat passing on the surface, he was caught in a net and given a new home in a dentist’s aquarium. As Marlin searches for his son, he makes friends with a friendly but absent-minded Regal Blue Tang named Dory (voice of Ellen DeGeneres), a Great White Shark named Bruce (voice of Barry Humphries) who is trying to cut fish out of his diet, a beach-rat Sea Tortoise named Crush (voice of Andrew Stanton), and Nigel (voice of Geoffrey Rush), a Pelican who can take Marlin’s search from the ocean to dry land. Finding Nemo’s impressive voice cast also includes Willem Dafoe, Allison Janney, Eric Bana, Stephen Root, and Brad Garrett.

A perennial favorite of the “Shock Theatre” TV circuit, House on Haunted Hill stars Vincent Price as sinister gent (you’re surprised?) Frederick Loren, who owns a sinister mansion on a sinister hill, where seven murders have occurred. He makes a proposal to several strangers, offtering $10,000 to anyone who can last the entire night. Loren festively gives each of his guests a tiny coffin containing a loaded handgun, designed to protect them from the spooks that emerge in the house over the course of the night. The picture hinges on its surprise ending, which packs in several by-now-familiar twists. When originally released to theaters, House on Haunted Hill was accompanied by one of those gimmicks so beloved of producer/director William Castle: the gimmick was “Emergo,” and it involved a prop skeleton that “emerged” from the side of the screen at a crucial moment to frighten the audience. Like most of Castle’s best films, House didn’t really need the gimmick, but its presence added to the fun — especially when second- and third-time viewers responded to “Emergo” by bombarding the skeleton with popcorn and empty soda bottles.

William Shakespeare (Joseph Fiennes) is on a cold streak. Not only is he writing for Philip Henslowe (Geoffrey Rush), owner of “The Rose,” a theatre whose doors are about to be closed by sadistic creditors, but he’s got a nasty case of writer’s block. Shakespeare hasn’t written a hit in years. In fact, he hasn’t written much of anything recently. Thus, the Bard finds himself in quite a bind when Henslowe, desperate to stave off another round of hot-coals-to-feet application, stakes The Rose’s solvency on Shakespeare’s new comedy, “Romeo and Ethel, the Pirate’s Daughter.” The problem is, “Romeo” is safely “locked away” in Shakespeare’s head, which is to say that not a word of it is written. Meanwhile, the lovely Lady Viola (Gwyneth Paltrow) is an ardent theatre-goer — scandalous for a woman of her breeding — who especially admires Shakespeare’s plays and, not incidentally, Bill himself. Alas, she’s about to be sold as property into a loveless marriage by her mercenary father and shipped off to a Virginia tobacco plantation. But not before dressing up as a young man and winning the part of Romeo in the embryonic play. Shakespeare soon discovers the deception and goes along with it, using the blossoming love affair to ignite his muse. As William and Viola’s romance grows in intensity and spirals towards its inevitable culmination, so, too, does the farcical comedy about Romeo and pirates transform into the timeless tragedy that is Romeo and Juliet.

Following his surprise-hit American remake of The Ring in 2002, director Gore Verbinski took on Pirates of the Caribbean: The Curse of the Black Pearl, the second of recent films to be based upon Disney theme-park rides (the first being The Country Bears). When Elizabeth Swann (Keira Knightley), the daughter of Governor Swann (Jonathan Pryce) is kidnapped by a group of pirates led by Captain Barbossa (Geoffrey Rush) and taken aboard their ship, The Black Pearl, Will Turner (Orlando Bloom), the young man who loves Elizabeth despite the fact that she is promised to another, sets out to rescue her. But he can’t do it alone, so he enlists the help of swashbuckling ship captain Jack Sparrow (Johnny Depp). Together the two chase after The Black Pearl, but they soon discover that the captain and crew aren’t your average pirates. Cursed to remain between the living and the dead, Barbossa and his men look like skeletons when basked in the moonlight. When it is revealed that the only thing that can break the curse is Elizabeth’s blood, Jack and Will are faced with a race against time and a battle against the undead to save the Governor’s daughter.