Bovie Movie

Defense attorney Claire Kubik (Ashley Judd) seems to have the perfect life. She has a high profile job at a big firm, a beautiful home outside San Francisco, and a husband, Tom (James Caviezel of The Thin Red Line), who loves her. Claire’s biggest problem appears to be that she wants to have a baby, and she’s having trouble getting pregnant. But when the police investigate a routine break-in at her home, they uncover the truth about her husband’s identity, and her life is thrown into turmoil. Claire finds out that her husband’s name is actually Ron Chapman, and that he’s an ex-marine accused of murdering seven innocent civilians in El Salvador during a raid in the late ’80s. He admits that he was there, and that he changed his identity to escape prosecution for the crimes, but he insists that he’s innocent, and that the massacre was committed by another soldier under the orders of a powerful general (Bruce Davison), who is using Ron as a patsy to cover it up. Claire is eventually convinced that Ron’s telling the truth. Faced with defending her husband in an unfamiliar military courtroom, Claire enlists the aid of Charles Grimes (Morgan Freeman), an ex-Army judge advocate with an axe to grind. Stonewalled by the military bureaucracy at every turn, they uncover a web of deception and disappearing witnesses, and they soon find their own lives in danger. High Crimes was adapted from Joseph Finder’s novel by the husband and wife screenwriting team of Yuri Zeltser and Cary Bickley. The film was directed by Carl Franklin (One False Move), and co-stars Amanda Peet and Adam Scott.

Carlos (Manny Perez) is a talented artist who draws comics for a living. He’s desperate to move out of his Washington Heights neighborhood. His girlfriend, Maggie (Andrea Navedo) feels more connected to the neighborhood. She’s not so eager to leave. Carlos’s best friend, Mickey (Danny Hoch), works as a super in the building his father owns, but he dreams of being a professional bowler. He’s scheming to raise three grand to enter an open tournament in Las Vegas. Carlos’s father, Eddie (accomplished Cuban-born actor Tomas Milian, who starred in Michelangelo Antonioni’s Indentificazione di una donna), owns a neighborhood grocery store, and is well-liked in the neighborhood for his friendly way of doing business. Despite his advanced age, he’s also a ladies’ man, and was so even before Carlos’s mother passed away. His philandering ways account for a lot of the tension between father and son. Carlos wants to draw his own comic book, but his boss, David (David Zayas) tells him that while he’s got technical ability, his work is soulless. But Carlos’s plans for the future are disrupted when Eddie is shot and critically wounded during a robbery at the store. Carlos resentfully takes care of his ailing father, and runs the store until Eddie can go back to work. Carlos’s growing understanding of his community, and his father’s importance to it, is reflected in his work, and he has a creative breakthrough. Meanwhile, Mickey’s moneymaking schemes get him into trouble with Angel (Bobby Cannavale), Maggie’s gangster brother. Washington Heights was directed by Alfredo De Villa, who wrote the script with Nat Moss. Novelist Junot Diaz (Drown) wrote additional dialogue. The film was shown at the 2002 Urbanworld Film Festival, and at the 2002 Tribeca Film Festival, where it received a Special Mention.

Shot almost entirely on a two-and-a-half-story recreation of a full-size operating airport terminal, this romantic comedy from director Steven Spielberg revolves around an Eastern European man by the name of Viktor Navorski (Tom Hanks), whose plans of immigrating to New York were hastened by a violent coup in his home country. Unfortunately, Viktor finds himself on the wrong end of a nasty technicality while en route to America: His passport was issued from a country, which, during its upheaval, ceased to exist in an official capacity. Unauthorized to leave Kennedy Airport upon his arrival and unable to return home, Viktor finds himself exiled inside the terminal’s international transit lounge. Though airport official Frank Dixon (Stanley Tucci) views Viktor as an annoying bureaucratic glitch, other airport employees — including a beautiful flight attendant by the name of Amelia (Catherine Zeta-Jones) — come to see him as a welcome, if unofficial, addition to their numbers. As the days stretch on into months, the terminal transforms from an intimidating atmosphere of forced assimilation into a country within itself, complete with culture, ambition, status, complex diversity, and the need for love. The supporting cast includes Diego Luna, Chi McBride, Kumar Pallana, Zoe Saldana, Eddie Jones, and Jude Ciccolella.

