Bovie Movie

The return of director Terrence Malick to feature filmmaking after a twenty year sabbatical, this World War II drama is an elegiac rumination on man’s destruction of nature and himself, based on James Jones’ semi-autobiographical novel, his follow-up to From Here to Eternity. James Caviezel stars as Private Witt, a deserter living in peace and harmony with the natives of a Pacific island paradise. Captured by the Navy, Witt is debriefed by a senior officer (Sean Penn) and returned to an active duty unit preparing for what will be the Battle of Guadalcanal. As Witt goes ashore in the company of his fellow soldiers, they meet diverse fates. Sergeant Keck (Woody Harrelson) is killed by an exploding grenade. Captain John Gaff (John Cusack) is an intelligent, sober leader facing the destruction of his command because his commanding officer Colonel Tall (Nick Nolte) is bucking for a general’s star. Sergeant McCron (John Savage) loses his mind. Private Bell (Ben Chaplin) gets a “Dear John” letter from his beloved wife. However, as the U.S. troops advance up grassy slopes toward entrenched Japanese positions, it is Witt’s voiced-over ruminations on life, death, and nature that are the real heart and soul of The Thin Red Line (1998). Adrien Brody appears as Private Fife, the major character of Jones’ novel and the author’s alter-ego, although Fife has been relegated to a minor supporting role by Malick’s filmed adaptation.

An unremarkable administrative assistant finds her life going to the dogs both literally and figuratively in actor/screenwriter-turned-director Mike White’s dark comedy drama. An inexplicably cheerful office worker whose somewhat sad excuse for a life seems to revolve around her pet beagle Pencil, Peggy (Molly Shannon) seems to relate better to her four-legged friend than she does to most humans. Most of her person-to-person interaction revolves around doting on other people’s children and treating her co-workers to daily donuts, and Peggy just doesn’t find much solace in the company of her know-it-all sister-in-law Bret (Laura Dern) or her anxiety-prone boss Robin (Josh Pais). When Peggy’s dog Pencil is taken before his time, the devastated dog-lover is wracked with guilt. Now desperate to fill the gaping void that has suddenly opened in her life, Peggy agrees to a date with her gun-nut neighbor Al (John C. Reilly) that ends in disaster when she begins to suspect that the boorish brute may have in fact poisoned her ill-fated pooch. Later, after adopting every dog at the local pound and transforming herself into an overzealous animal-rights activist, the increasingly unhinged Peggy reaches out to asexual activist Newt (Peter Sarsgaard) in a last-grasp attempt at forming a human connection that is met with casual indifference.

In a change-of-pace role designed to prove that she could carry high-concept genre films as well as character-driven dramas, Meryl Streep headlined this fast-paced adventure as Gail, a whitewater rafting guide. For a vacation, Gail is accompanying her son Roarke (Joseph Mazzello) and workaholic husband Tom (David Strathairn) on a river trip. Gail and Tom are experiencing marital troubles and contemplating divorce, but their problems take a back seat when they encounter some menacing rafters led by Wade (Kevin Bacon). After Tom saves Wade from drowning, they discover that the men are murderous fugitives using the river as an escape route. Kidnapped by the killers, Gail’s forced to leave her husband stranded on shore and guide the villains through the “Gauntlet,” a raging confluence of rivers that few rafters ever survive. Meanwhile, Tom proves to be wilier than anyone suspected, following the raft on foot and plotting his family’s rescue. Following a quartet of popular B-grade thrillers, director Curtis Hanson attempted to break partially out of the genre with The River Wild, which, despite the presence of a psycho killer, played as more a stunt-filled action movie than a murder mystery.

In October 1991, a dying tropical hurricane from Bermuda collided with a cold front from the Great Lakes, resulting in a “perfect storm” of previously unknown destructive impact that resulted in 100-foot waves; tragically, the crew of a fishing boat was lost in the midst of the fearsome storm. Based on the best-selling book by Sebastian Junger, The Perfect Storm tells the story of the ship’s brave and hard-working crew. Billy Tyne (George Clooney), captain of the Andrea Gail, hasn’t had much luck finding catch on his most recent trips to sea, and with money short, he and his crew — Bob Shatford (Mark Wahlberg), Dale Murphy (John C. Reilly), and David Sullivan (William Fichtner) set out again when they hear that the fish are running. Billy’s hunch proves correct, but when the ship’s refrigeration system goes haywire, they have to return to shore as quickly as possible before the fish spoil, sending them into the middle of the worst storm in history. The supporting cast includes Mary Elziabeth Mastrantonio, Diane Lane, Bob Gunton, and Karen Allen; Wolfgang Petersen, whose breakthrough film was the aquatic wartime drama Das Boot, directed.

