Bovie Movie

Abel Ferrara directed this erotic thriller adapted by Ferrara and Christ Zois from a short story by science fiction author William Gibson (in his Burning Chrome collection). Global corporations rule the world, and corporate raider Fox (Christopher Walken) and his deputy X (Willem Dafoe) could pocket $100 million if they can get top scientist Hiroshi (Yoshitaka Amano) to defect from one corporation to another. Fox offers singer Sandii (Asia Argento) $1 million to seduce Hiroshi away from his wife, family, and employer. An affair develops between Sandii and X, while she studies facts about Hiroshi’s life. She departs on her assignment, but betrayals ensue, with Fox and X soon becoming targets themselves. With opening credits in three languages (English, German, Japanese), the soundtrack features the score-composition debut of hip-hopper Schoolly D, music which plays over a blank screen at the wrap-up (since the film has no closing credits). This Gibson short story was a property once in development by director Kathryn Bigelow. The title story of Gibson’s Burning Chrome collection was planned as the second Heavy Metal movie, intended for live-action and scripted but never filmed. Shown in competition at the 1998 Venice Film Festival.

Writer/director Paul Schrader explored his well-documented interest in film noir with this modern-day crime story. A horribly disfigured man named Manuel Esquema (Joseph Fiennes) is called upon to help out Mark Brice (Ray Liotta), a former city councilman in a wealthy New York community. Brice has been accused of some serious financial irregularities, and Esquema is the sort of “fixer” who might be able to make his problems go away. Mark, however, doesn’t recognize Esquema as the former Alan Ripley, who was working as a towel boy at the Florida resort where Mark and his wife Ella (Gretchen Mol) were honeymooning shortly after their marriage. Alan became obsessed with Ella the moment he saw her, and before long the two were engaged in a torrid affair. Ripley urged Ella to leave Mark for him, but she refused; Ripley followed them to New York, and when Ella eventually confessed her infidelity to Mark, he responded by shooting off half of Alan’s face. Alan survives and builds a new (and sinister) life for himself, but when Mark hires Esquema to help him, the former Alan’s obsession with Ella blooms anew. Forever Mine was screened in competition at the 1999 Toronto Film Festival.

In this musical, a youthful trombonist is thrilled when he is allowed to play with Benny Goodman’s Orchestra. Afterward he becomes insufferably egotistical and tries to start his own swing band. It’s his girl friend’s idea, and unfortunately he fails. He then returns to his old mill job. Fortunately, he is given another chance to play with Benny and the boys. Musical numbers include: “I’m Making Believe,” (Mack Gordon, James V. Monaco), as well as “Chug-Chug-Choo-Choo-Chug,” “Hey Bub, Let’s Have a Ball,” “Ten Days with a Baby” (Gordon, Monaco), “I Found a New Baby” (Jack Palmer, Spencer Williams), “Jersey Bounce” (Robert B. Wright, Bobby Plater, Tiny Bradshaw, Edward Johnson), “Let’s Dance” (Fanny Baldridge, Gregory Stone, Joseph Bonine), “The World Is Waiting for the Sunrise” (Gene Lockhart, Ernest Seitz), “Mozart’s Clarinet Quintet” (performed by Goodman and strings), “No Love, No Nothing” (Leo Robin, Harry Warren), “Rachel’s Dream” (Benny Goodman), and “I Yi Yi Yi Yi, I Like You Very Much” (Gordon, Warren)