Can a high-attitude African-American politician who says what he thinks stand a chance in a presidential campaign? Mays Gilliam (Chris Rock) is a straight-talking alderman representing a inner-city neighborhood in Washington, D.C. In the midst of a hard-fought race for the White House, the Democratic presidential and vice-presidential candidates are killed in an airline crash, and with little time to prepare a new campaign, the Republican candidate, Vice President Brian Lewis (Nick Searcy), seems all but guaranteed to win. With practically nothing to loose, party head Martin Geller (Dylan Baker) approaches Gilliam and asks him to stand as the Democrat’s presidential candidate. While Gilliam is dubious at first, before long his streetwise style and willingness to face the issues head-on earns him surprising figures in the polls, especially after he persuades his short-fused older brother, Mitch Gilliam (Bernie Mac), to join the ticket as vice presidential candidate — a big jump for a bail bondsman. Gilliam’s love life also becomes more complicated as his ex-girlfriend Kim (Robin Givens) decides she wants him back now that he has a shot at the White House, even though Gilliam only has eyes for Lisa (Tamala Jones). Head of State marked the directorial debut for comic and actor Chris Rock, who also co-wrote and co-produced the film.

The tenth film in Paramount’s highly lucrative sci-fi franchise is also positioned as the last for the entire original Next Generation crew. En route to the honeymoon of William Riker (Jonathan Frakes) to Deanna Troi (Marina Sirtis) on her home planet of Betazed, Captain Jean-Luc Picard (Patrick Stewart) and the crew of the U.S.S. Enterprise receive energy readings identical to those uniquely emitted by the positronic brain of android crew member Data (Brent Spiner). Upon investigation, they discover the disassembled parts of an identical android named B4, an early prototype of Data himself, now scattered on the surface of a remote world. As they reassemble B4, the crew receives word from Starfleet that a coup has resulted in the installation of a new Romulan political leader, Shinzon (Tom Hardy), who claims to seek détente with the human-backed United Federation of Planets. As commander of the closest starship to Romulus, Picard is ordered there to negotiate with Shinzon. Once in enemy territory, the captain and his crew make a startling discovery: Shinzon is human, a slave from the Romulan sister planet of Remus (the residents of which are vampire-like creatures that dwell on the perpetually dark side of their home world), and has a secret, shocking relationship to Picard himself. It soon becomes clear that Shinzon has lured the Enterprise to Romulus using B4 as bait and that his sinister ulterior motives include the destruction of Earth. A vicious battle between the Enterprise and Shinzon’s powerful warship ensues, resulting in heartbreaking heroics and a devastating casualty. Star Trek: Nemesis was written by long-time Trek fan and Oscar-nominated screenwriter John Logan. Regular cast members Michael Dorn, LeVar Burton, Gates McFadden, and Whoopi Goldberg co-star with Ron Perlman, Dina Meyer, and Steven Culp.

The Eisner Award-winning comic series Sin City comes to life in this live-action feature adaptation from director Robert Rodriguez and creator Frank Miller. Interweaving multiple storylines from the series’ history, this violent crime noir paints the picture of the ultimate town without pity through the eyes of its roughest characters. There’s the street thug Marv (Mickey Rourke), whose desperate quest to find the killer of a prostitute named Goldie (Jaime King) will lead him to the foulest edges of town. Inhabiting many of those areas is Dwight (Clive Owen), a photographer in league with the sordid ladies of Sin City, headed by Gail (Rosario Dawson), who opens up a mess of trouble after tangling with a corrupt cop by the name of Jackie Boy (Benicio Del Toro). Finally, there’s Hartigan (Bruce Willis), an ex-cop with a heart problem who’s hell-bent on protecting a stripper named Nancy (Jessica Alba). Featuring a who’s who supporting cast that includes Elijah Wood, Brittany Murphy, Devon Aoki, and Nick Stahl, Sin City promises to be one of the most direct translations from page to screen of a comic series, with shots and dialogue adapted straight from the original comic’s panels. Rodriguez quit the Director’s Guild when they refused to let Frank Miller co-direct the film, a deal hashed out after the two collaborators developed and shot the opening scene utilizing a green-screen process to harness the stark, black-and-white look of the books as a litmus test for the rest of the production. Quentin Tarantino was brought in and reportedly paid one dollar to direct an extended scene between Del Toro and Owen that amounts to one issue of The Big Fat Kill miniseries.

In 1946, a banker named Andy Dufresne (Tim Robbins) is convicted of a double murder, even though he stubbornly proclaims his innocence. He’s sentenced to a life term at the Shawshank State Prison in Maine, where another lifer, Ellis “Red” Redding (Morgan Freeman), picks him as the new recruit most likely to crack under the pressure. The ugly realities of prison life are quickly introduced to Andy: a corrupt warden (Bob Gunton), sadistic guards led by Capt. Byron Hadley (Clancy Brown), and inmates who are little better than animals, willing to use rape or beatings to insure their dominance. But Andy does not crack: he has the hope of the truly innocent, which (together with his smarts) allow him to prevail behind bars. He uses his banking skills to win favor with the warden and the guards, doing the books for Norton’s illegal business schemes and keeping an eye on the investments of most of the prison staff. In exchange, he is able to improve the prison library and bring some dignity and respect back to many of the inmates, including Red. Based on a story by Stephen King, The Shawshank Redemption was the directorial debut of screenwriter Frank Darabont.