Bovie Movie

Ten-year-old Gabe was just a normal kid growing up in Manhattan, untill Rosemary Telesco walked into his life actually into his karate class. But, before Gabe can tell Rosemary how he feels, she tells him she will not being going to public school any more. Gabe has a lot more to learn about life,love and girls.

One man’s life is thrown into turmoil by picking up a telephone in this claustrophobic thriller. Stu Shepard (Colin Farrell) is a brash, cynical, and self-centered public relations man who juggles a busy career with both a wife, Kelly (Radha Mitchell), and a mistress, Pamela (Katie Holmes). Stu steps into a phone booth on a busy New York street to make a call to Pamela without Kelly being the wiser, but as soon as Stu hangs up, the phone begins to ring. Curious, Stu picks it up — and a stranger on the other end (voice of Kiefer Sutherland) informs him that if he hangs up the phone, he’ll be shot. The red dot of an infrared rifle scope convinces Stu that the caller means business, and when another man tries to make his way into the booth, he’s shot mere inches from Stu, calling the attention of the police. Captain Ramey (Forest Whitaker) naturally assumes that Stu was the killer, as Stu struggles to find a way to convince the police of what’s happening before more lives are lost, without leaving the booth and putting his own life on the line. At one time proposed as a vehicle for Jim Carrey, Phone Booth was directed by Joel Schumacher, from a screenplay by exploitation icon Larry Cohen.

High school student Dawn works hard at suppressing her budding sexuality by being the local chastity group’s most active participant. Her task is made even more difficult by her bad boy stepbrother Brad’s increasingly provocative behavior at home. A stranger to her own body, innocent Dawn discovers she has a toothed vagina when she becomes the object of violence. As she struggles to comprehend her anatomical uniqueness, Dawn experiences both the pitfalls and the power of being a living example of the vagina dentata myth.

An unremarkable administrative assistant finds her life going to the dogs both literally and figuratively in actor/screenwriter-turned-director Mike White’s dark comedy drama. An inexplicably cheerful office worker whose somewhat sad excuse for a life seems to revolve around her pet beagle Pencil, Peggy (Molly Shannon) seems to relate better to her four-legged friend than she does to most humans. Most of her person-to-person interaction revolves around doting on other people’s children and treating her co-workers to daily donuts, and Peggy just doesn’t find much solace in the company of her know-it-all sister-in-law Bret (Laura Dern) or her anxiety-prone boss Robin (Josh Pais). When Peggy’s dog Pencil is taken before his time, the devastated dog-lover is wracked with guilt. Now desperate to fill the gaping void that has suddenly opened in her life, Peggy agrees to a date with her gun-nut neighbor Al (John C. Reilly) that ends in disaster when she begins to suspect that the boorish brute may have in fact poisoned her ill-fated pooch. Later, after adopting every dog at the local pound and transforming herself into an overzealous animal-rights activist, the increasingly unhinged Peggy reaches out to asexual activist Newt (Peter Sarsgaard) in a last-grasp attempt at forming a human connection that is met with casual indifference.

This little-known Robert DeNiro film is set several years after the war in Vietnam. DeNiro plays an unpredictably explosive war veteran, while Ed Harris co-stars as his army buddy, who’s trying his best to forget his Vietnamese experiences by crawling into a bottle. While visiting Harris and Harris’ sister Kathy Baker, DeNiro frightens both with his neurotic ramblings. Still, Baker is grateful that DeNiro’s presence seems to be lifting Harris out of his deep funk. She encourages DeNiro to stay on for a while, thereby setting the stage for a blossoming romance. Baker has no way of knowing that Harris’ depression has been brought about by the death of a wartime pal–a death he blames on DeNiro. Violence threatens to erupt at every turn in Jacknife, but the film refuses to play down to its audience by wallowing in the obvious.