Bovie Movie

In this military courtroom drama based on the play by Aaron Sorkin, Navy lawyer Lt. Daniel Kaffee (Tom Cruise) is assigned to defend two Marines, Pfc. Louden Downey (James Marshall) and Lance Cpl. Harold Dawson (Wolfgang Bodison), who are accused of the murder of fellow leatherneck Pfc. William Santiago (Michael de Lorenzo) at the U.S. Navy base at Guantanamo Bay, Cuba. Kaffee generally plea bargains for his clients rather than bring them to trial, which is probably why he was assigned this potentially embarassing case, but when Lt. Commander JoAnne Galloway (Demi Moore) is assigned to assist Kaffee, she is convinced that there’s more to the matter than they’ve been led to believe and convinces her colleague that the case should go to court. Under questioning, Downey and Dawson reveal that Santiago died in the midst of a hazing ritual known as “Code Red” after he threatened to inform higher authorities that Dawson opened fire on a Cuban watchtower. They also state that the “Code Red” was performed under the orders of Lt. Jonathan Kendrick (Kiefer Sutherland). Kendrick’s superior, tough-as-nails Col. Nathan Jessup (Jack Nicholson), denies any knowledge of the order to torture Santiago, but when Lt. Col. Matthew Markinson (J.T. Walsh) confides to Kaffee that Jessup demanded the “Code Red” for violating his order of silence, Kaffee and Galloway have to find a way to prove this in court. A Few Good Men also features Kevin Bacon as prosecuting attorney Capt. Jack Ross and Kevin Pollak as Kaffee and Galloway’s research assistant, Lt. Sam Weinberg.

Two cops with almost nothing in common find themselves brought together to capture a psychotic murderer in this action thriller. Jack Cole (Steven Seagal) was once a government intelligence operative known as “The Glimmer Man,” because he could move so quickly and quietly that his victims would only see a glimmer before they died. Having left international espionage behind him, Cole — steeped in Eastern mysticism and not used to working with others — has become a detective with the Los Angeles Police Department, where he’s paired up with Jim Campbell (Keenen Ivory Wayans), a tough, no-nonsense cop with a weakness for weepy movies (Casablanca is one of his favorites) and little patience for Cole’s New Age philosophies and outsider attitude. Cole and Campbell have to set aside their differences when they’re assigned to track down a serial killer the press has dubbed “The Family Man,” for his habit of dispatching entire households at once. However, when the Family Man’s latest victims turn out to be Cole’s former wife and her current husband, Campbell learns about Cole’s secret past, and they both think that Cole’s former bosses may somehow be involved with this current crime wave. Leading man Seagal also wrote and played guitar on several blues-based songs that appear on the film’s soundtrack.

Pretty boy actor C. Thomas Howell stars in this dark, violent suspense film about the strange psychological bond between a traveling serial killer and one of his intended victims. Driving cross-country from Chicago to San Diego, Jim (Howell) narrowly avoids an accident when he falls asleep at the wheel. He picks up a hitchhiker to help stay awake, but within five minutes, the erratic John Ryder (Rutger Hauer) has threatened not only Jim’s life, but also his manhood, brandishing a switchblade to the boy’s crotch and ordering him to keep driving. Jim manages to escape, but soon Ryder begins a game of cat-and-mouse across the Texas highways, taunting the lad from the windows of passing cars, then leaving the corpses of his victims in their vehicles by the side of the road for Jim to discover. A sympathetic face arrives in the form of Nash (Jennifer Jason Leigh), the waitress at an otherwise deserted truck stop in this bleak, abandoned landscape, but the local police soon arrive, intent on hanging Jim out to dry for the string of grisly murders. The stakes continue to mount in Ryder’s little game until Jim finds himself embroiled in a statewide manhunt with Nash at his side. Former cinematographer Robert Harmon made his directorial debut with this popular thriller; screenwriter Eric Red, also making his debut, would go on to write similarly brooding genre fare including Near Dark, Bad Moon, and Alien 3.