Bovie Movie

From writer/director David Koepp (Stir of Echoes) comes this filmed adaptation of Stephen King’s novella Secret Window, Secret Garden, one of four stories in the collection Four Past Midnight. Johnny Depp stars as Mort Rainey, a recently divorced author who decides to take some time off at his cottage. Unfortunately for Rainey, John Shooter (John Turturro), an unbalanced wannabe writer, tracks him down, claiming that Rainey plagiarized his work. Also starring Maria Bello, Charles S. Dutton, and Timothy Hutton, Secret Window is the second story from Four Past Midnight to be adapted as a film, the first being 1995’s made-for-television The Langoliers.

A beautiful but reserved criminal psychiatrist must deal with the obsessive stalking of a dangerous killer in this erotically charged thriller. The film’s central tension emerges from the relationship between Dr. Sarah Taylor (Rebecca DeMornay), a highly professional psychologist, and a handsome stranger, Tony Ramirez (Antonio Banderas). After randomly encountering Tony in a supermarket, the normally aloof Sarah lets her guard down and embarks on a passionate sexual affair with the Latino charmer. Soon afterward, however, Sarah receives a series of disturbing threats from an unknown stalker. Her suspicions immediately fall on Tony, as she realizes how little she knows about her new lover. Her fear throws a shadow over their relationship, and her doubts increase as she learns more about Tony’s dangerous past. Director Peter J. Hall maintains a fast pace and attempts to keep audiences guessing, introducing additional suspects from an imprisoned serial killer (Harry Dean Stanton) to the next-door neighbor (Dennis Miller). The characters rarely transcend standard thriller types, and the uneven screenplay does not have a satisfying ending, but the chemistry between DeMornay and Banderas may keep their fans interested along the way.

A writer renowned for debunking infamous paranormal events is confronted by a force that he cannot explain upon checking into room 1408 of the notoriously haunted Dolphin Hotel. Mike Enslin (John Cusack) is an author who specializes in horror, but who only believes in what he can see with his eyes and touch with his hands. Having constructed an entire career on his ability to dispel superstitious “haunted house” rumors, Mike is convinced that the afterlife is a manmade construct designed to offer false comfort to the weak minded. Mike’s latest project is a book entitled “Ten Nights in Haunted Hotel Rooms,” and it seems that in room 1408 of the Dolphin Hotel, this skeptical scribe may finally find proof of the supernatural. Implored by the hotel manager (Samuel L. Jackson) not to enter room 1408, Mike defiantly procures the key and prepares to dispel yet another spectral sham. Now, as is the case with many of life’s most profound epiphanies, the writer who thought he knew it all is caught entirely off guard at the precise moment he least expected it. Subsequently faced with undeniable proof of an afterlife, Mike may have a best-seller on his hands if he can simply survive until sunrise. Mary McCormack and Jasmine Jessica Anthony co-star in director Mikael H?fstr?m’s (Derailed) adaptation of an original short story by horror icon Stephen King.

In this action thriller, a group of Islamic terrorists, led by Nagi Hassan (David Suchet), highjacks a 747 jetliner with 400 passengers aboard, but Lt. Col. Austin Travis (Steven Seagal), a United States intelligence agent, is convinced that this isn’t an ordinary case of air piracy. His suspicions are soon confirmed; Hassan’s men have obtained a large cache of stolen Soviet nerve gas, and they are using the 747 to smuggle the deadly gas into the United States, where they intend to use it to wipe out Washington D.C. and possibly the entire East Coast. As the jet approaches the U. S., engineer Dennis Cahill (Oliver Platt) designs a plan in which a military plane will be able to transfer U.S. soldiers onto the 747 and regain control of the plane and its deadly cargo. However, when Travis dies in the course of the mission, intelligence agent Dr. David Grant (Kurt Russell) is forced to take his place alongside explosives expert Cappy (Joe Morton), commando Rat (John Leguizamo), and stewardess-turned-anti-terrorist Jean (Halle Berry). Executive Decision was the first directorial assignment for veteran film editor Stuart Baird; he cut the film as well.

Director Roger Donaldson teams up with star Kevin Costner for another political thriller (after their 1987 pairing, No Way Out), only this time with a film based on the actual events surrounding the Cuban missile crisis of 1962, taking place during the titular thirteen days wherein the U.S. and the Soviet Union nearly engaged in full-scale nuclear war. After President John F. Kennedy (Bruce Greenwood) is shown photographs from a spy plane detailing the presence of missiles in Cuba capable of obliterating massive areas of the U.S., he must immediately decide the most effective course of action for the country. With the aid of best friend and special assistant Kenny O’Donnell (Kevin Costner) and brother Robert (Steven Culp), the President must avoid a dire chain of events that could be dictated by General Curtis LeMay (Kevin Conway), who would rather take immediate action and invade Cuba. After initial reticence about leaking the information to the nation, President Kennedy eventually tells of the conflict, leading to widespread panic and a blockade of Cuba. With the aid of Robert McNamara (Dylan Baker) and Adlai Stevenson (Michael Fairman), the leaders must find a way to alleviate the tension of the situation. Thirteen Days also features Walter Adrian as Lyndon Johnson.