Bovie Movie

Oliver Stone’s breakthrough as a director, Platoon is a brutally realistic look at a young soldier’s tour of duty in Vietnam. Chris Taylor (Charlie Sheen) is a college student who quits school to volunteer for the Army in the late ’60s. He’s shipped off to Vietnam, where he serves with a culturally diverse group of fellow soldiers under two men who lead the platoon: Sgt. Barnes (Tom Berenger), whose facial scars are a mirror of the violence and corruption of his soul, and Sgt. Elias (Willem Dafoe), who maintains a Zen-like calm in the jungle and fights with both personal and moral courage even though he no longer believes in the war. After a few weeks “in country,” Taylor begins to see the na?vet? of his views of the war, especially after a quick search for enemy troops devolves into a round of murder and rape. Unlike Hollywood’s first wave of Vietnam movies (including The Deer Hunter, Apocalypse Now, and Coming Home), Platoon is a grunts-eye view of the war, touching on moral issues but focusing on the men who fought the battles and suffered the wounds. In this sense, it resembles older war movies more than its Vietnam peers, as it mixes familiar elements of onscreen battle with small realistic details: bugs, jungle rot, exhaustion, C-rations, marijuana, and counting the days before you go home. This mix of traditional war movie elements with a contemporary sensibility won Platoon four Oscars including Best Picture and Best Director, and a reputation as one of the definitive modern war films.

The most tempting of all sweets becomes the key weapon in a battle of sensual pleasure versus disciplined self-denial in this comedy. In 1959, a mysterious woman named Vianne (Juliette Binoche) moves with her young daughter into a small French village, where much of the community’s activities are dominated by the local Catholic church. A few days after settling into town, Vianne opens up a confectionery shop across the street from the house of worship — shortly after the beginning of Lent. While the townspeople are supposed to be abstaining from worldly pleasures, Vianne tempts them with unusual and delicious chocolate creations, using her expert touch to create just the right candy to break down each customer’s resistance. With every passing day, more and more of Vianne’s neighbors are succumbing to her sinfully delicious treats, but the Comte de Reynaud (Alfred Molina), the town’s mayor, is not the least bit amused; he is eager to see Vianne run out of town before she leads the town into a deeper level of temptation. Vianne, however, is not to be swayed, and with the help of another new arrival in town, a handsome Irish Gypsy named Roux (Johnny Depp), she plans a “Grand Festival of Chocolate,” to be held on Easter Sunday. Based on the novel by Joanne Harris, Chocolat features a distinguished supporting cast, including Judi Dench, Lena Olin, Carrie-Anne Moss, Peter Stormare, Hugh O’Conor, and Leslie Caron.

From writer/director David Koepp (Stir of Echoes) comes this filmed adaptation of Stephen King’s novella Secret Window, Secret Garden, one of four stories in the collection Four Past Midnight. Johnny Depp stars as Mort Rainey, a recently divorced author who decides to take some time off at his cottage. Unfortunately for Rainey, John Shooter (John Turturro), an unbalanced wannabe writer, tracks him down, claiming that Rainey plagiarized his work. Also starring Maria Bello, Charles S. Dutton, and Timothy Hutton, Secret Window is the second story from Four Past Midnight to be adapted as a film, the first being 1995’s made-for-television The Langoliers.

A stranger pulled into a deadly scheme races against time to save his daughter in this thriller. Gene Watson (Johnny Depp) is an accountant who comes to L.A. with his ten-year-old daughter Lynn (Courtney Chase) to attend a funeral. On the street, Gene and Lynn are pulled aside by Mr. Smith (Christopher Walken) and Ms. Jones (Roma Maffia), who flash what look like police badges and usher them into a van. Gene soon discovers that he’s been kidnapped, and his captors have an unusual demand — if Gene does not murder Gov. Eleanor Grant (Marsha Mason) within 75 minutes, his daughter will be killed. Gene now has just an hour and a quarter to tip off the authorities, spare Gov. Grant, and find out what Smith and Jones are trying to do, along with saving his daughter’s life. He finds a much-needed ally in one-legged shoe-shine man Huey (Charles S. Dutton). Most of the action in Nick of Time occurs in “real time,” meaning that the passage of time on screen matches that of real life, as the frequent shots of clocks and watches will attest.

A dark, bitter commentary on modern American life cloaked in the form of a surrealist western, Jim Jarmusch’s Dead Man stars Johnny Depp as William Blake, a newly-orphaned accountant who leaves his home in Cleveland to accept a job in the frontier town of Machine. Upon his arrival, Blake is told by the factory owner Dickinson (Robert Mitchum) that the job has already been filled. Dejectedly, he enters a nearby tavern, ultimately spending the night with a former prostitute. A violent altercation with the woman’s lover (Gabriel Byrne), also Dickinson’s son, leaves Blake a murderer as well as mortally wounded, a bullet lodged dangerously close to his heart. He flees into the wilderness, where a Native American named Nobody (Gary Farmer) mistakes Blake for the English poet William Blake and determines that he will be Blake’s guide in his protracted passage into the spirit world.

When Catherine Spaak’s husband dies, she discovers a hitherto hidden room on their estate. The room is surrounded by mirrors and curious sexual devices; when Spaak takes a peek at hubby’s diary, she learns he was carrying on a secret life that made Sacher-Masoch and Krafft-Ebbing look like pikers. Deciding that if you can’t beat ‘em, join ‘em, Spaak begins to conduct her own kinky sex life. Doctor Jean-Louis Trintigant, who sincerely loves Spaak, tries to deflect her from whips, boots and handcuffs, but before long he too succumbs to the seductions of aberrant behavior. Libertine was originally released in Italy as La Matriarca.

