Bovie Movie

Can a beautiful and internationally famous American actress find happiness with a frumpy British bookstore clerk? She can — at least for a while, it seems — in Notting Hill. William Thacker (played by Hugh Grant) is a bookseller at a shop in the Notting Hill district in West London, who shares a house with an eccentric Welsh friend, Spike (Rhys Ifans). One day, William is minding the store when in strolls Anna Scott (Julia Roberts), a lovely and well-known actress from the United States who is in London working on a film. She buys a book from William, and she is polite and charming in the way a famous actress would be with a star-struck sales clerk. Their relationship would logically end there, if William didn’t run out a few minutes later to buy some juice. While dashing back to the shop, he bumps into Anna on the street, spilling juice all over her blouse. Since he lives nearby, William politely offers to let her stop by his house to clean up; since William seems harmless enough, Anna agrees. When Anna has to stop back to pick up a bag she left at William’s house, they kiss — just in time for Spike to show up. A romance slowly blooms as his friends and family (not to mention the world at large) wonder out loud what he’s doing dating a movie star. Notting Hill reunites Hugh Grant with producer Duncan Kenworthy and screenwriter Richard Curtis, who previously worked together on the international hit Four Weddings And A Funeral.

Jerry Fletcher (Mel Gibson) is a New York City cab driver who seems to have absorbed every bit of crackpot information passed along as “suppressed news” that’s surfaced on talk radio or the Internet in the past 20 years. Anti-United Nations militia men who are actually U.N. operatives? NASA scientists engineering earthquakes? Oliver Stone’s secret life as a government agent discrediting conspiracy theorists? Jerry’s heard ‘em all and believes most of them, and even publishes his own journal of forbidden information, with a subscription list that now totals five people. In short, Jerry seems like just another New York City lunatic, and while he spends a fair amount of his spare time following Alice Sutton (Julia Roberts), a government attorney, Alice regards him as harmless; he once intervened while she was being mugged, and he’s been acting like her benign if whacked-out protector ever since. However, one day Jerry is kidnapped and worked over by CIA operatives; he is convinced that one of the theories he uncovered must be for real — but he has no idea which one. He tries to get Alice to help him, and before long both are drawn into a dangerous web that leads to a startling revelation of just how Jerry got this way. Mel Gibson gives a fine comic performance, and those with a taste for alternative media will have fun dissecting which of the theories Jerry spouts are “real” (or at least appeared before this film was made) and which were the invention of the screenwriters.

Self-involved corporate raider Edward Lewis (Richard Gere) has recently split up with his girlfriend. Seeking directions to the Beverly Hills Hotel, he makes the acquaintance of free-spirited hooker Vivian Ward (Julia Roberts) and decides to put her on a 3,000-dollar retainer as his “date.” He Cinderellarizes her by bankrolling a full wardrobe and cosmetic makeover. Of course, the setup will be strictly platonic. A disarming modern-day fairy tale, Pretty Woman was the picture that made Julia Roberts a superstar. As charming as she is in her “giggling” sequences, Roberts’ best scene is her triumphant return to a posh Rodeo Drive shop where she’d been previously snubbed. Keeping Pretty Woman afloat throughout is the buoyant direction of Garry Marshall and the always welcome presence of Marshall’s stock company of actors, including Hector Elizondo as a stuffy but golden-hearted concierge. Pretty Woman began its life as a much darker story of prostitutes and homicidal drug dealers, but more box-office-savvy heads ultimately prevailed.

