Bovie Movie

The blurry line between a rumor and the truth is stretched to the breaking point in this drama. Three arrogant and self-centered college students, Jones (Lena Headey), Derek (James Marsden), and Travis (Norman Reedus), are brought together for a class project, in which they decide to start a rumor and keep track of how it spreads. Looking for possible gossip material, they see Naomi (Kate Hudson), a girl known for her high-minded views on saving sex for marriage, drunkenly making out with Bo (Joshua Jackson) at a party. The three students begin passing around the rumor that Naomi became a victim of date rape later that evening, embroidering the truth with allegations that Bo forcibly seduced Naomi after she was too inebriated to put up a fight. Before long, the rumor makes its way back to Naomi herself, who suffered a black-out on the night in question after too much alcohol. Naomi panics, and convinced that the rumor is true, contacts the police, who assign Detective Kelly (Sharon Lawrence) to investigate the charges of rape filed against Bo. Featuring a cast of young actors best known for their work on television, Gossip was an appropriate first feature film for director Davis Guggenheim, who previously distinguished himself on such TV series as ER, NYPD Blue, and Party of Five.

The Man of Steel returns to the big screen with this continuation of the icon’s film legacy that picks up after the events of the first two Christopher Reeve films. Some time has passed since the events of Superman II and the world has gotten used to life without Superman (Brandon Routh) ever since his puzzling disappearance years earlier. Upon his return, he finds a Metropolis that doesn’t need him anymore, while Lois Lane (Kate Bosworth) has moved on with another young suitor Richard White (James Marsden) in the meantime. As the hero begins to tackle the fact that life on Earth has continued without him, he is forced to face his old arch-nemesis Lex Luthor (Kevin Spacey) and restore the life that was once his. Directed by Bryan Singer from a script by the writing team of X-Men 2, Superman Returns marks a return to the screen for the man in tights, whose production history has seen many failed attempts including a famous near-miss from Tim Burton and Kevin Smith with Nicolas Cage in the lead role, along with another from director McG and writer J.J. Abrams (Lost). Singer eventually won the prestigious gig when he pitched the idea to not tackle the origin story again, but continue with director Richard Donner’s original vision.

Adam Shankman’s adaptation of the stage musical Hairspray, itself an adaptation of the non-musical John Waters film of the same name, stars Nikki Blonsky as Tracy Turnblad, an overweight high-school student whose only dream is to be on a local Baltimore teen dance program. While her father (Christopher Walken) tells her to follow her dreams, her mother Edna (John Travolta in drag) reminds her that she doesn’t look like the girls on that show. After impressing the show’s host (James Marsden), Tracy earns a coveted spot on the program, but when she becomes a popular addition to the cast, she earns the wrath of the prettiest girl in school — a girl whose mother (Michelle Pfeiffer) just happens to operate the local television station. Tracy’s visit to detention hall opens her eyes to the racial tension on the show, as does the budding relationship between her best friend (Amanda Bynes) and an African-American boy named Seaweed (Elijah Kelley). Thus empowered, Tracy attempts to integrate the races on her favorite program.

In The Alibi, clever, ruthless nightclub mind-reader Prof. Winckler (Erich von Stroheim) murders an old enemy and bribes the nightclub hostess Helene (Jany Holt) into saying that they were together for the entire night. However, police investigator Calas (Louis Jouvet) doesn’t believe the alibi and pursues the investigation. The Alibi is well-directed by Pierre Chenal who makes the most of his interesting cast. Louis Jouvet is outstanding as the very intelligent and cunning police inspector. Erick von Stroheim, at the end of his career, gives a showing, scene-stealing and quite menacing performance as Wincler. This fine French production, shown with subtitles, has a well-conceived and executed premise and an excellent score, partially composed by the innovative Georges Auric.

At the beginning of Interstate 60, Neal Oliver (James Mardsen) has more questions about his future than answers. Though he would rather pursue a career in art, Neal debates whether or not he should set his goals towards a law degree, as his father would greatly prefer. He has a girlfriend, but he wonders if he should search for the mysterious woman (Amy Smart) who visits his nightly dreams and inspires his artwork. By the time his 23rd birthday roles around, Neal is no closer to choosing his life’s path. He feels empty and unsatisfied, despite lavish birthday gifts, and wishes only for clarity as he blows out the candles on his cake. Rather than instant answers, Neal is given the opportunity to take a journey on a highway that doesn’t exist on any map; a highway where the past, present, and future converge. Alongside him is One Wish Grant (Gary Oldman), the immortal offspring of a leprechaun and Cheyenne Indian, who has the unique ability to grant wishes to those he believes deserve them. Thus begins Neal’s surreal road trip through the uncharted territories of his own potential destiny. Interstate 60 features a stellar cast with supporting performances and cameos from Kurt Russell, Michael J. Fox, Liv Tyler, and Christopher Lloyd. Bob Gale, co-writer/producer of Used Cars, I Wanna Hold Your Hand, and, most notably, the Back to the Future trilogy, directs.