Bovie Movie

Jane Austen’s perennially popular story of the game of love among the British upper classes returns to the screen in this polished film adaptation. The Bennetts (Brenda Blethyn and Donald Sutherland) are the parents of five daughters near the close of the 18th century. Comfortable within their means but well short of rich, Mr. and Mrs. Bennett are looking for suitable husbands for their girls, and they are encouraged to learn that an eligible young bachelor from a wealthy family, Charles Bingley (Simon Woods), has moved into a nearby estate. Eager to see if a match can be made, the Bennetts bring their daughters Elizabeth (Keira Knightley) and Jane (Rosamund Pike) to a ball thrown by their new neighbor to see if sparks will fly. Jane seems to like Charles, and he appears to feel the same, but Elizabeth takes an immediate dislike to Darcy (Matthew MacFadyen), Charles’ egocentric best friend. While Elizabeth is infatuated with military man Lt. Wickham (Rupert Friend) and finds herself courted by William Collins (Tom Hollander), a well-meaning but drab man of the cloth, fate causes Elizabeth and Darcy to frequently cross paths, and while they don’t care for one another, they can’t stop thinking about each other, either. Pride & Prejudice also stars Jena Malone, Judi Dench, and Penelope Wilton.

Australian filmmaker known for such classics as The Chant of Jimmie Blacksmith and Six Degrees of Separation, Fred Schepisi tells this story about a group of lifelong chums coming to terms with their friend’s death, based on a prize-winning novel by Graham Swift. When Jack Dodd (Michael Caine) passes on, his three best buddies (Tom Courtenay, Bob Hoskins, and David Hemmings) along with his son (Ray Winstone) carry out his last wish — to have his ashes cast off the pier of the seaside town of Margate, where he and his beloved wife honeymooned and where he hoped to retire. As the group venture to the coast in a large black Mercedes, they reminisce about their younger, wilder days. Eventually, they end up in a pub where, in a haze of beer and tears, secrets are unveiled. Meanwhile, Jack’s wife, Amy (Helen Mirren), visits the mentally disabled daughter that Jack refused to acknowledge. This film was screened at the 2001 Toronto Film Festival.

A recently widowed eccentric with money to burn and no intentions of settling down enlists the aide of a showbiz professional to transform a run-down theater in Soho into London’s most innovative entertainment hot spot in director Stephen Frears’ cinematic account of the groundbreaking Windmill Theater. The year is 1937 and, despite having recently lost her husband, 69-year-old Laura Henderson (Judy Dench) remains as ambitious and vital as ever. Aghast at her friend Lady Conway’s (Thelma Barlow) suggestion that she take up a mundane hobby such as diamond collecting to pass the time, Mrs. Henderson instead shocks her well-to-do social circle by purchasing the ramshackle Windmill Theater in the heart of downtown Soho. Unafraid to take a risk in the venture, yet lacking the experience needed to run the theater, Mrs. Henderson brings in showbiz veteran Vivian Van Damm (Bob Hoskins) to line up an opening act that will set the stage ablaze. When the ever-curious Mrs. Henderson’s intrusive spying begins to impede on Mr. Van Damm’s creative progress, the frustrated theater manager has her banished from rehearsals. Though Van Damm’s innovative idea to stage an unending stream of entertainment dubbed “Revudeville” proves a wild and profitable success, the Windmill begins to suffer when other local theaters quickly follow suit. Now faced with the prospect of seeing her once-lucrative endeavor fall by the wayside due to the unoriginality of the copycats who surround her, Mrs. Henderson decides to show audiences something they’ve never seen before by making the Windmill the first theater to feature nude female entertainers live on-stage.