A clumsy criminal is put in a position where he not only has to save his own skin, but that of his girlfriend in this comedy with strong undercurrents of romance. Jerry Welbach (Brad Pitt) is a low-level Mafia “mechanic” whose ineptitude is countered by frequent (but unpredictable) bursts of dumb luck. Jerry’s girlfriend Samantha (Julia Roberts) wants him to get out of the business, and after his latest blunder lands capo Arnold Margolese (Gene Hackman) in jail, so does mid-level crime kingpin Bernie Nayman (Bob Balaban). But Bernie insists that Jerry do one last errand for the mob before they let him find employment elsewhere — he has to go to Mexico and recover a rare and very valuable pistol, which is said to be cursed. While Samantha objects to Jerry taking the assignment, he isn’t in much of a position to argue; Jerry heads south of the border, while Samantha, in a huff, sets out for Las Vegas. Once in Mexico, Jerry finds the pistol easily enough, but making his way back to the States proves to be an unexpected challenge. Meanwhile, Jerry’s superiors want insurance that he’ll return with the goods, so they hire Leroy (James Gandolfini), a hitman, to kidnap Samantha and hold her hostage until Jerry comes back. However, Samantha and Leroy quickly strike up a friendship, and she soon learns the gunman has a sensitive side he doesn’t show to the world — along with a few other secrets. The Mexican marked the first screen pairing for mega-stars Julia Roberts and Brad Pitt — though, given the film’s narrative arc, they play only a handful of scenes together. The film was directed by Gore Verbinski, who won awards for his work in commercials before breaking through with the quirky family comedy Mouse Hunt.

Set in 1953, Mona Lisa Smile tells the story of Katherine Watson (Julia Roberts), a new young art history professor at Wellesley College, an all-female campus with a prestigious reputation for academic excellence. Unfortunately for free-minded Berkeley grad Watson, her East Coast teaching stint comes during a less-progressive time that finds most of her students — among them Betty Warren (Kirsten Dunst), Joan Brandwyn (Julia Stiles), and Giselle Levy (Maggie Gyllenhaal) — more interested in nabbing a good husband than achieving scholastic and intellectual growth. Watson challenges her students and the Wellesley faculty to think outside of the current mores of the community and redefine what it means to be a success; meanwhile, she tries to come to terms with her own heart’s desires. Mona Lisa Smile co-stars Marcia Gay Harden, Juliet Stevenson, and, as Watson’s conflicting love interests, Dominic West and John Slattery.

Julia Roberts stars in this legal drama based on the true story of a woman who helped win the largest settlement ever paid in a direct-action lawsuit. Erin Brockovich (Roberts) is a single mother of three who, after losing a personal injury lawsuit, asks her lawyer, Ed Masry (Albert Finney), if he can help her find a job. Ed gives her work as a file clerk in his office, and she runs across some information on a little-known case filed against Pacific Gas and Electric. Erin begins digging into the particulars of the case, convinced that the facts simply don’t add up, and persuades Ed to allow her to do further research; in time, she discovers a systematic cover-up of the industrial poisoning of a city’s water supply, which threatens the health of the entire community. Erin Brockovich was directed by Steven Soderbergh; Julia Roberts earned a $20 million payday for her work on the film, the highest salary paid to a female film star up to that time.

Steven Spielberg filters J. M. Barrie’s Peter Pan through a distinctly 1990s sensibility in Hook. Peter Pan has become Peter Banning (Robin Williams), a 40-year-old mergers and acquisitions lawyer with a permanent scowl on his face and a cellular phone in his belt. Banning has lost any memory of being Peter Pan, and he is also in danger of losing his wife Moira (Caroline Goodall) and two children, Jack (Charlie Korsmo) and Maggie (Amber Scott). Peter and his family travel to London to visit Granny Wendy (Maggie Smith) who recalls Peter’s lost youth and asks him, “Peter, dear, don’t you know who you are?” With Peter’s children asleep in the same bedroom where the original Peter Pan story began, there is a blinding flash. Peter comes into the room to discover a note from Captain Hook (Dustin Hoffman), informing Peter that he has kidnapped his children. Granny Wendy now tells him who he really is and encourages him to re-discover his happy thoughts, transform himself into the Peter Pan of the past, and go rescue his children. With the encouragement of Tinkerbell (Julia Roberts), Peter recalls the birth of his son and once again takes wing. Then it’s off to Never Land to rescue his kids.