Bovie Movie

Noble dog Balto returns in this direct-to-video sequel to the popular animated adventure that bears his name. Balto (voice of Maurice LaMarche) has retired from his chores as a sled dog, and his son Kodi (voice of Sean Astin) has taken his place. But Kodi’s livelihood may be in danger when mail airplanes come to the frozen North, which threaten to make the post office’s dog teams obsolete. In order to determine who can deliver the mail faster, the pilot of the carrier plane challenges the leaders of the dog teams to a race; however, when the mail plane is involved in a serious accident, Balto and Kodi must put aside the rivalry to help save injured pilot Duke (voice of Keith Carradine). Balto III: Winds of Change also features the voice talents of Jean Smart, David Paymer and Kathy Najimy.

Writer Audrey Wells (The Truth About Cats and Dogs) makes her directing debut in Guinevere, which won the screenwriting award at the 1999 Sundance Film Festival, where it made its world premiere. The film concerns Harper Sloane, a twenty-something upper class pre-law student who falls for Connie, a bohemian photographer 30 years her senior. Shy, waifish, and camera shy, Harper feels her life is mapped out for her, coming from a long line of successful, Harvard-educated lawyers living in San Francisco. At her older sister’s wedding, Harper meets Connie, who photographs her privately. When he shows her the photos, Harper (whom Connie refers to only as Guinevere) is intrigued, and a passionate romance and sexual attraction begins. Harper moves in with Connie to become his student, against her mother’s wishes. Harper also learns that she isn’t Connie’s first Guinevere; in fact, there have been a half-dozen others, all of whom have remained friends. As the relationship takes its ups and downs, Harper comes out of her shell to become a stronger woman, more in control of her life and destiny than she would have ever dreamed possible. As Connie slowly dies from poverty and alcoholism, all of his Guineveres, including Harper, come together to remember (and drink to) his work and his life.

A professional poker player whose astounding luck at the table fails to translate into his lonesome love life attempts to win the World Series of Poker while simultaneously earning the affections of a beautiful Las Vegas singer in a high-stakes emotional drama from L.A. Confidential director Curtis Hanson and Munich screenwriter Eric Roth. When his personal problems threaten to distract him from what could be his biggest win ever, seasoned poker pro Huck Cheever (Eric Bana) finds comfort in the company of singer Billie Offer (Drew Barrymore). Upon preparing for the biggest card game in the country, however, Huck soon realizes that his problems have only just begun when he finds that his opponent at the table will be none other than his estranged father, L.C. (Robert Duvall), a poker legend whose mythical reputation makes him a more than worthy opponent for his troubled son.

After establishing herself as a bankable star with the fish out of water comedy Legally Blonde, Reese Witherspoon returns in what could be described as a “fish back in water” comedy. Melanie Carmichael (Witherspoon) is a successful New York fashion designer who is dating Andrew Hennings (Patrick Dempsey), a wealthy socialite whose mother, Katherine Hennings (Candice Bergen), is the Big Apple’s mayor. One day, Andrew pops the big question and asks Melanie to marry him; Melanie is overjoyed, but unknown to Andrew, Melanie has some unfinished business to take care of first. Despite her polished uptown image, Melanie grew up poor in the deep South, and as a teenager she married her high school sweetheart Jake Perry (Josh Lucas). Things went sour and Melanie moved East, reinventing herself along the way, but Jake never bothered to legally end their marriage. Now Melanie has to return to her hometown of Pigeon Creek, AL, to tell her parents (Fred Ward and Mary Kay Place) the news and convince Jake to grant her a divorce; however, the more time she spends with her old flame, the more she feels sparks flying between them again, while she also learns her Eastern affectations don’t fly with everyone back home.

A man looking for a woman just like himself ends up with someone quite different in this farcical comedy. Peter Sanderson (Steve Martin) is a lawyer who is having trouble getting his life back on track after his wife, Kate (Jean Smart), divorces him; he’s also adjusting to his new status as a single father. Looking for companionship, Peter tries an internet dating site and virtually meets “lawyer-girl,” an attractive and single fellow attorney. Peter makes a date with her, but the woman who arrives at his door turns out to be Charlene Morton (Queen Latifah), who not only isn’t a lawyer, she turns out to be an escaped convict. Charlene is also a brash and brassy African-American, while Peter is perhaps the most tightly wound white guy in L.A. Charlene explains to Peter that she’s strung him along because she’s innocent of the crime for which she was convicted, and she needs a top-notch attorney to help prove her case. Peter isn’t the least bit interested at first, but Charlene isn’t the sort of woman to take “no” for an answer, and in time she wears him down and agrees to help. As Charlene moves into Peter’s home, she helps him to loosen up and unleash his inner groove, which quite surprises Kate, and her down-to-earth advice comes in handy for Peter’s son and daughter. But Charlene may end up going too far when Peter is asked to entertain Mrs. Arness (Joan Plowright), a wealthy woman looking for a new law firm. Bringing Down the House also features Eugene Levy as Howie, one of Peter’s friends who takes a keen interest in Charlene, and Betty White as one of Peter’s neighbors.