Bovie Movie

A nebbish of a morgue attendant gets shunted back to the night shift where he is shackled with an obnoxious neophyte partner who dreams of the “one great idea” for success. His life takes a bizarre turn when a prostitute neighbour complains about the loss of her pimp. His partner, upon hearing the situation, suggests that they fill that opening themselves using the morgue at night as their brothel. Against his better judgement, he gets talked into the idea, only to find that it’s more than his boss that has objections to this bit of entrepreneurship.

A washed-up actor finds an unlikely path back to the big screen in this offbeat family comedy. Bill Williams (Tom Arnold) is an actor whose career has gone into a severe tailspin ever since his brief fling with fame — a supporting role in the Arnold Schwarzenegger vehicle True Lies. Sinking into a well of alcohol and depression, Williams unsuccessfully attempts suicide before his agent (Henry Winkler) tells him he’s finally found a project for him. Aaron Roman (Eric Gores) is a teenager with cerebral palsy who loves action movies, especially True Lies. Aaron’s father, Davis Roman (Joe Mantegna), is a very wealthy man — so wealthy that, as a present for his son’s 18th birthday, he’s going to bankroll a professionally shot action movie which will star Aaron. Would Williams be willing to write and co-star in Aaron’s birthday movie? Williams isn’t so sure this is a great idea, even with a million-dollar payday, until he meets Aaron. Charmed by the kid’s pluck and determination, Williams signs on for the world’s most expensive home movie. Williams and producer Susan Mandeville (Linda Hamilton) hire Wayne’s World director Penelope Spheeris to helm the project, and persuade bikini model Arielle Kebbel to appear as Aaron’s love interest, but what started out as strictly a job-for-hire becomes something more as Williams and his fellow cast and crew members get to know their challenged young star. The Kid & I actually was written by co-star Tom Arnold, and Penelope Spheeris directed the film as well as playing herself. Arnold Schwarzenegger, Jamie Lee Curtis, and Shaquille O’Neal also appear in cameo roles.

Imogen and Al meet at college in New York City when she’s a frosh and he’s a sophomore. She’s a talented artist; he wants to be a chef, following in his father’s footsteps. They fall in love, she picks a song for them, they make love. But she fears losing her youth, committing too soon, having a child before she’s ready. He’s worried that this may be an illusion, not true love. She sleeps with someone else; he’s hurt; the relationship ruptures. She leaves for San Francisco; he goes into an alcohol-assisted depression. He even drinks her shampoo, hoping to cure his obsession. Can anything help him recover?

As with his previous films, comedian Adam Sandler and writing partner Tim Herlihy have conceived a simple premise, character, and title, and peppered their creation with visual sight gags. The story concerns Bobby Boucher, a Louisiana-born-and-bred kid living in the swamps with his overbearing, alligator-eating mom (Kathy Bates). Bobby is a water boy for the local college football team, and a damn good one, even good at turning a deaf ear at the ridicule he gets from the players and coach (Jerry Reed). But when Bobby is fired from his job, he is forced to continue his water management skills at the rival college, a losing team with a washed-up coach (Happy Days’ “The Fonz,” Henry Winkler). It’s here that the coach teaches Bobby to channel his anger, and he makes a surprising discovery. The water boy can tackle like no one he’s ever seen. Forced to keep his football talents from his mom, Bobby soon joins the college as a student and learns that there’s more to life than alligator stew. He even falls for a perky ex-con (Fairuza Balk) who teaches Bobby about the birds and the bees. As Bobby leads his team toward victory, they get an invitation to play in the annual Bourbon bowl against his old college rivals. Bobby must choose between the love of his ailing mother and the glory of the final game — or maybe there’s a way he can get both.