Bovie Movie

A turning point in 20th century war history is the focus of this fact-based account of the 1942-1943 battle of Stalingrad, in which the Germans were finally defeated by Russian influence — one of the bloodiest battles in World War II history. The film stars Jude Law as Vassili, a marksman from the Urals who is transported to Stalingrad in 1942, and a master German sniper, Major Koenig (Ed Harris). Koenig, an expert German sniper, is determined to eliminate his formidable opponent by any means necessary; meanwhile, Vassili has joined forces with Danilov (Joseph Fiennes), a young Russian political adversary, who is impressed by Vassili’s skills and raises his profile in the Soviet Union. Both Vassili and Danilov become involved with Tanya (Rachel Weisz), whose Jewish parents have been captured by the Germans and have forced her to take up with the men on a sniper expedition. Koenig and Vassili begin to develop traps for each other, until fate inevitably must bring the two sharpshooters together. This large-scale production, financed mostly by Teuton companies, also features Bob Hoskins as Nikita Krushchev and Ron Perlman as an aging Russian sniper.

Screen newcomer Joseph Cross portrays Augusten Burroughs in director Ryan Murphy’s film adaptation of author Burroughs’ best-selling personal memoir of the same name. A child of the 1970s whose alcoholic father Norman (Alec Baldwin) and delusional, unpublished poet mother Deidre (Annette Benning) serve as the dictionary definition of the word “dysfunctional,” Augusten is sent by his mother to live with her eccentric psychiatrist Dr. Finch (Brian Cox) when his disagreeable parents ultimately decide terminate their turbulent marriage. Suddenly thrust into an environment that is as unfamiliar as it is unpredictable, young Augusten forms a curious relationship with the doctor’s two whimsical daughters while learning to adapt and survive under even the most unusual of circumstances.

After the death of her crane-driving husband in Germany in the 1930s, Ella must find some way to earn a living. Donning her husband’s clothes, she takes up his old profession, which she learned by watching him at it. Taken for a man, she is completely enthralled by the way men behave when away from women, particularly the rough, working-class men she is impersonating. She keeps the disguise, serves as a (male) soldier during the war, and works on a farm and then a factory afterwards — all the while as a man. She even falls in love as a man. Eventually, she retires to a tiny apartment and more or less returns to her original persona but tells her story with gusto. Derek Jarman fans will be particularly pleased to see his favorite actress Tilda Swinton in this robust and interesting role.

The legendary rogue of the seven seas confronts a new assortment of dangers and thrills in this animated action-adventure tale. Sinbad (voice of Brad Pitt) and his crews of pirate adventurers are hoping to retire to Fiji, and they discover a treasure that could make that possible — the Book of Peace, which has kept the Twelve Cities in harmony for centuries. But Sinbad’s plan to snatch the magic book is complicated when he learns it’s on board a ship captained by his longtime friend Proteus (voice of Joseph Fiennes). While Sinbad still has his eye on the book, so does the mischievous goddess Eris (voice of Michelle Pfeifer), who sends a deadly sea monster into Sinbad’s path to scuttle his plans. With the help of Proteus, Sinbad prevails over the beast, and determined Eris responds by snatching the book and framing Sinbad for the crime. Noble Proteus offers to step in for Sinbad and take his punishment, so now the adventurer has ten days to rescue the book from Eris or Proteus will pay with his life. While Sinbad is at first uncertain if he should take on such a dangerous assignment or simply high-tail it to Fiji, someone is on hand to persuade him — Marina (voice of Catherine Zeta-Jones), Proteus’ lovely but hard-headed fianc?e, who has stowed away on Sinbad’s ship. Sinbad: Legend of the Seven Seas was the first animated feature written by John Logan, who received an Oscar nomination for his script for Gladiator.

Writer/director Paul Schrader explored his well-documented interest in film noir with this modern-day crime story. A horribly disfigured man named Manuel Esquema (Joseph Fiennes) is called upon to help out Mark Brice (Ray Liotta), a former city councilman in a wealthy New York community. Brice has been accused of some serious financial irregularities, and Esquema is the sort of “fixer” who might be able to make his problems go away. Mark, however, doesn’t recognize Esquema as the former Alan Ripley, who was working as a towel boy at the Florida resort where Mark and his wife Ella (Gretchen Mol) were honeymooning shortly after their marriage. Alan became obsessed with Ella the moment he saw her, and before long the two were engaged in a torrid affair. Ripley urged Ella to leave Mark for him, but she refused; Ripley followed them to New York, and when Ella eventually confessed her infidelity to Mark, he responded by shooting off half of Alan’s face. Alan survives and builds a new (and sinister) life for himself, but when Mark hires Esquema to help him, the former Alan’s obsession with Ella blooms anew. Forever Mine was screened in competition at the 1999 Toronto Film Festival.

William Shakespeare (Joseph Fiennes) is on a cold streak. Not only is he writing for Philip Henslowe (Geoffrey Rush), owner of “The Rose,” a theatre whose doors are about to be closed by sadistic creditors, but he’s got a nasty case of writer’s block. Shakespeare hasn’t written a hit in years. In fact, he hasn’t written much of anything recently. Thus, the Bard finds himself in quite a bind when Henslowe, desperate to stave off another round of hot-coals-to-feet application, stakes The Rose’s solvency on Shakespeare’s new comedy, “Romeo and Ethel, the Pirate’s Daughter.” The problem is, “Romeo” is safely “locked away” in Shakespeare’s head, which is to say that not a word of it is written. Meanwhile, the lovely Lady Viola (Gwyneth Paltrow) is an ardent theatre-goer — scandalous for a woman of her breeding — who especially admires Shakespeare’s plays and, not incidentally, Bill himself. Alas, she’s about to be sold as property into a loveless marriage by her mercenary father and shipped off to a Virginia tobacco plantation. But not before dressing up as a young man and winning the part of Romeo in the embryonic play. Shakespeare soon discovers the deception and goes along with it, using the blossoming love affair to ignite his muse. As William and Viola’s romance grows in intensity and spirals towards its inevitable culmination, so, too, does the farcical comedy about Romeo and pirates transform into the timeless tragedy that is Romeo and Juliet.