Bovie Movie

Decked out in powdered wig and pasty “dandy” makeup, Richard Chamberlain stars as legendary Venetian lover Giovanni Casanova (1725-1798) in this made-for-television biopic. The teleplay by George Macdonald Fraser (of “Flashman” fame) follows Casanova as his reputation for being catnip to women builds throughout the 18th century. His sexual exploits cost him several important social and professional posts, and eventually land him in a Venice prison on a morals charge. Casanova’s escape attempt provides a strong second act for this 3-hour effort, which also offers an amusing “con job” practiced by Casanova on a willing countess (Faye Dunaway). Frank Finlay co-stars as a nobleman who conducts a decades-long feud with our rakish hero. Filmed in Spain and Italy, Casanova debuted on March 1, 1987.

Bruce Willis returns as misfit cop John McClane in the third film in the Die Hard series. McClane has fallen on hard times; after moving to New York City and breaking up with his wife, he’s developed a drinking problem and has been suspended from the NYPD. However, his past comes back to haunt him in the form of Simon (Jeremy Irons), a terrorist bomber who has been using McClane as his contact as he plants a series of bombs in public places and gives McClane inane “clues” to their whereabouts in the form of riddles and bizarre games. McClane soon discovers he’s been involved in Simon’s scheme as part of a personal grudge; while associated with an international terrorist group, Simon is also the brother of the man McClane threw off the side of a skyscraper several years back (in the original Die Hard). Now McClane, with the help of a Harlem shopkeeper named Zeus (Samuel L. Jackson), has to find out where Simon has planted the bombs, guess where he’ll strike next, and try to find his base of operations before more bombs go off and thousands of people die. The supporting cast features Graham Greene and Colleen Camp; singer Sam Phillips made her acting debut as a member of Simon’s terrorist group (Phillips never speaks, so as to not to reveal her Texas accent).

Industrial Light and Magic special-effects wizard Stefen Fangmeier makes the leap into the director’s chair with this coming-of-age fantasy concerning a young boy whose discovery of a mysterious dragon egg leads him on a predestined journey to become a Dragon Rider and defend his peaceful world against an evil king. Based on the best-selling novel by Christopher Paolini, Eragon tells the tale of the titular character (Ed Speleers), a humble farm boy living in the land of Alagaësia, whose life is forever changed when he discovers that he has been chosen to fight the most powerful enemy his world has ever known. Jeremy Irons, John Malkovich, and Djimon Hounsou co-star in a film produced by Davis Entertainment and adapted from the novel by screenwriters Peter Buchman, Larry Konner, and Mark Rosenthal.

Ridley Scott directed this epic-scale historical drama inspired by the events of the Crusades of the 12th century. Balian (Orlando Bloom) is a humble French blacksmith who is searching for a reason to go on after the death of his wife and children. Balian is approached by Godfrey of Ibelin (Liam Neeson), a fabled knight who has briefly returned home after serving in the East. Godfrey informs Balian that he is his true father, and urges the blacksmith to join him as he and his forces journey to Jerusalem to help defend the holy city. Balian accepts, and he and Godfrey arrive during the lull between the Second and Third Crusades, in which the city is enjoying a fragile peace. Both Christian and Muslim forces are temporarily in retreat, thanks to the wisdom of the Christian monarch King Baldwin IV (Edward Norton), his second-in-command Tiberias (Jeremy Irons), and Muslim potentate Saladin (Ghassan Massoud). Violent agitators on both sides are foolishly eager to end the peace in a bid for greater power, and Saladin bows to pressures from Muslim factions; Godfrey is one of a handful of brave knights who has thrown his allegiance behind Baldwin IV and his community of diversity, and Balian joins him as they use their skills as warriors in a bid to build a lasting peace. Kingdom of Heaven also stars Eva Green as the princess Sibylla, David Thewlis as Hospitaler the priest, and Brendan Gleeson as Reynald.