When America’s number one NASCAR speed-demon is issued a direct challenge from a gay, French Formula One racer with a hunger for the top spot and a mean talent for tight-cornering, the race is on to become the number one man in all of NASCAR in a full throttle comedy starring Will Ferrell and directed by Anchorman cohort Adam McKay. Ricky Bobby (Ferrell) is a national hero with a “smokin’ hot” trophy wife, pair of borderline-abusively precocious sons, and an endless line of endorsement deals filling his mansion with toys and driveway with sports cars and Hummers. His racing partner and lifelong friend Cal Naughton, Jr. (John C. Reilly), never fails to provide him with a hand on the racetrack, frequently performing their trademark “slingshot” maneuver to shoot Ricky into first place, leaving Cal in second. While the public loves these buddies (popularly known by the meaningless childhood nicknames they find so exceedingly cool: “Shake and Bake”), a wedge comes between the two, as Ricky Bobby’s longstanding winning-streak is broken by flamboyand French Formula One driver Jean Girard (Sacha Baron Cohen), robbing Ricky of everything in an instant as the trauma leaves him unable to drive. Ricky’s wife takes his fortunes while Cal takes his wife, and now he’s back with his mother (Jane Lynch) and long-estranged father (Gary Cole). Things look bad for Ricky, but his father was once a race car driver himself, and now with the help of a training montage, a live cougar, and the courage to drive without his gleaming white Wonder Bread endorsement, Ricky might be ready to face the track again.

Martin Scorsese directed this fast-moving, epic-scale biopic documenting the life and loves one of the most colorful Americans of the 20th century, Howard Hughes. The Aviator follows Hughes (played by Leonardo DiCaprio) as the twentysomething millionaire, having already made a fortune improving the design of oil-drilling bits, comes to Hollywood with an interest in getting into the picture business. It doesn’t take long for Hughes, with his passion for airplanes, to jump from producer to director of his first major film project, a World War I air epic called Hell’s Angels, which took three years to complete thanks to the shift from silent to sound filming and Hughes’ relentless perfectionism. However, the film was a massive hit, and the eccentric inventor became a mogul in Hollywood, making Jean Harlow (Gwen Stefani) a star and enjoying a romance with Katharine Hepburn (Cate Blanchett). But Hollywood’s old-boy network never fully accepted Hughes, and in time his passion for flying began to reclaim his attentions as he began designing new planes, setting air speed records, flying around the world, and risking his life testing aircraft. Hughes also found time to romance Ava Gardner (Kate Beckinsale) and founded his own airline, Trans-World Airlines, though as his ideas became bolder, his approach became more eccentric, and he gained many powerful enemies, including the head of Pan-American Airlines, Juan Trippe (Alec Baldwin), and Senator Ralph Owen Brewster (Alan Alda), who attempted to prove that Hughes’ radical design ideas were actually part of an effort to bilk taxpayers for millions of dollars through government contracts. The Aviator’s star-studded cast also includes John C. Reilly, Jude Law, Willem Dafoe, Ian Holm, and Frances Conroy.

The violent rise of gangland power in New York City at a time of massive political corruption and the city’s evolution into a cultural melting pot set the stage for this lavish historical epic, which director Martin Scorsese finally brought to the screen almost 30 years after he first began to plan the project. In 1846, as waves of Irish immigrants poured into the New York neighborhood of Five Points, a number of citizens of British and Dutch heritage who were born in the United States began making an open display of their resentment toward the new arrivals. William Cutting (Daniel Day-Lewis), better known as “Bill the Butcher” for his deadly skill with a knife, bands his fellow “Native Americans” into a gang to take on the Irish immigrants; the immigrants in turn form a gang of their own, “The Dead Rabbits,” organized by Priest Vallon (Liam Neeson). After an especially bloody clash between the Natives and the Rabbits leaves Vallon dead, his son goes missing; the boy ends up in a brutal reform school before returning to the Five Points in 1862 as Amsterdam (Leonardo DiCaprio). Now a strapping adult who has learned how to fight, Amsterdam has come to seek vengeance against Bill the Butcher, whose underworld control of the Five Points through violence and intimidation dovetails with the open corruption of New York politician “Boss” Tweed (Jim Broadbent). Amsterdam gradually penetrates Bill the Butcher’s inner circle, and he soon becomes his trusted assistant. Amsterdam also finds himself falling for Jenny Everdeane (Cameron Diaz), a beautiful but street-smart thief who was once involved with Bill. Amsterdam is learning a great deal from Bill, but before he can turn the tables on the man who killed his father, Amsterdam’s true identity is exposed, even though he has concealed it from nearly everyone, including Jenny. Gangs Of New York was the first film in two years from actor Leonardo DiCaprio; ironically, it was at one time scheduled to open on the same day as Catch Me if You Can, the Steven Spielberg project that DiCaprio began filming immediately after Gangs wrapped.