Bovie Movie

Based on a novel by Elleston Trevor, director John Moore’s The Flight of the Phoenix is a remake of a 1965 film of the same name starring film icon James Stewart. The story revolves around the plight of Captain Frank Towns (Dennis Quaid), a pilot whose C-119 cargo plane full of oil workers could not withstand the violent winds of a desert sandstorm. Stranded in the harsh terrain of Mongolia’s Gobi Desert (a departure from the original, in which the plane crashed in the Sahara), Frank and his navigator face an equal challenge in maintaining order among the survivors. The group of oilmen had planned on an uneventful trip to shut off a group of rigs falling below their productivity expectations — not fending for their very lives. Before long, some men are revealed as cowards, while others exhibit a surprising show of strength, all the while hoping that the wreckage of the original plane can be salvaged before a Lord of the Flies situation occurs. Miranda Otto is featured in a supporting role, as well as Giovanni Ribisi and Tyrese Gibson.

In this action thriller, a master car thief has his skills pushed to the limit. Randall “Memphis” Raines (Nicolas Cage) can steal practically any car that crosses his path. While he has done well in his life of crime, he knows that there’s a short future in theft, and he wants to get out of the business. But his retirement plans are interrupted when his younger brother Kip (Giovanni Ribisi) gets in trouble with a dangerous crime boss. To get his brother out of harm’s way, Randall agrees to a profitable but risky scheme to steal 50 luxury cars in one night, with the help of several other car thieves, including Sara “Sway” Wayland (Angelina Jolie). A rival group of thieves is trying to pull the same stunt at the same time, and detectives Castlebeck (Delroy Lindo) and Drycoff (Timothy Olyphant) are trying to shut down both operations. Also starring Robert Duvall as Otto Halliwell, and Scott Caan as Tumbler, Gone in Sixty Seconds is a remake of the 1974 low-budget action hit of the same name, best remembered for a 40-minute chase scene in which 90 cars were destroyed.

After making a striking directorial debut with her screen adaptation of The Virgin Suicides, Sofia Coppola offers a story of love and friendship blooming under unlikely circumstances in this comedy drama. Bob Harris (Bill Murray) is a well-known American actor whose career has gone into a tailspin; needing work, he takes a very large fee to appear in a commercial for Japanese whiskey to be shot in Tokyo. Feeling no small degree of culture shock in Japan, Bob spends most of his non-working hours at his hotel, where he meets Charlotte (Scarlett Johansson) at the bar. Twentysomething Charlotte is married to John (Giovanni Ribisi), a successful photographer who is in Tokyo on an assignment, leaving her to while away her time while he works. Beyond their shared bemusement and confusion with the sights and sounds of contemporary Tokyo, Bob and Charlotte share a similar dissatisfaction with their lives; the spark has gone out of Bob’s marriage, and he’s become disillusioned with his career. Meanwhile, Charlotte is puzzled with how much John has changed in their two years of marriage, while she’s been unable to launch a creative career of her own. Bob and Charlotte become fast friends, and as they explore Tokyo, they begin to wonder if their sudden friendship might be growing into something more.

A hard-nosed star reporter learns who her real friends are — and gets in way over her head — investigating a murder in this twisty thriller. Perfect Stranger stars Halle Berry as Rowena, a prominent New York journalist who writes using a pseudonym to entrap some of the tri-state area’s most corrupt individuals, using a network of informants, acquaintances, and digital gadgets. When her latest expos? is buried at the behest of her paper’s corporate backers, she walks off the job and into a personal quagmire. Her childhood friend Grace (Nicki Aycox) is murdered when she threatens to reveal she’s been sleeping with married advertising mogul Harrison Hill (Bruce Wills). With the help of her loyal techie friend Miles (Giovanni Ribisi), she goes undercover — and online — to find the smoking gun that will indict Hill. But Rowena soon finds herself caught in a web of manipulation, deceit, and false truths.

