Bovie Movie

Point of Origin, produced by HBO, marks the feature directorial debut of accomplished cinematographer Newton Thomas Sigel (Three Kings, X-Men). The film is based on an actual serial arson investigation that took place in Glendale, CA, in the late ’80s and early ’90s. Ray Liotta stars in the film as John Orr, a skilled arson investigator with a sixth sense for finding the “point of origin,” the place where a fire was started. Orr also has a knack for locating the devices used to start the fires. Keith Lang (John Leguizamo), his ambitious young prot?g?, calls Orr “Professor.” Orr is stumped by a series of big fires, some fatal, which seem to have been set by the same arsonist. A commission is appointed to investigate the case, headed up by ATF agent Mike Matasso (Colm Feore) and fireman Mike Camello (Cliff Curtis). Orr uses his influence to get Lang appointed to the panel. But Matasso and Orr are immediately at odds with each other, as the ATF man seems to resent Orr’s efforts to maintain control of the investigation. Orr is also dealing with his troubled marriage to Wanda (Bai Ling) and is having an affair with the volatile Kate (Illeana Douglas). As he gets deeper into the case, trying to get inside the head of the criminal, Orr begins to worry that the arsonist has some kind of personal involvement with him. Then the commission uncovers a link to an earlier string of fires, and uncovers evidence that the arsonist may actually be a fireman. The actual investigators, Matasso and Camello, have cameos in the film, and Camello also served as one of the film’s technical advisors. These events were also the basis for Joseph Wambaugh’s book Fire Lover: A True Story.

A crystal-meth addict struggles to get his next fix as he obsesses over a recent breakup in Spun, a black-comic drug drama from music video director Jonas Akerlund. Rushmore’s Jason Schwartzman stars as Ross, a young man who finds his maniacal world crumbling around him over the course of one long weekend. Spun chronicles Ross’ travails as he tries to score from his regular dealer, Spider Mike (John Leguizamo), who realizes during Ross’ visit that he’s misplaced his stash. Indisposed by the frantic drug search, Spider Mike’s girlfriend, Cookie (Mena Suvari), enlists Ross to pick up her stripper friend Nikki (Brittany Murphy) from work, and when he grudgingly agrees, he learns that Nikki might have an inside line on some of her own speed, courtesy of The Cook (Mickey Rourke). Meanwhile, two bumbling cops are onto Spider Mike’s trail, and in his paranoid-delusional state, he sets out to find out who set him up. Spun premiered at the 2002 CineVegas Film Festival before securing berths at the Sundance, Toronto, and South by Southwest festivals.

Despite the use in this film of voices dubbed by greats of English theater, the casting of long-haired cats to play the roles of Romeo and Juliet seems somewhat perverse. Nonetheless, the lines are well read, and the movie contains some fine original musical compositions. Among the voices: Maggie Smith, Ben Kingsley, Vanessa Redgrave, and John Hurt.

Manny (Ray Romano), Sid (John Leguizamo), and Diego (Denis Leary) may have made it through the big freeze, but when the ice begins to melt, the heroic trio must warn the other inhabitants of their peaceful valley of the coming flood in directors Chris Wedge and Carlos Saldanha’s sequel to the computer-animated 2002 hit Ice Age. As the ice age winds to an end, the animals of the Earth have taken warmly to the melting paradise that surrounds them. Despite the false comfort of a lush valley teeming with vegetation, however, great danger looms just over the horizon. When Manny, Sid, and Diego realize that the miles of liquefying ice overlooking their valley will soon turn from a gentle trickle to a violent force of nature capable of destroying anything and everything unfortunate enough to be in its path, they quickly set out to spread the word and get their endangered friends out of harm’s way.

Cops, secretaries, and prisoners stuck in a soon-to-be-shuttered L.A. police station fight off a horde of murderous gang members in director John Carpenter’s homage to Howard Hawks. When police officer Bishop (Austin Stoker) is left in charge of Precinct 13 on the last day it’s open, he isn’t prepared for the onslaught of a murderous street gang who have come into the possession of an enormous arsenal of guns. Finding himself trapped in the precinct with a pair of secretaries (Laurie Zimmer and Nancy Loomis), a few civilians and a handful of prisoners, Bishop is unable to call for help because the phones have already been disconnected and the precinct is in a run-down, out-of-the-way neighborhood. Holding out for a rescue, he and his fellow prisoners band together to barricade themselves in and hold the bandits at bay. But as the casualties mount and the supplies run low, they must choose between a daring escape attempt, a fiery offensive, or certain death. The sophomore feature from auteur-in-the-making John Carpenter, Assault on Precinct 13 reunited the director with Douglas H. Knapp, his cinematographer on 1974’s Dark Star.

