Bovie Movie

In this parody of James Bond movies, a dullard of a spy novelist finds himself the subject of an English sociology student’s term papers. She travels to his Paris apartment to do her research and their relationship is interspliced with episodes from the writer’s newest book that features his popular hero Bob St. Clair, master spy and anithesis to the writer, and his lovely assistant Tatiana, (who is of course, the lookalike of the lovely student). The spy’s nemesis is in reality, his pushy publisher.

In preparing his romantic comedy Two For the Road, director Stanley Donen decided to utilize many of the cinematic techniques popularized by the French “nouvelle vague” filmmakers. Jump cutting back and forth in time with seeming abandon, Donen and scriptwriter Frederic Raphael chronicle the 12-year relationship between architect Wallace (Albert Finney) and his wife (Audrey Hepburn). While backpacking through Europe, student Finney falls for lovely music student Jacqueline Bisset, but later settles for Hepburn, another aspiring musician (this vignette served as the launching pad for the film-within-a-film in Francois Truffaut’s 1973 classic Day for Night). Once married, Finney and Hepburn go on a desultory honeymoon, travelling in the company of insufferable American tourists William Daniels and Eleanor Bron and their equally odious daughter Gabrielle Middleton. Later on, during yet another road trip, Finney is offered an irresistible job opportunity by Claude Dauphin, which ultimately distances Finney from his now-pregnant wife. Still remaining on the road, the film then details Finney and Hepburn’s separate infidelities. The film ends where it begins, with Finney and Hepburn taking still another road vacation, hoping to sew up their unraveling marriage. While critics did nip-ups over Stanley Donen’s “revolutionary” nonlinear story-telling techniques, audiences responded to the chemistry between Audrey Hepburn and Albert Finney, not to mention the unforgettable musical score by Henry Mancini. Note: many TV prints of Two for the Road are edited for content, robbing the viewer of Finney and Hepburn’s delightful “Bitch/Bastard” closing endearments.

Peter Benchley, who wrote Jaws, also wrote The Deep. Scuba divers David Sanders and Gail Berke (Nick Nolte and Jacqueline Bisset), assisted by Romer Treece (Robert Shaw), discover a sunken treasure off the Bermuda coast. They also find a stash of narcotics. David and Gail spend the rest of the picture avoiding bad guys who stashed the drugs and want the treasure as well.

As Sarah Johnson (Izabella Miko)’s ultimate dream of attending Julliard and becoming a professional ballerina begin to take roots in reality, her interest in the art of hip-hop dance threatens to sideline her education in this sequel to the popular 2001 dance drama. Sarah Johnson may be at Julliard, but her struggle to make a name for herself in the ultra-competitive world of dance is only beginning. Though her stern instructor and idol Monique Delacroix (Jacqueline Bisset) has generously taken young Isabelle under her wing, a guest lecturer named Miles (Columbus Short) causes the aspiring young dancer to question her priorities. Soon torn between the raw honesty of hip-hop dance and the respectable world of ballet, Sarah realizes that only she take hold of her fate and face the future with the confidence to succeed no matter which path she chooses.