Bovie Movie

Oliver Stone’s breakthrough as a director, Platoon is a brutally realistic look at a young soldier’s tour of duty in Vietnam. Chris Taylor (Charlie Sheen) is a college student who quits school to volunteer for the Army in the late ’60s. He’s shipped off to Vietnam, where he serves with a culturally diverse group of fellow soldiers under two men who lead the platoon: Sgt. Barnes (Tom Berenger), whose facial scars are a mirror of the violence and corruption of his soul, and Sgt. Elias (Willem Dafoe), who maintains a Zen-like calm in the jungle and fights with both personal and moral courage even though he no longer believes in the war. After a few weeks “in country,” Taylor begins to see the na?vet? of his views of the war, especially after a quick search for enemy troops devolves into a round of murder and rape. Unlike Hollywood’s first wave of Vietnam movies (including The Deer Hunter, Apocalypse Now, and Coming Home), Platoon is a grunts-eye view of the war, touching on moral issues but focusing on the men who fought the battles and suffered the wounds. In this sense, it resembles older war movies more than its Vietnam peers, as it mixes familiar elements of onscreen battle with small realistic details: bugs, jungle rot, exhaustion, C-rations, marijuana, and counting the days before you go home. This mix of traditional war movie elements with a contemporary sensibility won Platoon four Oscars including Best Picture and Best Director, and a reputation as one of the definitive modern war films.

At the end of Highlander, Juan Ramirez (Sean Connery) died and Connor MacLeod (Christopher Lambert) was rendered mortal. “Highlander 2: The Quickening begins in 1999 when Connor solves the problem of an ever-depleting ozone layer on the earth by devising a giant shield around the entire planet. The earth is saved, except for the fact that it is now a continual 99 degrees, and the earth is plunged into 24 hours of darkness. 40 years later, Connor is an elderly man with liver spots, heading out for the opera. Then there is a flashback of Connor recalling his halcyon days on the planet Zeist hundreds of years earlier. Back on Zeist, Connor and Ramirez led a futile coup against the ruling dictator, Katana (Michael Ironside), that caused them to be banished to Earth. Back in the future, Katana sends a pair of wacky goons to kill Connor. When Connor lops off their heads, he is now young again…and immortal. Just the right time to meet the attractive scientist Louise Marcus (Virginia Madsen), who has discovered that the shield around the earth is no longer needed since the ozone layer has repaired itself. But, unfortunately, the shield is in the clutches of an evil cartel who wants to control the earth’s resources. Connor and Louise team up to battle the cartel while Katana sends out more emissaries to get Connor. Ramirez, although supposedly dead, also makes an appearance in the 21st century — garbed in full Scottish regalia.

The sophomore film from former music video and commercial director Michael Bay, this fast-paced action yarn featured rapid-fire editing, a cutting-edge rock soundtrack and liberal use of shots awash in a haze of burnished hues, all trademarks of producers Don Simpson and Jerry Bruckheimer. Nicolas Cage stars as Stanley Goodspeed, an FBI chemical weapons expert handed a unique assignment. Francis X. Hummel (Ed Harris), an insane Marine Corps general, has taken 81 tourists hostage on the abandoned island prison of Alcatraz. He and his men are threatening to bomb San Francisco with deadly gas unless $100 million is paid in war reparations to the families of servicemen killed in covert operations. Goodspeed is teamed with former British spy John Patrick Mason (Sean Connery), the only man ever to escape “The Rock,” as well as a Navy SEAL team. When their military escorts are ambushed, it’s up to odd couple Goodspeed and Mason to break into Alcatraz and stop Hummel. The Rock was the last film produced by Simpson, who died of a drug overdose before the film’s release. Solo, his partner Bruckheimer continued making the sort of glossy, frenetic films for which the duo was famed.

Ten strangers are brought together during a weather emergency, only to discover a far greater danger awaits them in this suspense-drama. A sudden rainstorm in a remote desert town strands a disparate variety of people at a rundown motel. A convict sentenced to death, Malcolm Rivers (Pruitt Taylor Vince), is stuck in transit with his lawyer (Alfred Molina). Ginny and Lou (Clea DuVall and William Lee Scott) are a not-especially-happy pair of young marrieds on their honeymoon. Ed (John Cusack) is a bright and resourceful chauffeur working for actress Caroline Suzanne (Rebecca De Mornay). George York (John C. McGinley) is a concerned husband trying to find help for his wife (Leila Kenzle, who was struck by Caroline’s limo. Paris (Amanda Peet) is a prostitute who wants to move on to a better life. And Rhodes (Ray Liotta) is a police detective who has in his custody Robert Maine (Jake Busey), a dangerous and deranged criminal. As the rain pours down and motel manager Larry (John Hawkes) tries to care for his customers, one by one the unexpected guests begin losing their lives at the hands of a murderer. As the body count mounts, the stranded travelers struggle to find out who the killer is; however, they also learn each of them has a secret, and that their arrival at the motel has not been a matter of mere chance.

Jennings (Michael Caine), a corrupt company owner will stop at nothing to open a new refinery in Alaska. Forrest Taft (Steven Seagal), a disgruntled former employee is chosen by an Eskimo chief as savior of his people. Forrest’s mission is to prevent the new refinery from beginning work before the land rights are returned to the Eskimos.

In this romantic comedy of mistaken identity, Oscar Novak (Matthew Perry) and Peter Steinberg (Oliver Platt) are a pair of struggling but talented Chicago architects given the chance of a lifetime: Charles Newman (Dylan McDermott), an extremely wealthy business tycoon, is considering hiring them to design a multi-million dollar cultural center. However, Oscar and Peter aren’t the only ones who’ve been asked to contribute ideas for the project; Decker and Strauss (John C. McGinley and Bob Balaban), two highly successful designers that Oscar and Peter used to work for, have also been approached by Newman, who thinks that a competition between the two teams would be good fun and good press. Oscar is determined to show his dedication to the job, so when Newman asks him to start keeping tabs on his girlfriend Amy (Neve Campbell), he’s happy to oblige. Oscar proves a sad excuse for a private eye, and finds himself falling in love with the woman that he’s supposed to trail. To complicate matters, Charles gave Oscar the assignment because he was sure that Oscar is gay, and he hasn’t been shy about telling people; soon Amy is convinced, along with most of Chicago. And while Oscar doesn’t want to upset Newman, he also doesn’t want to start living a lie, especially one that would keep him away from the woman he loves. So when Oscar is named Chicago’s Gay Professional of the Year, what’s a (straight) guy to do? Three to Tango features such familiar TV faces as Matthew Perry from Friends, Neve Campbell from Party of Five, and Dylan McDermott from The Practice.