Bovie Movie

Based on an actual incident, Steven Spielberg’s first theatrical feature follows the adventures of a Texas outlaw couple striving to keep their family together by any means necessary. Determined not to lose her child to the authorities, Lou Jean Poplin (Goldie Hawn) gets her obedient convict husband Clovis (William Atherton) to break out of jail and help her kidnap their baby from its foster parents. With hostage Officer Slide (Michael Sacks) in tow, the fugitives head across the plains to Sugarland, Texas, pursued by a flotilla of cop cars. Even though Slide becomes the couple’s friend, the Law is bent on capturing its criminal quarry. Even though it was greeted with strong reviews, and Hal Barwood, Matthew Robbins, and Spielberg won the screenplay prize at the Cannes Film Festival, The Sugarland Express flopped. The young audience that had embraced the challenging tonal shifts of Bonnie and Clyde and Easy Rider in the late 1960s was no longer so reliably drawn to narrative uncertainties in 1974. The massive success of Spielberg’s next picture, the popcorn thriller Jaws (1975), would confirm his suspicion that downbeat films were no longer the way to popular approval.

For some folks, the 1960s never really ended, and one woman still cheerfully stuck in the Summer of Love discovers her one-time best friend has left that decade as far behind as humanly possible in this comedy. In the late ’60s and early ’70s, Suzette (Goldie Hawn) and Vinnie (Susan Sarandon) were two of Southern California’s most celebrated groupies. Affectionately nicknamed “The Banger Sisters” by Frank Zappa, best friends Suzette and Vinnie partied hearty with practically every rock star of the era who mattered, and kept a collection of Polaroid snapshots documenting their randy exploits. In 2001, Suzette is still her free-spirited self, and after losing her job as a barmaid at an L.A. rock club, she decides to look up Vinnie, whom she hasn’t seen for 20 years. Suzette hits the road for Phoenix, AZ, to pay Vinnie a surprise visit, and en route picks up Harry (Geoffrey Rush), a novelist with writer’s block who can’t drive and hasn’t had sex for a decade. Upon her arrival, Suzette discovers Vinnie isn’t quite the same person who used to chase any man with long hair and an electric guitar. Now going by her given name of Lavinia, she’s a straight laced social worker with a lawyer for a husband, Raymond (Robin Thomas), and two teenage daughters, Hannah (Erika Christensen) and Ginger (Eva Amurri), none of whom know a thing about her wild and crazy past, and have a pretty hard time imagining Lavinia even attending a rock concert. Eva Amurri comes by her role as Susan Sarandon’s daughter naturally enough — Amurri is Sarandon’s daughter in real life.

This screwball comedy casts real-life couple Kurt Russell and Goldie Hawn in a film that finds the latter returning to her roots in a role reminiscent of Private Benjamin (1980). Hawn stars as Joanna Stayton, a snooty heiress who summons carpenter Dean Proffitt (Russell) to her lavish yacht, where she wants an expanded closet constructed that will house her valuable wardrobe. When Dean fails to build the closet out of cedar, Joanna haughtily dismisses him without payment. Later, Joanna falls overboard and is struck by another boat, causing amnesia. Seeing her story on the news, Dean constructs an elaborate scheme to pretend that Joanna is his wife Annie. Soon, the former rich snob is cleaning Dean’s home and babysitting his four rambunctious boys. Although at first she’s a disaster, “Annie” grows into her role and begins to love being a mom and middle-class wife. When her real husband Grant (Edward Herrmann) comes looking for her, however, her memory is jogged, and she must decide between a life of privileged ease and a life of happy housework. Overboard was the feature film debut of writer Leslie Dixon, the granddaughter of famed photographer Dorothea Lange.

The can’t-miss teaming of Mel Gibson and Goldie Hawn is squandered on a clumsy, illogical romantic melodrama. Running across her old boyfriend Gibson at a Wisconsin gas station, Hawn is astounded that he seems not to recognize her. How could she have known that Gibson was put into the Witness Relocation Program after testifying against a homicidal mob boss (say, don’t they usually alter your appearance when they put you in that program?) Curious over Gibson’s furtive behavior, Hawn unknowingly sets herself up as a target for the bad guys. The whole affairs culminates in an after-hours showdown at a zoo (a plot device vastly improved upon in the 1996 Arnold Schwarzenegger vehicle Eraser). While Bird on a Wire admittedly has its moments of enjoyment, most of the film is on a par with Gibson’s embarrassing, homophobic scene with a pair of epicine hairdressers. And whoever heard of the Chinatown section of Racine, Wisconsin?