John Waters does a quirky spin on ’50s nostalgia in Cry-Baby, his musical homage to Rebel Without a Cause and Romeo and Juliet. Set in Baltimore in 1954 at the birth of rock & roll, the film features Johnny Depp as Wade “Cry-Baby” Walker. Depp is pure charisma as a juvenile delinquent with a permanent tear slithering down his cheek, a reminder of his state-executed parents. In the depths of his despair appears goody-goody girl Allison (Amy Locane), who has a sexual crush on Cry-Baby. But Allison’s Pat Boone-like boyfriend, Baldwin (Stephen E. Miller), the leader of the squares, is dead set against Cry-Baby and the rest of the juvenile delinquents and leads a revolt against them. In the resultant riot, the juvenile delinquents are blamed for the chaos, and Cry-Baby finds himself dispatched to reform school.

Washington Irving’s tale of Ichabod Crane and the Headless Horseman gets a few new twists in a screen adaptation directed by Tim Burton. In this version, Ichabod (Johnny Depp) is a New York City detective whose unorthodox techniques and penchant for gadgets make him unpopular with is colleagues. He is sent to the remote town of Sleepy Hollow to investigate a series of bizarre murders, in which a number of people have been found dead in the woods, with their heads cut off. Local legend has it that a Hessian ghost rides through the woods on horseback, lopping off the heads of the unsuspecting and unbelieving. Ichabod refuses to believe in this legend, convinced that there must be a logical explanation for the murders. In time, Ichabod becomes smitten with a local lass, Katrina Van Tassel (Christina Ricci), who is the sweetheart of the burly Brom Bones (Casper Van Dien), and he becomes determined to capture the murderer to prove his bravery and win her heart. Christopher Walken, Jeffrey Jones, and Christopher Lee highlight the supporting cast; Lee’s appearance is particularly apt, since Burton has cited the Hammer films of the 1960s as a major influence in making this film. Andrew Kevin Walker and Tom Stoppard contributed to the screenplay.

Director Tim Burton brings his unique vision and sensibility to Roald Dahl’s classic children’s story in this lavish screen interpretation. Willy Wonka (Johnny Depp) is the secretive and wildly imaginative man behind the world’s most celebrated candy company, and while the Wonka factory is famously closed to visitors, the reclusive candy man decides to give five lucky children a chance to see the inside of his operation by placing “golden tickets” in five randomly selected chocolate bars. Charlie Bucket (Freddie Highmore), whose poor but loving family lives literally in the shadow of the Wonka factory, is lucky enough to obtain one of the tickets, and Charlie, escorted by his Grandpa Joe (David Kelly), is in for the ride of a lifetime as he tours the strange and remarkable world of Wonka with fellow winners, media-obsessed Mike Teavee (Jordan Fry), harsh and greedy Veruca Salt (Julia Winter), gluttonous Augustus Gloop (Philip Wiegratz), and ultra-competitive Violet Beauregarde (AnnaSophia Robb). Over the course of the day, some of the children will learn difficult lessons about themselves, and one will go on to become Wonka’s new right hand. Charlie and the Chocolate Factory also stars Christopher Lee, James Fox, and Noah Taylor; the book was famously adapted to the screen before in 1971 under the title Willy Wonka and the Chocolate Factory, with Gene Wilder as the eccentric candy tycoon.

Director Gore Verbinski and the crew set sail once again for this, the third chapter in the swashbuckling Pirates of the Caribbean trilogy. Captain Jack Sparrow (Johnny Depp) is hopelessly trapped in Davy Jones’ locker after a harrowing encounter with the dreaded Kracken, and now Will Turner (Orlando Bloom) and Elizabeth Swann (Keira Knightley) must align themselves with the nefarious Captain Barbossa (Geoffrey Rush) if they hold out any hope of saving their old friend from a fate worse than death. The East India Trading Company and it’s fearsome leader Lord Cutler Beckett (Tom Hollander) have taken control of the ghostly Flying Dutchman and it’s Captain Davy Jones (Bill Nighy), and now the baleful Admiral Norrington (Jack Davenport) has taken the helm in a relentless bid to destroy every pirate ship in his path and bring the Age of Piracy to a violent close. Meanwhile, Will, Elizabeth, and Captain Barbossa navigate treacherous waters and face bitter betrayal as they set sail to gather the only army that can stand up to Beckett — The Nine Lords of the Brethren Court. But Captain Jack Sparrow is one of the Lords, and as long as he’s stuck in Davy Jones’ locker Beckett and his nefarious armada are sure to emerge victorious. There’s still hope, however, if the heroic team that includes Tia Dalma (Naomie Harris), Pintel (Lee Arenberg), and Ragetti (Mackenzie Crook) can reach exotic Singapore and convince vulpine pirate Sao Feng (Chow Yun-Fat) to provide them with charts and a ship. But even the powerful Brethren Court may need a bit of help from volatile sea goddess Calypso in order to weather the coming storm. With the entire future of the pirate way at stake, everyone will be forced to choose sides while drifting precariously to the edge of the Earth for one final, spectacular battle.