“How did they make a movie out of Lolita?” teased the print ads of this Stanley Kubrick production. The answer: by adding three years to the title character’s age. The original Vladimir Nabokov novel caused no end of scandal by detailing the romance between a middle-aged intellectual and a 12-year-old nymphet. The affair is “cleansed” ever so slightly in the film by making Lolita a 15-year-old (portrayed by 16-year-old Sue Lyon). In adapting his novel to film, Nabokov downplayed the wicked satire and sensuality of the material, concentrating instead on the story’s farcical aspects. James Mason plays professor Humbert Humbert, who while waiting to begin a teaching post in the United States rents a room from blowzy Shelley Winters. Winters immediately falls for the worldly Humbert, but he only has eyes for his landlady’s nubile daughter Lolita. The professor goes so far as to marry Winters so that he can remain near to the object of his ardor. Turning up like a bad penny at every opportunity is smarmy TV writer Quilty (Peter Sellers), who seems inordinately interested in Humbert’s behavior. When Winters happens to read Humbert’s diary, she is so revolted by his lustful thoughts that she runs blindly into the street, where she is struck and killed by a car. Without telling Lolita that her mother is dead, Humbert packs her into the car and goes on a cross-country trip, dogged every inch of the way by a mysterious pursuer. Once she gets over the shock of her mother’s death, Lolita is agreeable to inaugurating an affair with her stepfather (this is handled very, very discreetly, despite the slavering critical assessments of 1962). But when the girl begins discovering boys her own age, she drifts away from Humbert. One day, she leaves without warning. This is humiliation enough for Humbert; but when he discovers who her secret lover really is, the results are fatal. We are prepared for the ending because the film has been framed as a flashback; what we are not prepared for is Stanley Kubrick’s adroit manipulation of our sympathies and expectations. An incredibly long film considering its subject matter, Lolita is never dull, nor does it ever stoop to the sensationalism prevalent in the film’s ad campaign.

Based on the beautifully illustrated best-seller by Brian Froud and Alan Lee, this animated tale takes a look at the fantastical, delicate lives of the mythical wee folk.

Featuring a majestic score by Ennio Morricone and lush Oscar-winning cinematography by Chris Menges, Roland Joff?’s The Mission examines the events surrounding the Treaty of Madrid in 1750, when Spain ceded part of South America to Portugal, and turns this episode into an allegory for the mid-’80s struggles of Latin America. Two European forces are on hand to win the South American natives over to imperialist ways. The plunderers want to extract riches and slaves from the New World. The missionaries, on the other hand, want to convert the Indians to Christianity and win over their souls. Mendoza (Robert De Niro) is an exploiter dabbling in the slave trade. But after he kills his brother Felipe (Aidan Quinn) in a fit of rage, he seeks redemption and calls upon the missionaries to assist him. After repeatedly climbing a cliff with a heavy weight as penance, Mendoza finds redemption and becomes a devout missionary at a settlement run by Gabriel (Jeremy Irons). The missionaries want to promote a new society in which the natives will live together in peace with the Spanish and the Portuguese. But this concept frightens the royal governors, who would rather enslave the natives than encourage peaceful coexistence between the Europeans and the Indians. They order the mission to be burned to the ground. But this event causes a rift between Gabriel, who wants to pray and pursue peaceful resistance, and Mendoza, who wants to take up arms and fight the Europeans.

An ordinary man remakes himself into a warrior after the death of his family in this thriller. Jack Elgin (Jeremy Irons) is a magazine editor living in London with his wife and three children. Elgin joins his spouse and his children as they set off for a trip to India, and when the plane lands due to mechanical failures, the flight is hijacked by terrorists from the “August 15th Movement,” who insist on 50 million dollars in ransom from the United States government. The U.S. administration delivers on the request, but as the terrorists begin to evacuate hostages from the plane, circumstances go awry and Elgin’s wife and child die in the subsequent fire. The hijackers are soon arrested but released from custody, and when Elgin protests this turn of events to a representative of the U.S. State Department (Jason Priestley), he is told there’s little than can be done — unless he’s willing to take the law into his own hands. With the help of his friend Kate (Charlotte Rampling), who is well-schooled in the finer points of international intelligence, Elgin becomes a one-man anti-terrorist squadron, tracking down extremist factions and turning their own weapons against them. Elgin’s work is so impressive it attracts the attention of Jules Bernard (Forest Whitaker), an FBI agent who has his own agenda regarding shutting down terrorists. The Fourth Angel was co-produced by American independent studio Artisan Entertainment, but its U.S. theatrical release was canceled in the wake of the September 11, 2001, terrorist attacks on New York and Washington, D.C.