Titan A.E. combines cel and CG imagery in this science fiction saga. In 3028, after the Earth is destroyed by an invading alien race, a tiny number of surviving humans roam the universe in ragtag spaceships, trying to find each other and maintain some sense of community. Shortly before the final destruction of the planet, Cale (voice of Matt Damon) was given a map that would guide him to a space station called Titan, secretly constructed as a last hope in the event of alien Armageddon. Cale sets out in search of Titan and the fabled Ice Planet with the help of his friend Korso (voice of Bill Pullman), the beautiful Akima (voice of Drew Barrymore), and a crew of friendly aliens. Titan A.E. was directed by noted animators Don Bluth and Gary Goldman and scripted by Ben Edlund, creator of the comic book series The Tick. Other members of the voice cast include Nathan Lane, Janeane Garofalo, John Leguizamo, and Tone Loc.

A man who has made good in an illegal business discovers going straight is a more complicated matter than he imagined in this urban drama. Victor Rosa (John Leguizamo) is a drug dealer who has made a small fortune selling a heroin-based drug cocktail he’s concocted called “Empire.” Victor doesn’t see himself as a dope pusher; instead, he considers himself an entrepreneur and a businessman who is simply making the most of the economic opportunities presented to him in the ghetto. Through his girlfriend Carmen (Delilah Cotto), Victor makes the acquaintance of Jack Wimmer (Peter Sarsgaard), an upscale investment banker who admires Victor’s business savvy and street smarts. Victor is interested in getting out of drug dealing and into a legitimate business, and when Jack offers Victor the chance to buy into a new business, Victor eagerly accepts and makes a good profit in the deal. After this, Victor is all the more enthusiastic when Jack gives him the opportunity to invest in a much bigger project; the price, however, is more than Victor can afford, and he has to borrow from another high-stakes drug dealer, La Columbiana (Isabella Rossellini) in order to make the nut. It isn’t long before Victor learns La Columbiana is not a good person to be in debt to — and that Jack may not be all he imagined him to be. Empire marked the directorial debut of dancer and choreographer Franc Reyes; the supporting cast includes Denise Richards, Sonia Braga, Ruben Blades, and rapper Fat Joe.

In this action thriller, a group of Islamic terrorists, led by Nagi Hassan (David Suchet), highjacks a 747 jetliner with 400 passengers aboard, but Lt. Col. Austin Travis (Steven Seagal), a United States intelligence agent, is convinced that this isn’t an ordinary case of air piracy. His suspicions are soon confirmed; Hassan’s men have obtained a large cache of stolen Soviet nerve gas, and they are using the 747 to smuggle the deadly gas into the United States, where they intend to use it to wipe out Washington D.C. and possibly the entire East Coast. As the jet approaches the U. S., engineer Dennis Cahill (Oliver Platt) designs a plan in which a military plane will be able to transfer U.S. soldiers onto the 747 and regain control of the plane and its deadly cargo. However, when Travis dies in the course of the mission, intelligence agent Dr. David Grant (Kurt Russell) is forced to take his place alongside explosives expert Cappy (Joe Morton), commando Rat (John Leguizamo), and stewardess-turned-anti-terrorist Jean (Halle Berry). Executive Decision was the first directorial assignment for veteran film editor Stuart Baird; he cut the film as well.

George A. Romero, who revolutionized the American horror film in 1968 with the instant classic Night of the Living Dead, returns to his dystopian zombie cycle with this horror thriller. In Land of the Dead, the zombies whose numbers had been slowly but steadily growing through Dawn of the Dead and Day of the Dead now dominate the streets of most American cities, while urban skyscrapers have been taken over by surviving humans, usually greed-addled opportunists who allow the living to stay in their fortified compounds for a price. Guarding the buildings are rough-and-tumble mercenaries who have learned to do battle with the zombies, making use of powerful weapons to gain advantage. But as the zombie civilization grows, the creatures have begun to slowly evolve, with their dormant thought processes beginning to awaken, and as unrest begins to ferment among the mercenaries and the entrepreneurs who pay them, the ghouls may have found a way to defeat the last stronghold of humanity. Land of the Dead stars Dennis Hopper as arch capitalist Kaufman, and Simon Baker, John Leguizamo, Robert Joy, and Asia Argento as some of the mercenaries; Asia Argento’s father, Dario Argento, served as a producer on one of the earlier films in the series, Dawn of the Dead.

Robert De Niro is Gil Renard, baseball fan from hell. Bobby Rayburn (Wesley Snipes) is the player he is nuts about. No sooner does the talented Rayburn sign a huge contract with the San Francisco Giants, than everything in his life goes horribly wrong. Not only does his field play deteriorate along with his batting average, but someone murders his chief team rival. It’s not revealing too much to say that Gil killed him, in the mistaken belief that he was doing Bobby a favor. When superfan Gil insinuates himself into Bobby’s everyday life, the situation grows much worse, because this fixated nut-case has some very strange ideas about family solidarity. Amusing highlights come from John Leguizamo as a ballplayer’s agent, and Ellen Barkin as a radio sports announcer.