The disappearance of a military leader and the death of four of his men leads two investigators to wade through a morass of deceptions and half-truths in search of the facts in this thriller. Sgt. Nathan West (Samuel L. Jackson) is the leader of an elite team of U.S. Army Special Forces operatives known as the Army Rangers; West is known as a highly effective officer, but one with a short temper and aggressive attitude who is not well liked by his soldiers. During a seemingly routine training exercise in Panama, a hurricane sweeps in, and four of West’s six men are dead, while West himself seems to have vanished. Eager to get the facts behind what happened, Col. Bill Styles (Tim Daly) assigns Capt. Julia Osborne (Connie Nielsen) to investigate. However, Osborne is having a hard time getting the two survivors to talk, so Styles brings in Tom Hardy (John Travolta), a former Army Ranger who served under West and became a first-class interrogator; Hardy later became a DEA agent, but left law enforcement after allegations of corruption. Hardy interviews Dunbar (Brian Van Holt), who claims that the four soldiers had been murdered, and West was killed in retaliation. Kendall (Giovanni Ribisi), the other survivor (whose father is a powerful officer) has a very different story of how the five men turned up dead, and it’s up to Hardy and Osborne to determine who is telling the truth — or if anyone is saying exactly what happened. Basic marked the first time John Travolta and Samuel L. Jackson appeared in the same film together since their breakthrough roles in Pulp Fiction.

Kevin Costner directed and stars in this adaptation of David Brin’s science fiction novel The Postman (1985), first published in 1982 issues of Isaac Asimov’s Science Fiction Magazine. Costner’s return to directing after his Oscar-winning Dances With Wolves(1990) is a futuristic epic depicting the aftermath of a destructive war. Some 16 years from the present day, America has been turned into a wasteland of separated communities minus a national government. A vagabond (Costner) who travels through these little villages performing Shakespeare is captured by marauders known as the Holnists, and thrown into a totalitarian labor camp run by a Hitler-like dictator, General Bethlehem (Will Patton).

Making an escape, the drifter, known to some as “Shakespeare,” stumbles across an abandoned U.S. Postal Service jeep and dons the dead postal-worker’s uniform. With a scheme simply to get food, he sets out to deliver 15-year-old mail, proclaiming himself The Postman, and discovers that residents accept his lies about a restored United States government because they desperately need something to believe in. This hope leads to the thought that perhaps the United States of America could indeed be restored, so an unusually inspired young man, Ford (Laren Tate) is deputized with the “Neither snow, nor rain…” oath to become the country’s second Postman. At the town of Pineview, the attractive Abby (Olivia Williams), who has an impotent husband, asks The Postman to impregnate her. After Abby’s husband is killed during a raid by Bethlehem, she is taken prisoner but injures Bethlehem and makes an escape. Pregnant, she spends the winter nursing the wounded Postman in a snowbound cabin. When spring comes, they emerge to discover that Ford has organized an entire squad of mail deliverers who regard The Postman as a mythical hero. The Postman reluctantly accepts his messianic role in the rebirth of the country, even as it becomes clear that the rebel force must ultimately battle and defeat the Holnist army in order to regain the American Dream.

Enigmatic rock legend Bob Dylan stars as an enigmatic rock legend (talk about a casting coup!) in this purposefully eccentric satiric comedy. Uncle Sweetheart (John Goodman) is an unscrupulous concert promoter who has figured out a way to cash in on the feelings of doubt and uncertainty that plague his nation, which is being torn apart by civil war and political revolution. Sweetheart has decided he will stage a massive benefit concert, though the unnamed charity would appear to be his checking account. Sweetheart hires television producer Nina Veronica (Jessica Lange) to help promote the show and sell it as a nation-wide cable-cast event, while Sweetheart pulls a few strings to arrange for the perfect headliner — Jack Fate (Bob Dylan), a legendary songwriter who is currently serving a term in prison. With Fate out from behind bars, Sweetheart and Veronica set out to sell their grand spectacle to the world, though one determined investigative journalist (Jeff Bridges) has set out to throw a spenner into the works of Uncle Sweetheart and his epic fundraiser. Marking the directorial debut of comedy writer Larry Charles, Masked and Anonymous also features Penelope Cruz and Luke Wilson; the film was shown in competition at the 2003 Sundance Film Festival.

Directed by Kerry Conran, Sky Captain and the World of Tomorrow revolves around the mysterious disappearance of some of the world’s most revered scientists. When an investigation is launched, Polly Perkins (Gwyneth Paltrow), reporter for the prestigious Chronicle, and Sky Captain (Jude Law), resident flying ace, are at the forefront of the case. Though the mission’s perks include traveling around the world, the stout-hearted duo are nonetheless risking their lives with each passing moment, as the culprit is none other than the nefarious Dr. Totenkopf, and his goal, from what they can gather, is to destroying the earth in its entirety. Luckily, Sky Captain and Polly are not alone — Franky Cook (Angelina Jolie), the commander of an all-female amphibious squadron, and Dex (Giovanni Ribisi), an unparalleled technical genius, have joined them in hopes of saving the planet before it’s too late. Laurence Olivier appears posthumously as Dr. Totenkopf, via old film-clips “recycled” (or CG-altered) to fit the dialogue and scenes at hand.