Bovie Movie

Five men desperately try to recover their memories and piece together the traumatic events of the past several days in this independent thriller. In an abandoned warehouse, a handful of men slowly regain consciousness, but they’ve been stricken with amnesia and have no idea who they are, where they are, or what has happened to them. All five seem to have been in some sort of serious scuffle; one is tied up (Joe Pantoliano), another has been handcuffed (Jeremy Sisto), a third has a broken nose (Greg Kinnear), and the other two have their share of scrapes and bruises (Jim Caviezel and Barry Pepper). As the men compare the tiny shards of memory they can pull from their minds, one finds a newspaper from two days before which features a front-page story about the kidnapping of a wealthy and well-known businessman. The men begin to suspect that they were involved with the kidnapping, but no one is sure if they’re on the right or wrong side of the law – or if one of them might happen to be the victim. The first feature film from veteran music video director Simon Brand, Unknown also stars Peter Stormare, Bridget Moynahan and Clayne Crawford.

Writer/directors Jeff Renfroe and Marteinn Thorsson make their feature debut with the paranoid thriller One Point O (1.0). Jeremy Sisto plays a computer programmer named Simon J. who gets used as a test subject. His corporate employers are secretly conducting a experiment on him in order to test out a new advertising scheme. Simon receives empty boxes at his apartment, grows suspicious of everyone else, and develops a strange desire for milk. Also starring Deborah Unger, Lance Henriksen, and Udo Kier. One Point O premiered at the Sundance Film Festival as part of the dramatic competition.

Trapped in a miserable marriage and blessed with the ability to transform her misery into delicious desserts, a small-town waitress finds her life forever changed by an unplanned pregnancy. Every day, Jenna (Keri Russell) ties on her apron and serves her customers with a smile, and every night she goes to bed knowing that she is one step closer to the day that she can kiss her scarily domineering husband (Jeremy Sisto) goodbye forever. A smart and sassy baker whose extraordinary pies are inspired by her daily trials and tribulations, Jenna fears that her dreams are all but dead when handsome Dr. Pomatter (Nathan Fillion) reveals that she is soon to become a mother. As Jenna begins penning a series of letters to her unborn baby, her life starts to change for the better in ways she never could have imagined. The final film from actress/filmmaker Adrienne Shelly, Waitress debuted at the Sundance Film Festival in Utah just months after the director was discovered dead in her New York City apartment — the victim of a homicide.

A census taker (Jeremy Sisto) sent to find out why the population of a small, puritanical town has remained fixed at 436 for the last century finds out that even the most idyllic small towns can harbor deadly secrets in the feature directorial debut of longtime television producer/director Michelle Maxwell MacLaren.

Based on a true incident from 1960, White Squall is the story of the tragic sinking of the Albatross, a prep school educational two-masted schooner, during a Caribbean storm. Screenwriter Todd Robinson wrote the script after meeting one of the tragedy’s survivors, Chuck Gieg. In the film, Gieg (Scott Wolf) is the narrator. He and his fellow students, whose parents have paid handsomely for their schooling, which combines classroom work with real-life adventure, are introduced to their grizzled seafaring captain, Christopher Sheldon (Jeff Bridges). Gieg is initially skeptical of Sheldon’s authority, but he gradually comes to see the captain as a model of manhood. The other boys aboard include Frank Beaumont (Jeremy Sisto), a self-absorbed snob; Dean Preston (Eric Michael Cole), a troublemaker and bully; Tod Johnston (Balthazar Getty), a returning student; and the na?ve Tracy Lapchick (Ethan Embry). John Savage plays the pompous English teacher aboard the ship. Various incidents establish the boys’ insecurities and relationships with the authorities — and foreshadow their eventual fate. The killer squall comes up quietly but soon turns deadly, and the boys are forced to go beyond their privileged upbringings and deal with real danger.